Ubuntu Music is delighted to announce the signing of tenor saxophonist Alex Western-King for his debut album release, SideSlip, on 18th June 2021.

Alex is fast becoming one of the most talked about players on the London jazz scene. Having started music at a young age, Alex gained a place at the prestigious Wells Cathedral School at the age of 11 as a specialist musician on the Clarinet. Alex first discovered his love of jazz music at the age of 12 when hearing the school big band play, however it wasn’t until eight months before his music college auditions at the age of 16 that he decided to make the daring switch to study jazz saxophone. The risk paid off and Alex gained a scholarship to the Guildhall School of Music and Drama from which he graduated with first class honours.

Alex has studied with some of the world’s leading jazz musicians including Jean Toussaint, Iain Ballamy, Stan Sulzmann, Gareth Lockrane and Alex Garnett, all of whom have made a lasting impact on his playing. Alex has had the honour of sharing the stage with some of the world's most renowned jazz musicians including Dame Cleo Laine, Alec Dankworth, Justin Stanton (Snarky Puppy), Julian Siegel, Gareth Lockrane and Alex Garnett.

Alex is a regular at the Ronnie Scott’s Late Late Show and has performed in world-renowned venues including The Royal Albert Hall, Birmingham Symphony Hall, Cadogan Hall, Union Chapel, The Vortex, Royal Festival Hall, Etihad Stadium and many others. Alex is also regularly on tour with one of the country's leading swing bands, the award-winning Down for the Count.

For his debut album, SideSlip, Alex has hand-picked some of the finest musicians from the London jazz scene to form his quartet. Revered jazz pianist Sam Leak is joined by the swingin’ combination of Jonny Wickham on bass and Jay Davis on the drums; all three musicians have impressive careers in their own right.

As Alex explains it, “This album is a meeting point between my love of straight-ahead bebop and the chaos and fragility of free jazz. For my debut album I feel very lucky to be working with musicians who are among the very best on the scene and, more importantly, are people with whom I have a close personal connection. The chemistry that myself, Sam Leak, Jonny Wickham and Jay Davis have formed over our years of playing together allows us to constantly push creative boundaries within our improvisation. The addition of James Copus as a special guest is a dream for me, as he is someone whose playing I have admired for many years. I am delighted to have had this album produced by Alex Garnett, who has been a mentor and friend to me for many years.”

Concerning his new relationship with Ubuntu, Alex elaborates: “Working with Martin (Hummel) on my debut album is a complete blessing. He has been incredibly patient and supportive throughout every step and his love for jazz music shines through in every conversation we have. This is reflected in the incredible volume of world class musicians that he is working with at Ubuntu, all of whom I look up to as inspirations. I am honoured to join the Ubuntu family.”

Martin Hummel, Director of Ubuntu Music, continues: “Alex is becoming a part of the fabric of the young and vibrant British jazz scene. He has deep respect for the roots of this music, while expressing it on his terms and in his voice. We are happy to welcome Alex to the Ubuntu Family.”

For Website, Click HERE.

Originally from Ukraine/Poland, ALINA BZHEZHINSKA has become one of the most innovative international harpists, based in London. 

She has created imaginative concert programmes and recorded with leading classical and jazz musicians: such as Django Bates, Miguel Atwood-Ferguson and the Glasgow String Quartet. Alina’s London appearances include Shakespeare’s Globe Theatre, live on BBC Radio 3, the London Jazz Festival and the London Film Festival. Her duo with award-winning jazz vocalist Niki King recently performed as a support act for Gregory Porter. Alina’s critically acclaimed Quartet with Tony Kofi (Saxophones), Larry Bartley (Bass) and Joel Prime (Drums/Percussion) has appeared at Jazz Legend Festival in Birmingham and leads the celebration of Alice Coltrane 80th Birthday at many venues around the country, including top London jazz clubs, such as The Crypt and The Vortex. Alina Bzhezhinska Quartet appeared at the London Jazz Festival 2017 in a triple bill performance along with Coltrane’ s specialist Denys Baptist and the legendary saxophonist Pharoah Sanders.
 

TONY KOFI Having 'cut his teeth' in the “Jazz Warriors” of the early 90’s, award-winning saxophonist Tony Kofi (www.tonykofimusic.com) has gone on to establish himself as a musician, teacher and composer of some authority. Tony’s playing has also been a feature of many bands and artists including “US-3” World Saxophone Quartet, Courtney Pine, Donald Byrd, Eddie Henderson, The David Murray Big Band and Sam Rivers, Andrew hill, Ornette Coleman, Nu-Troop and Jazz Jamaica. His fluent and fiery hard-bop soprano/ alto/ tenor playing is constantly in demand.

LARRY BARTLEY is a bassist / composer who has been a staple of the London & international jazz scene for the past 20 years as a side man and as a leader. His 2003 debut album, "ALONG THIS WAY" was nominated for 'best new work" in the BBC JAZZ AWARDS.
 

Larry has also played & recorded in various bands including Abdullah Ibrahim, Tony Kofi, Denys Baptiste, Ingrid Laugbrock, Stanley Turrentine, Steve Grossman, Donald Brown (of Art Blakey's Jazz Messengers), David Murray, Orrin Evans & Gary Bartz.
 

Australian drummer JOEL PRIME has become an important addition to British jazz. He was awarded most outstanding percussionist at Generations in Jazz by James Morrison, received a prestigious performance award from Downbeat magazine (USA) as a member of the Adelaide University Big Band 1. Joel also received the Helpmann Academy Award for Jazz Drums at the Elder Conservatorium and received the 2010 Helpmann Academy Award for most outstanding Honours graduate.

For Website, Click HERE.

Ubuntu Music is delighted to announce the imminent release of The Nineteen Men of Tain, in a tribute to the late guitarist, Allan Holdsworth. The date for the digital release is 9th December and proceeds which are generated will be invested into an annual festival and music contest in honour of the artist and his music.

The 13-track album features 19 artists, as the album’s title suggests, and features a stunning array of special guests, including guitarists Mike Stern and John Etheridge, drummer Paul Wertico and pianist Jason Rebello.

“I’ve had the privilege of listening to this already. I would like to thank everyone involved. I love it.”

--Lynne Holdsworth, daughter of Allan Holdsworth

The idea for the project was conceived by Italian guitarist Enrico Pinna and UK drummer Ollie Usiskin, in a London pub back in 2017, the year of Allan’s death. They explain: “It was about a week after Allan’s passing. We were shocked and we felt we needed to do something special to remember him and to honour his legacy. The idea was to create a tribute album which would include outstanding musicians performing Allan’s songs for a charity we would create, to host a music contest and festival in his honour.”

The logistical issues were significant, but they managed to make the recording happen: “We were thrilled to see how many great musicians agreed to play on our project straight away, due to their respect for Allan and his music. This has been a four-year journey…recording, sending tracks all over the world to record the individual guests, mixing and mastering the tracks, finding solutions for creating a new festival and the music contest…all slowed down by pandemic lockdowns and many other obstacles. But we are here now, and we are proud to have found our way to recognise this legendary guitarist in an appropriate manner.”

“Congratulations on the album. You’ve done the tunes really well. Your playing is great - really intelligent and well phrased. A lot of the versions I like a bit better than the originals!!! (Although I haven’t heard them for years!). Quite happy with my track, so well done!”

--John Etheridge, special guest guitarist

Concerning their new relationship with Ubuntu Music, Enrico continues: I am really excited and honoured to start our relationship with Ubuntu and Martin (Hummel), who has demonstrated a love for our music and this project from the first note. We love the work and catalogue of the label and how they take care of your music with passion, professionalism, and dedication. Creativity needs partners like Ubuntu! It’s great to have such support for this charity project, which will help keep Allan Holdsworth’s music alive.”

Martin Hummel, Director of Ubuntu Music, concludes: “We tragically lost Allan at a relatively early time in his life. The term ‘genius’ is often misused in this business although, in Allan’s case, he lived up to the recognition. Allan was one of the most technically accomplished guitarists and composers of all time. Guitar World Magazine considered him to be ‘as influential as Chuck Berry, Jimi Hendrix and Eddie Van Halen’. And Allan has often been referred to as ‘the John Coltrane of the guitar’. When I first met Enrico and Ollie, the founders of Allan Holdsworth’s Legacy, I was impressed by their passion, knowledge and their enthusiasm for the project and, in particular, their drive to keep Allan Holdsworth’s Legacy alive. I simply couldn’t resist this opportunity for Ubuntu Music to play a modest part in the project and very much look forward to seeing the festival and music contest become a reality for all to enjoy.”

For further information, please contact:

Enrico Pinna (Guitarist, Producer & Allan Holdsworth’s Legacy Co-Founder)

Email: enricopinnamusic@gmail.com

Website: https://www.enricopinna.com

Martin Hummel (Director, Ubuntu Music):

Email: martin@ubuntumanagementgroup.com

Website: www.weareubuntumusic.com

MUSICIANS

Enrico Pinna - guitar & keyboards

Mike Stern - guitar

John Etheridge - guitar

John Weatcroft - guitars

Jason Rebello - piano

Steve Lodder - keyboards

Luca Dell’Anna - keyboards

Luca Lamari - keyboards

Alex Lofoco - bass

Antoine Fafard - bass

Louie Palmer - drums

Ollie Usiskin - drums

Paul Wertico - drums

Joel Taylor - drums

Jimmy Pallagrosi - drums

Sebastiaan Cornelissen - drums

Enzo Zirilli - drums

Bob Franceschini - sax

Roberto Tiranti - vocals

For Website, Click HERE.

Ubuntu Music is delighted to announce the signing of alto saxophonist Allison Neale, for the worldwide release of her quartet album, Quietly There, on 7th August 2020 which features the exceptional NYC guitarist, Peter Bernstein.

Unique on the UK jazz scene, the Seattle born altoist’s beautifully crafted lines evoke the spirit of Paul Desmond and Art Pepper with whom she has a particular affinity.

As a strong advocate of the melodic West Coast jazz style, Allison is widely regarded as one of the finest exponents on today’s scene. In her early years she performed alongside leading international artists such as Ellington vocalist Adelaide Hall and altoist Bud Shank and was a featured member of the John Dankworth ‘Generations Band’ and the ‘Back to Basie’ Orchestra.

Allison’s ten-year association with the great UK bebop guitarist Dave Cliff (Warne Marsh/Lee Konitz) was a special and influential musical partnership and led to her critically acclaimed debut recording, Melody Express (2004), which featured in the Guardian jazz critic Dave Gelly’s Top Ten Jazz Records of the Year. This was followed by a second CD, Blue Concept (2009), featuring Netherlands based trumpeter Gary Kavanagh which celebrates the compositions of Gigi Gryce. Her third album, I Wished on the Moon (2015), also featured up and coming Milt Jackson influenced vibraphonist Nat Steele and hard bop pianist Leon Greening.

“Allison Neale plays the alto saxophone with a tone so light and airy it positively melts at the edges.”

--Dave Gelly, The Observer

More recently, Allison has worked alongside Nat Steele in their quintet project ‘Neale Meets Steele’ and also as co-creators of BopFest Jazz Festival, running alongside the London Jazz Festival. This is now in its fourth successful year, exclusively highlighting the vibrant UK bebop/straight ahead scene which both are a part of and building connections with fellow artists on the current New York scene, including tenorist Grant Stewart and pianist Michael Weiss.

Allison frequently tours the UK with her current Quartet, which also features young jazz pianist Alex Bryson, along with bassist Jeremy Brown and drummer Matt Fishwick and also with the ‘Two of a Mind’ project alongside multi-reed man Chris Biscoe, which celebrates their own take on the piano-less recordings of Gerry Mulligan and Paul Desmond through their album, Then and Now.

“...with a tone reminiscent of the Paul Desmond school of jazz, Allison Neale gets right to the heart of the music with no fuss or useless clutter…Neale’s alto sound is like brushed velvet…one might say it’s as cool as the perennial South Beach Cocktail…”

--John Gilbert, Jazz Review

For Quietly There, her upcoming release on Ubuntu Music, Allison describes the music in her own words: “I believe that the music on this record, my fifth album to date, is a complete reflection of where I am as an artist today. Quiet, understated, with the flavour of my influences. Some of these influences I share with Peter Bernstein, someone whose playing I have listened to over the years and always felt an affinity with. He has a truly unique voice whilst staying true to the jazz tradition. The same can be said of bassist Dave Green and drummer Steve Brown, two musicians that I have always had great respect for. They both have their own strong identity in the music and a double dose of humility between them.

“The repertoire for the album features tunes I have long wanted to record, many of which hail from the American Songbook, although you don’t hear them too often. Also featured are two compositions by guitarist Jimmy Raney and pianist Horace Silver, allowing everyone in the group to stretch out a little and for Peter and I to solo together.

“I have always intended the way I play to be an extension of the voice and I hope this sentiment is conveyed to the listener on this recording. The opportunity to have Peter Bernstein, one of the great guitarists in jazz today, in the group made it all the more special.”

Concerning her new relationship with Ubuntu Music, Allison explains: “It is a real delight to be able to release “Quietly There” as my debut on the Ubuntu Music label. Having the chance to work with Martin Hummel, someone who is so dedicated to helping and supporting jazz musicians through his own love and enthusiasm for this music is a deeply rare opportunity and is especially so in the current climate. “

Martin Hummel, Director of Ubuntu Music, describes the Label’s latest signing: “When I first heard Allison’s playing, it was love at first listen. She captures that magical period of the 50s and 60s West Coast cool jazz period and expresses this on her own terms. This is truly a beautiful recording, made even more special with the magical touch of Peter Bernstein’s seductive guitar. This is a very special release, and not to be missed.”

Ubuntu Music is delighted to announce the signing of the gifted young vocalist Allison Wheeler, for the release of her debut album, winterspring, on 22nd July 2022.

From California, Allison made her professional start in central Europe and is a budding talent on the Czech jazz scene. She is a versatile singer with a love for creative challenge. Her music seamlessly crosses genre lines, drawing influence from the likes of Regina Spektor, Norma Winstone, Fiona Apple, Aoife O’Donovan and others. A storyteller at heart, Allison uses her jazz and visual art backgrounds to construct a world of her own imagination which is fuelled by improvisation, nostalgia and a love for impressionism.

Like many, Allison grew up singing in the local church. In high school, she was a part of the Monterey Jazz Festival’s honour vocal group--an experience that gave her the opportunity to perform twice at the famed festival as a student and that ignited a more serious interest in music. The vocal group was directed by Kerry Marsh and Julia Dollison, whom Wheeler later followed to Colorado to pursue a degree in jazz after leaving art school in 2015.

Allison finished her undergraduate studies in jazz voice in 2018 at the University of Northern Colorado, studying under Julia and Kerry. She was named “Undergraduate Vocal Soloist of the Year” by DownBeat Magazine in 2018 and in her years at UNCO was a member of the university’s top vocal ensemble, Vocal Lab, with whom she won three more DownBeat awards (2016, 2017, 2018). With Vocal Lab, she had the opportunity to perform at the annual Jazz Education Network (JEN) conference in 2016 and 2018 and alongside artists such as the New York Voices, Aubrey Logan, and Vertical Voices. Right after graduating college, Wheeler took a teaching job in Prague, Czech Republic, where she is currently based and is regularly performing with her band. Her self-titled project was started with the young and talented pianist Daniel Bulatkin and his trio, with whom she has played throughout central Europe in notable settings including the Jazz Dock club in Prague, Jazzinec Festival in Trutnov and the Písek Jazz Festival. She also recently had the honour performing with Lizz Wright at the Prague Sounds Festival in September 2021 and has been the vocal clinician for the Czech Jazz Workshop for the last several years. The upcoming winterspring album will be a debut release for Allison and her band.

The music on Allison’s debut album is the culmination of four years of writing and vulnerable self-examination, winterspring weaves a narrative of hope inspired by famous storytelling and personal anecdotes. The title is a term that was created accidentally during a free write session in her college bedroom, and she has since then been unpacking its parallels in her life. winterspring tells a classic tale of opposing forces working together towards growth — What was intended solely as an outlet for personal expression evolved into an exploration and understanding of the human condition. Jazz-like in structure, the album weaves tales of love, light and loneliness into a unique blend of styles which are driven by sweeping vocals and colourful accompaniment. The album is a glimpse into Allison’s inner world, brought beautifully to life with the help of her band — Daniel Bulatkin (piano/keyboards), Max Makagonov (double bass), Petr Nohavica (drums) and guests David Dorůžka (guitar) and Luboš Soukup (soprano sax & clarinet). In order to find peace in the midst of inner struggle and to guide others to do the same, winterspring is a message of hope and growth in the midst of darkness.

Allison describes the background to the project: “Making and releasing ‘winterspring’ is huge a dream for me, and I’m so ready for everyone to hear it. I wrote the first song and title track in college and worked on the last one in a COVID lockdown-song-writing-course-over-zoom led by a big inspiration of mine, Becca Stevens. The writing is as much autobiographical as it is made up — I’ve been enamoured with great storytelling from a young age and the music is influenced by many of my favourite storytellers from different art forms. Looking back, I see that I’ve written most of it to reconcile and make peace with a battle I’ve been fighting within myself. In many ways, I think the record will set me free. It’s been a way to express and deconstruct the pains and the joys of life, and I hope others will be able to relate to it and find themselves moved by the world we’ve created. The project would be nothing without the help of my band, Daniel Bulatkin (piano/keyboards), Max Makagonov (double bass) and Petr Nohavica (drums). We began playing together when I first moved across the world to Prague and have evolved from playing standards together in a practice room to creating meaningful art. They’ve stuck with me through the last few years and have brought my songs to life in ways I could never have imagined on my own!”

Concerning her new relationship with Ubuntu Music, Allison explains: “I was fortunate to get in touch with Ubuntu thanks to Daniel Bulatkin (the piano player on this project whom I dub the master of connecting people). Upon getting to learn more about how Ubuntu works, I’ve been very impressed with the love and care Martin shows for this label and for supporting artists out there, specifically new ones like me. Martin’s passion for what he does radiates from him even just over zoom calls — I am extremely excited and honoured to be a part of that. I’ve so far been overwhelmed with the task of releasing my first album and am so thankful to now have more guidance and support through the process. I’ve had some help along the way from some great individuals, but this joining of forces is a game changer. ‘winterspring’ now has the opportunity to be released in the way I feel it deserves!”

Martin Hummel, Director of Ubuntu Music, shares his thoughts: “A mutual acquaintance introduced me to Allison. Candidly, at first, I didn’t know what to expect. However, after just one listen, I was absolutely mesmerised with her voice and her compositions. Allison’s music is fresh, distinctive, and seductive. We’re delighted to be releasing her debut album and we welcome her to the Ubuntu Music Family.”

Ubuntu Music is delighted to announce the release of Almanaque’s Nada Para O Carnaval, the debut album from Italian guitarist/composer Luca Boscagin, which will be available from 18th August 2023.

Almanaque is an incredibly talented band that has been together for eight years. With their unique blend of Brazilian music and African influences, they have captivated audiences wherever they've performed. The band has graced numerous festivals and events, showcasing their positive and vibey sound to music lovers worldwide. In the UK, Almanaque has delighted audiences at top venues including Ronnie Scott's, NinetyOne, and the Metronome Jazz Bar in Chester. Their musical journey has also taken them across Europe, where they have left their mark on iconic venues such as Cantine de L'Arena and Vapore in Italy, as well as Pyke's in Ibiza. Through their energetic performances and unwavering passion for their craft, Almanaque has established themselves as a band that music enthusiasts simply cannot afford to miss.

Almanaque's album, Nada Para O Carnaval, is a captivating blend of Brazilian rhythms and African influences that creates a truly dynamic musical experience. The album serves as a testament to the band's exceptional musicianship and their passion for pushing musical boundaries. The album showcases a collection of original tunes that demonstrate Almanaque's ability to explore new musical directions while staying true to their roots. Adding to the richness of the album, guest vocalist Camille Bertault delivers stunning performances on two Chorinhos and a soulful rendition of Lilia by Milton Nascimento, an artist who has greatly influenced the band. Nada Para O Carnaval is a true celebration of music and a testament to Almanaque's artistry.

Concerning the idea behind the album, Luca explains: “The beauty of Brazilian culture and its music is something that never fails to inspire and uplift me. It is a reminder that even in the face of adversity, there is always something to celebrate and appreciate. During a recent trip to Brazil, I witnessed a beautiful street parade that was a rehearsal for Carnival. It was a vibrant display of people of all ages and backgrounds coming together to dance, play and sing traditional songs. Despite the challenges the country faces, the people were still smiling and dancing, and it was truly wonderful to witness.

“It is not always easy to find this kind of beauty in our day-to-day lives, but I am fortunate to have music as my passion and my mission. Living in a big city, I have the opportunity to play with and meet people from all over the world, and I consider it a richness that we should all embrace. We should all strive to listen and learn from the diverse cultures around us. Plus let's not forget to find joy in the simple things - a sunset, a loved one's smile, a pet, a phone call from a friend.

“I dedicate this record to Gaetano Leandro (Leo), who I miss dearly. And I share this message with all of you: "Nada para o Carnaval" - Nothing stops the Carnival. Let us keep the passion for beauty alive in our hearts, and always find something to celebrate and appreciate in this world.”

Luca shares his thoughts about his new relationship with Ubuntu Music: I discovered Ubuntu Music through my friend and remarkable musician Quentin Collins (who appears on this album), and immediately recognized their distinctive approach. This label holds an unwavering belief in selecting artists based on the most essential factor: an unbridled love for music.

“Engaging in a conversation with Martin Hummel was a true delight, for there is nothing more gratifying than sharing a deep passion for music with someone who comprehends its very essence. Passion, without a doubt, is the key term that resonates with me. Music goes far beyond being a mere 'industry' or a business venture—it is a relentless force that is driven by passion and an undying commitment that never feels like toil.

“Consequently, I couldn't be prouder to be a part of this exceptional Family. Ubuntu Music not only embraces this profound dedication but also brings together like-minded individuals who embody this relentless pursuit of artistic expression.”

Martin Hummel, Director of Ubuntu Music, concludes: “Trumpet ace Quentin Collins, our dear mutual friend, introduced me to Luca and his project. And the rest is history. Luca has been playing with a group of top-notch musicians from various backgrounds and geographies to create something truly special. It’s jazz. It’s African. It’s Brazilian. It’s world. These musicians also include Matheus Nova (bass/Brazil), Raphael Delfino (drums/Brazil), Jansen Santana (percussion/Brazil), along with a very special guest - Camille Bertault (vocals/France), along with Luca (guitar/Italy) and Quentin (trumpet/UK). Fasten your seat belt and take a musical trip with us. You will be delighted you did so.”

For Website, Click HERE.

Since bursting on to the scene in 2006, pianist and composer Andrew McCormack has been a driving force behind A-list jazz artists Kyle Eastwood, Eric Alexander, Denys Baptiste and Jean Toussaint, as well as a host of home grown talent including Jamie Cullum and Jason Yarde. His talent as a composer has also seen him work for different genres of classical and film scores globally.
In 2006 his debut album, Telescope, was released on Dune Records to critical acclaim and picked up the BBC Jazz Award that year in the Rising Star category. 2009 saw the release of his duo project with saxophonist Jason Yarde, M Y DUO, which features compositions from both Yarde and McCormack. This was followed by Places And Other Spaces in 2011 on the Edition Records label, which received accolades internationally for its development as a project and the achievements made in the duo format. More recently, McCormack has released two trio albums, Live in London in 2012 and his latest, First Light in 2014, which was recorded in New York (where he spends some of his time) and which again received considerable critical acclaim throughout the world.
As a composer and having studied privately with Mark-Anthony Turnage, McCormack has written for many different classical ensembles including the Heritage Orchestra, Linos Wind Quintet, G Project and the London Symphony Orchestra, which selected him to participate in their Panufnik Young Composer Scheme in 2008 and, in turn, commissioned from him ‘Incentive’, a 10 minute work for full orchestra, which premiered at the Barbican in Londscores 2009.
His film scores include orchestration and additional music and performances for Clint Eastwood in a number of his productions, which include ‘Flags Of Our Fathers’, ‘Letters From Iwo Jima’, ‘Changeling’, along with the John Cussack movie, ‘Grace Is Gone’.
McCormack has worked and performed with many great artists including Quincy Jones, Jamie Cullum, Manu Katchè, Till Broner, David Arnold, Eric Alexander and Courtney Pine. As a well-known collaborator, McCormack has been consistently linked  with a number of long standing groups which include the Denys Baptiste and Jean Toussaint quartets, and as a pivotal member of the Kyle Eastwood Band, touring extensively worldwide for the last decade. Eastwood’s 2011 release, ‘Songs From The Chateau’, which reached Number 2 in the U.S radio play Jazz charts, saw McCormack heavily involved in the writing and performing of the material. He has remained consistently involved with Eastwood, which includes the latest release, ‘Time Pieces”, in 2015.

For Website, Click HERE.

Ubuntu Music is proud to announce the signing of the talented young saxophonist, Asaf Harris, for the release of his debut album, Walk of The Ducks, on 6th May 2022.

Asaf is an Israeli musician and composer based in Brooklyn, New York. He gained considerable experience in prestigious jazz clubs and festivals worldwide including Birdland, Beit Haamudim, Bern Jazz Festival, and the Red Sea Jazz Festival. He played alongside leading jazz musicians such as Ofer Ganor, Hal Galper, Abraham Burton, and ‘Avi Leibovich and the Israeli Jazz Orchestra’.

Asaf is a recipient of the America-Israel Cultural Foundation scholarship and was Awarded with Excellence Scholarship by the Center for Jazz Studies at the Israel Conservatory for Music in Tel Aviv.

Asaf has experience with film-scoring and orchestral arranging. He scored music for two award-winning documentary films ("Truth, Nothing But..." - 2014 & "Sulha" - 2016) and arranged music for the Israel Police Orchestra and for The New School Studio Orchestra conducted by Mr. Arturo O'Farrill.

In the Spring of 2020, Harris graduated from the New School for Jazz and Contemporary Music in New York, receiving the ‘John Coltrane Award’ for outstanding performers/composers/improvisers.

In August 2020, Asaf recorded his debut original album, Walk of The Ducks. He describes the project: “The idea behind ‘Walk of The Ducks’ is to make an album that is sincerely me. It concludes some of the most powerful experiences and emotions I have had in my journey of life. I strongly believe that composing and playing music is my best way for self-expression, and I can’t wait to share this album with the world.”

Asaf continues: “In March 2020, when this world crisis started, I decided to temporarily leave my home in NYC and go back to my homeland - Israel. During this time, while accepting the new condition, I experienced some difficulties with my creativity and with my artistic passion. Those feelings have passed when I have decided to take advantage of these weird and uncertain times, to record and produce my debut original album with my dear quintet.

“After working for months on funding, composing, arranging, orchestrating, rehearsing, and many others, in August 2020 I managed to record my debut album at the best recording studios in Israel - Bardo Studios. It was sound engineered by Ofek Ariov, a dear childhood friend of mine. The album features Nitzan Bar on guitar, Guy Moskovich on piano, Omri Hadani on contrabass, David Sirkis on drums, and myself on saxophone. The band has been playing together since 2016, and it is based on a deep connection and friendship.

“This kind of project requires a long process of experimenting with the materials. For example, one of my compositions in the album - ‘The Gate Keeper’ - is written about the protest of Summer 2020 in Israel against the Israeli government. To empower this musical composition, I decided to go and record protest sounds in every protest, from June till August, and combine them into a “sound composition” that will work linearly with the recording.”

“Music is one form of artistic expression. By combining different musical and personal influences into an original sound, I aspire to characterize a unique voice that has a signature of its own. The album contains many political messages and criticism. In May 2020, I flew back to New York City to empty my apartment in Brooklyn, one day before the murder of George Floyd. The piece ‘Helen Court 2020’ (Helen Court is the name of my building in Brooklyn) is written about these three weeks I spent there, in the middle of the biggest health crisis in over 100 years, while the streets were burning and the protests were at their peak. This experience has opened my eyes and changed forever the way I look at the world.The composition is written in a concerto format and divided into three different parts. The first part is full of mystery and uncertainness, followed by the second part, which is stormy and full of anger, while the third and last part is comforting and full of optimism.

“All of the pieces in the album came out of personal experiences. For example, ‘Walk of The Ducks’ (which is also the name of the album) is about a magical night in Tel Aviv a few years ago. It was a day before I left Israel for New York and had to break up with my girlfriend whom I loved very much. We were sitting by the Yarkon River when suddenly a group of five ducks came out of the water and started to march through the streets of Tel Aviv. At that moment, this unusual phenomenon felt very symbolic. The piece was arranged for three saxophones - soprano, alto, and tenor. It features Yehonatan Cohen on soprano saxophone and Yuval Drabkin on alto saxophone.”

Asaf concludes, describing his new relationship with Ubuntu Music: “I am very excited and honoured about my new relationship with Ubuntu Music. Getting my first album released on such a great record label is truly a dream coming true. I am thankful for Mr. Martin Hummel’s trust in this project, and I can’t imagine a better home for my debut album.”

Martin Hummel, Director of Ubuntu Music, shares his thoughts: “I initially met Asaf through some Israeli jazz musicians we know. Immediately, I was struck by his deep, passionate commitment to his project which was meticulously brought to life by the shape of his compositions and the overall quality of the music. We’re both highly emotional people, which is yet another reason for the desire to work together on this project. It’s a pleasure to have Asaf join the Ubuntu Music Family.”

For Website, Click HERE.

Ubuntu Music is delighted to announce the signing of the highly diverse composer and keys player, Benjamin Croft, for the release of the star-studded album, Far and Distant Things, on 6th August 2021.

Benjamin is a British pianist, keyboardist and composer who has recorded with Randy Brecker, Frank Gambale, Chad Wackerman, Allen Vizzutti, Barry Finnerty and Mike Miller. Known for his extensive knowledge and experience in a multitude of music genres, he is mostly associated with jazz.

At the age of seven, Benjamin began piano and trumpet lessons, later going on to study at Leeds College of Music. After graduating, he completed several contracts on international cruise lines and moved to the US. During this period, Benjamin toured the world twice, and worked with artists as diverse as Belinda Carlisle, Leslie Garrett, The Temptations and The Platters.

Benjamin relocated to London in 2012, where he became a regular performer at Ronnie Scott’s, the Jazz Café, Pizza Express Jazz Clubs, The Vortex and others, playing with the finest musicians on the scene. Benjamin also performed in the West End Show, Straight From the Heart, and worked on TV shows such as The Voice and Britain’s Got Talent. In 2018, he recorded for Beautiful South founder Dave Hemingway’s latest project, Sunbirds, and has been working as a session musician, composer and arranger on a number of projects over the years.

In 2019, Benjamin released his first album 10 Reasons To..., consisting of 12 original compositions reflecting his unique style and sound. His upcoming second album, Far and Distant Things, was recorded throughout 2020, an ambitious project featuring legendary musicians from the US.

Benjamin explains: “I initially contacted a selection of my favourite musicians in the UK to play on the tracks; Andy Davies (trumpet), Gareth Lockrane (flute), Henry Thomas and Flo Moore (bass), Tristan Mailliot and Laurie Lowe (drums). Helen Vollam, principal trombone of the BBC Symphony Orchestra and Carter Arrington (guitar) were also added to the roster around this period.

“The writing process continued and I envisioned the UK musicians augmented by a US guest star, or two. In the fall of 2019, I sent out messages to several legendary artists and lifelong inspirations. To my surprise, all showed interest. I now had an all-star line-up! Randy Brecker, Allen Vizzutti (trumpet), Frank Gambale, Barry Finnerty, Mike Miller (guitar), and Chad Wackerman (drums). Back in 2019, we had no idea what was just around the corner... The majority of the guest stars had tour schedules that lasted for the remainder of 2020. At the time, I was led to believe I only had a window of the first two weeks of January to record them.

“The compositions were recorded in London at Metropolis, Greystoke and The Church Studios. The studios were selected for their vast tracking space and unique selection of equipment. A huge arsenal of keyboards was used on this album. Among them, the Yamaha CS-80, Minimoog, Prophet 5 and Freddie Mercury's Fazioli grand piano!

“Eight of the compositions were tracked between January and early March. Then, disaster struck… March 24th 2020 was a day I will never forget… The 24th just happens to be my birthday. It also just happened to be the day I was scheduled to record my final three pieces. Sadly, this was not meant to be. The UK entered national lockdown and everything was cancelled. My time off was used wisely to refine the compositions and by late summer, we were allowed back in the studio. Tracking was completed at RAK studios in London.

“At the start of this project, I only had one person in mind to mix the tracks: Stephen W Tayler. His work can be heard on many albums that inspired my compositions. The album was mixed at Peter Gabriel’s Real World Studios.

“Production eventually wrapped up in early 2021. Barry Grint, whose previous clients include the likes of David Bowie, Madonna and Prince, mastered the tracks at Air Studios.

“The unique artwork for the album is provided by Juno Award Winner Hugh Syme. His works are firmly planted in the public conscience. He has designed for Rush, Dream Theater, Whitesnake and many others.

“I am immensely proud of this album. A true portrait of my musical mind. My love of jazz, rock and classical are all captured. The eleven compositions on this album represent my childhood dreams and fantasies. Utopian and dystopian, heroes and villains--all are depicted. Concepts I regarded as far and distant things.”

Concerning his new relationship with Ubuntu Music, Ben continues: “I am very happy and excited to join the Ubuntu music family. I have had a keen eye on the label over the last few years. The quality and diversity of each release has consistently impressed me. The future is bright for Martin (Hummel) and co and it's great that my music is a part of this.”

Martin Hummel, Director of Ubuntu Music, shared his thoughts: “Benjamin’s overall talent, his composition skills and the music itself impressed me immensely. He tirelessly worked his way through a crippling pandemic and boldly approached a select group of legendary US musicians to join him on his recording. The end result, ‘Far and Distant Things’, is a tribute to the talent and the tenacity of a passionate man on a musical mission. We are happy to have Benjamin join us.”

For Website, Click HERE.

Chosen in the ‘Shape of Jazz to Come in 2018’ in Jazzwise, Bonsai (formerly known as Jam Experiment) are an award-winning band that are based in London, UK. Formed in 2014, they have appeared on BBC Radio 3 and Jazz FM numerous times and played at leading jazz festivals and venues across the UK including London Jazz Festival, Love Supreme Festival, Cheltenham Jazz Festival, and Ronnie Scott’s.

 Bonsai's sound is dynamic jazz fusion balanced with intricate compositions and adventurous improvisations negotiated through mutual admiration for each other. The band has no leader or rather, each member is the leader; through this process they've challenged their own musical boundaries. Given that the Ingham brothers have been playing together for nearly 20 years, when the unusual frontline of trombone/violin/vocals is met with the ferociously “high- octane” rhythm section, the ensemble has an electric synergy that results in “pure musical gold”.

 The line-up includes the winner of Rising Star in the 2017 British Jazz Awards, trombonist Rory Ingham, his brother Dominic Ingham on violin/vocals, Toby Comeau on piano/keyboard, Joe Lee on bass, and Jonny Mansfield (Kenny Wheeler Jazz Prize winner) on drums.

 As the band explains, “’Bonsai Club’ is an album of compositions by Bonsai. This is a group where everyone is the leader, and the music is written to be played by each other, with each other. The long-standing relationships between Jonny, brothers Rory and Dom, and childhood best friends Toby and Joe mean that Bonsai are able to work cohesively and freely as a collective, resulting in total synergy. For this record Bonsai have explored breaking down boundaries between genres, whilst developing a sound that is driven by a myriad of ingredients: expressive vocals, a plethora of synths, and groove fuelled improvisations.”

 “Bonsai are bouncing with excitement (like a dog with two tails!), to be releasing ‘Bonsai Club’ on Ubuntu Music”, trombonist Rory Ingham continues. “We’re overjoyed that Martin Hummel has decided to provide us with the platform to release this brand-new music; Martin is one of the most supportive, forward-looking and open-minded individuals on the UK jazz scene. I am truly hopeful that we reach an audience that enjoys all kinds of music, as this album has something for everybody.”  

 “When I first heard and then saw these guys perform, I was completely knocked out”, said Martin Hummel, Director of Ubuntu Music. “And others certainly agree. Bonsai has a very bright future ahead of them. Watch this space…”.

For Website, Click HERE.

Ubuntu Music is delighted to announce the signing of the exceptionally gifted saxophonist, Brandon Allen, for the release of his quartet album, The Stanley Turrentine Project, on 4th March 2022.

Brandon has established himself as one of the UK’s most in-demand saxophonists and bandleaders. He has performed extensively throughout the UK, Europe, the Middle East, Asia and Australia, both as a leader and sideman. Throughout his career he has worked with top international artists including Eric Clapton, Paloma Faith, Kyle Eastwood, Tony Lakatos, Adam Nussbaum, Gary Husband, Stefano Di Battista, US3, The Blockheads and many others.

The Stanley Turrentine Project came about because of a deep admiration and respect for the late, great saxophonist’s musical approach and output. Brandon’s highly acclaimed Gene Ammons Project came into existence for the same reasons. Selections from Ammons’ entire catalogue were reinterpreted, seeking to capture the spirit of the music as well as exploring the stylistic changes that occurred throughout the tenor saxophonist’s 30-year career.

The repertoire of The Stanley Turrentine Project is slightly more specific, drawing from Turrentine’s releases on the Blue Note and CTI labels. In addition, some of Turrentine’s renditions of rock & pop hits of the 60s and 70s have been reimagined by Brandon and the quartet. Brandon explains:

“When putting this project together I deliberated over the choice of tunes for some time. Listening to as many albums as I could, discovering some gems along the way, I slowly began to pick out some selections that resonated with me and that would work well with this line-up. I then began to arrange them for the quartet.

“Some of the original versions were orchestral in nature and so I tried to capture the essence of that large ensemble feeling. With the other tracks I have taken all the main elements of the song but have made some small alterations, textural changes here and there and opened up certain sections for solos.”

Regarding his relationship with Ubuntu Music, Brandon elaborates further, “Releasing the Stanley Turrentine Project on Ubuntu is something that has been a long time coming. I have known Martin Hummel for quite some time, and he has always been a strong supporter of my music. Martin is a huge Turrentine fan and so when I mentioned to him about putting this album idea together he was extremely enthusiastic about the prospect. After working on QCBA’s ‘Beauty and Quiet Places’ and OMAR + QCBA’s ‘Live at Last’ together, it was about time that I embarked on a solo project with Martin and the great Ubuntu Music Label. I look forward to this album coming to fruition and I look forward to many more collaborations in the future.”

Martin Hummel, Director of Ubuntu Music, shares his thoughts: “Brandon is a genuine friend and the real deal, whom I’ve admired for a considerable period of time. And for good reason…he’s undisputedly one of the best in his trade, and his tone is off the charts. The Stanley Turrentine opportunity was a no-brainer. As we are serious, mutual admirers of the man, this release was simply destined to happen. We welcome Brandon with open arms, yet again, to the Ubuntu Music family, and can’t wait to share the project across the planet.”

For Website, Click HERE.

Camilla George is a London based saxophone player, improviser, composer and teacher.

She began playing when she was 11 years old where she won a music lesson and as a result, won saxophone lessons. Camilla has studied with many jazz greats such as sax giant, Jean Toussaint (of Art Blakey fame), Tony Kofi, Christian Brewer, Julian Siegal and Martin Speake. In 2012 she graduated with a Masters in Jazz from Trinity College of Music where she also won the Archer Scholarship for outstanding performance.Since 2004

Camilla has been working with both Tomorrows Warriors and the Nu Civilisation Orchestra (including a UK tour performing at many prestigious venues such as the Queen Elizabeth Hall), as well as leading workshops for the younger members of The Warriors family.

In 2009 she joined award winning band, Jazz Jamaica whose alumni have included Jason Yarde, Soweto Kinch and Nathaniel Facey. In October 2009 she performed with Jazz Jamaica and Ernest Ranglin at London’s Ronnie Scotts jazz club. In 2013 Jazz Jamaica were nominated for a MOBO award for Jazz Performance. Most recently in October 2014, Camilla performed at Ronnie Scott’s for 3 consecutive nights with Jazz Jamaica. The performance received rave reviews and was a sell out performance.

In 2014 she also joined Courtney Pine's Venus Warriors, an all female super group who had their debut gig at The Hideaway jazz club.

Camilla's debut album, 'ISANG', with special guest Zara McFarlane on vocals, was released on Ubuntu Music in late 2016, to exceptional critical acclaim.

For Website, Click HERE.

London-based double bassist and composer Calum Gourlay is known for his deep warm tone, controlled execution as both a supporter and improviser, and rock-solid time and pulse. Born in Glasgow, he began his musical journey playing the cello in primary school and by the age of 14 he started playing the double bass, https://www.calumgourlay.net developed a serious interest in jazz and improvised music. Calum’s talents were noticed by many of Scotland’s premier artists and, as a result, he became the first bassist selected for the first Tommy Smith Youth Jazz Orchestra, as well as other ensembles.

In 2004, Calum started at the Royal Academy of Music in London and graduated with first class honours with a B.Mus. (jazz) degree.  Since then, Calum has become a mainstay on the London jazz scene while performing with the Kit Downes Trio, The Tommy Smith Group, Will Vinson, The Scottish National Jazz Orchestra featuring Joe Lovano and John Scofield. Calum also works with Kurt Elling, Martin Speake, Martin Kershaw and Sheila Jordan. He writes for his own big band which has a monthly residency at the Vortex in London.

Speaking about his new project, Calum explains, “This project brings the experience I have gained from my two-and-a-half-year Big Band residency at The Vortex, London into my own quartet. This band has all the energy, sound and colours of a contemporary big band but with only four members.”

 And, in terms of forming his new quartet, Calum describes further, “The idea for the quartet came from my Big Band in residence at The Vortex Jazz Club. I write a new work each month for every gig. It’s hard to start a piece from scratch: I usually have a shell of an idea in place so I can write something. Occasionally, I workshop sketches hoping they will translate into an arrangement. With this approach, I experiment with form & instrumentation. With the quartet it was fun and easy to write things for trombone & tenor to play together. Helena, Kieran and James have been important musicians in my big band so I began to think this could be a great band in its own right.”

 Regarding his joining Ubuntu Music, Calum explains, “I’m very excited to be part of the Ubuntu family. Martin has an authentic love for the music and supports his artists in a way that no other label does.”

 Martin Hummel, Director of Ubuntu Music, said, “Calum’s been the unwavering backbone of many great jazz artists throughout his career. And he’s one of the hardest working guys in the business. It is an absolute pleasure to be releasing an exceptional album of Calum’s own material, along with his stellar band consisting of Helena Kay (tenor sax), Kieran McLeod (trombone) and James Maddren (drums).

For Website, Click HERE.

Chesney Henry “Chet” Baker Jr. was raised in a musical household in Oklahoma (his father was a guitar player), and coming of age in Southern California during the bebop era of jazz, Baker found success as a trumpet player in 1951 when he was chosen by Charlie Parker to play with him for a series of West Coast engagements.
In 1952, Baker joined the Gerry Mulligan Quartet, which was an instant phenomenon. Baker became famous on the strength of his solo on their recording of “My Funny Valentine” a piece he was later said to “own”. The Quartet, however, lasted less than a year because of Mulligan's arrest on drug charges.
In 1954, Baker won the Downbeat Jazz Poll, beating Miles Davis among others. Over the next few years, Baker fronted his own combo, playing trumpet and singing. He became an icon of the west coast “cool school” of jazz, helped by his good looks and singing talent. By the early 1960s, Baker had begun playing the fluegelhorn, as well.
In 1966, Baker allegedly was severely beaten after a gig in San Francisco, sustaining severe cuts on the lips and broken front teeth, thus ruining his embouchure. Accounts of the incident vary, largely because of his lack of reliable testimony on the matter. From that time he had to learn to play with dentures, an almost impossible process for a brass player.
Between 1966 and 1974, Baker mostly played flugelhorn, with its wider mouthpiece, and recorded what must be considered slick mood music. He eventually moved to New York City and began recording again in earnest with other well known jazz musicians such as Jim Hall.
Baker recorded extensively throughout his career. As a result, his discography is considered widely uneven. However, some of Baker's European recordings, made near the end of his career, reveal a more mature and, at times, brilliant talent with simplicity and depth beyond his previous work.
Near the end of Baker's life, he resided and played almost exclusively in Europe, returning to the USA about once a year for a few performance dates.
Ubuntu Music has been granted the exclusive rights to releasing a series of recordings from 1983 that Chet made in London, at the Canteen Club. He is accompanied by the John Horler Trio, with Horler on piano, Jim Richardson on bass and Tony Mann on drums. This is one of the only known series of Chet performing live in London. The aptly titled, 'Live in London', is a two CD set and was released in late 2016 to worldwide critical acclaim. A follow-up two CD release is scheduled for Autumn 2018.

For Website, Click HERE.

Ubuntu Music is delighted to announce the signing of composer/sax player Chris Maddock for the album release, The Hunt, in a burning quartet line-up.

The project features a contemporary, groovy take on the classic Hammond organ trio line-up, augmented by saxophone. The music is inspired by the recent output of artists such as Larry Goldings and Joey DeFrancesco with similar line-ups, whilst also drawing on the influence of contemporary saxophone masters such as Jon Irabagon and Seamus Blake. The band includes some of London's finest young musicians - Liam Dunachie on organ, Tobie Carpenter on guitar, drummer Ed Richardson and a special guest appearance from Daniel Casimir on double bass.

Chris is a saxophonist based in London, England. Under normal circumstances he performs regularly at many of the leading jazz venues in the UK and internationally with his own projects and as a sideman and is an active figure in the vibrant London Jazz scene. Chris studied first at the Trinity College of Music Junior Department before enrolling in Birmingham Conservatoire's prestigious jazz course, where he studied under the tutelage of many of the most respected jazz musicians in the UK, and won the Mike Gibbs/BBC big band composition & arranging prize. After graduating, he was subsequently awarded the Yamaha scholarship for outstanding jazz musicians and was a finalist in the Worshipful Company of Musicians young jazz Musician of the year competition. He has been an in-demand player in many different contexts, including recording/performing with the Clark Tracey Quintet + Hexad, Young pilgrims, Tom Dunnett Sextet, Omar Kamal, Emma Smith, Hailey Tuck, Jonathan Silk Big band, Hackney Colliery Band, Toby Boalch Sextet and many others.

Chris describes the story behind The Hunt:” I've always been a huge fan of ensembles centred around the Hammond organ - it allows the band to achieve a huge breadth of sound, and a very different texture to the classic piano and bass combo. Two albums which I really loved (and still do!), when I was discovering jazz as a teenager were Back at the Chicken Shack by Jimmy Smith, and Time is of the Essence by Michael Brecker. The former was much more laid back and bluesy, and the latter a more modern, sophisticated take on the line-up. With this band I'm trying to explore the potential for different expressive colours and approaches with the Hammond at the centre but trying to never lose sight of that bluesy grooviness that saturates those first albums I heard with this line-up. I had each of the guys in the band in mind when I put these tunes together, we gigged them for a while, and they knocked it out of the park when it came to the recording session - I can't wait to get it out there!”

Chris elaborates further on his new signing with Ubuntu Music: “I'm hugely excited to be involved with Ubuntu music for my debut release. Many of my favourite musicians and friends on the UK scene have released some absolutely killer music through the label recently, and I'm honoured to be included alongside such an exciting array of talent.”

Martin Hummel, Director of Ubuntu Music, shares his thoughts: “Chris and his music are a delightful discovery. Having a classic Hammond organ trio, enhanced by a seamless sax overlay, makes for some excellent listening pleasure. We’re delighted to have Chris and the band on board with Ubuntu Music.”

For Website, Click HERE.

Ubuntu Music is delighted to announce the signing of the exceedingly versatile drummer, Corrie Dick, for the release of his new album, Sun Swells, on 21st October 2022.

Corrie, a musician and composer specialising in euphoric, sonically-inventive drumming, is at the rhythmic epicentre of a new era of innovative British jazz. He is lauded for his dynamism, his melodic slant and for his playfully subversive take on style and genre. An artist of prolific and varied output, Corrie has long been an essential component of Laura Jurd’s music including Mercury Prize shortlisted Dinosaur; is a crucial co-pilot in Elliot Galvin Trio and Rob Luft Group; and co-writes music with an abundance of artists including alternative Indie band Ink Line. His 2015 release Impossible Things which skilfully fused Celtic folk and contemporary jazz with new takes on African rhythms culminated in sold out touring and concerts across the UK. Now Corrie resets for an album which further embraces the eclectic whims of a child of the iPod shuffle generation - finding cohesion among disparate elements.

As a multi-instrumentalist who has recorded on piano, vocals, synth, guitar and trumpet, Corrie’s writing is uniquely colourful and his playing shaped by many perspectives. The new album Sun Swells showcases all of this. Anchored by a rock guitar trio but with layers of fruity surprises, surging vocal melodies are counterpointed by mercurial horn playing. There is captivating prose written by guest vocalists Dave Malkin of the English folk tradition and Greek-Norwegian Marianna Sangita.

Now an active participant in South East London’s evergreen arts scene, Deptford, the young master of contemporary drumming has studied traditional music in Ghana and Morocco where the grooves are rich and layered, and in his home land, Scotland, where rhythm and melody have melded for centuries.

Alongside his ensemble work, Corrie has been exploring solo drum and percussion, most recently performing at King’s Place and Newcastle Festival of Improvised Music. Here he demonstrates fresh perspectives of an instrument that glows with possibility, embracing the full gamut of dynamics and textures with slanted nods to music traditions of the world.

Corrie has been mentored by the likes of Mark Guiliana and Kendrick Scott, as well as kpanlogo master Saddiq Addy, nephew of the legendary Mustapha Tettey Addy. He has studied the traditional and modern music of Zimbabwe, Madagascar, Benin and DR Congo alongside his prodigious creative companion, guitarist Rob Luft.

In short, Corrie is an original, open-minded, questing talent who is extending the parameters of what it means to be a drummer.

Concerning the idea behind Sun Swells, his latest project, Corrie explains: “I wanted to write a jazz album that had rock instrumentation at its core: guitar-bass-drums. Rob Luft (guitar), Tom McCredie (bass) and I have been improvising and writing together for years and years and we’ve forged a sound that is uniquely crunchy yet summery, so I wanted that sound at the centre but decorated with all sorts of elements. I basically wanted to make folk-rock-jazz but treat it how electronic music producer Mura Masa treats his tracks--chucking the whole damn fruit bowl at the thing but somehow keeping space and air in the arrangement and the mix.”

The music on Sun Swells is highly unique in a way that is becoming a trademark for the highly gifted artist. Corrie continues: “This is outsider jazz; it’s extremely listenable music that has lots of very current, familiar ingredients but put together in a way you may not be familiar with. Some key elements include soaring folkish melodies, Scandinavian free jazz, 90s-kid grooves, a playful shunning of conventional jazz roles and form, stillness, turbulence, beautiful and ugly-pretty sounds, warmth, stunning lyrical imagery, climate change, feminism, and eclectic guests. It’s an album that embraces contrasts and spectra and that can be listened to in so many ways. It finds cohesion in the disparate.”

The cast on the album comprises a venerable A-list of musicians in the young, dynamic segment of the always-morphing London jazz scene. Corrie explains: “The band is packed with prolific, special artists. The core of this group are musicians with whom I have loads of history in other groups - Laura Jurd (Dinosaur), Rob Luft, Tom McCredie (Elliot Galvin Trio), Joe Wright, Alice Zawadzki, Matt Robinson, Joe Webb. It’s unusual to have such pure synergy between so many musicians at the same time.”

Concerning his newly established relationship with Ubuntu Music, Corrie gives his view: “As far as I’m concerned Ubuntu is the perfect home for this music--it’s got that special balance between supportive guidance and allowing for artistic freedom and integrity. I feel very privileged to be working alongside Martin Hummel and his team for this album.”

Martin Hummel, Director of Ubuntu Music, concludes: “Wow, where do you begin with this one? Corrie is a ferociously independent breed of artist who forges his own musical path which renders his music exceedingly unique while being shamelessly accessible to all. When Corrie’s talent is combined with an exceptional array of gifted musicians--a number of whom can be found on Ubuntu recordings--the end result is a sonic cocktail for the senses. It's just what the doctor ordered. We’re ecstatic that Corrie has joined the Ubuntu Music Family.”

For Website, Click HERE.

Ubuntu Music is delighted to announce the signing of the New-York-Meets-Europe octet, Dameronia’s Legacy All-Stars, for the release of their recording, Live at Audi Forum Ingolstadt, on 8th July 2022.

The live album features the classic and timeless compositions of Tadd Dameron, a truly innovator of bebop, well-known and appreciated for his beautiful lyric melodies. The pianist Tadley Ewing Peake “Tadd” Dameron was one of the great composers and arrangers in jazz history. He worked for Count Basie, Artie Shaw, Jimmy Lanceford, Dizzy Gillespie, Billy Eckstine and Sarah Vaughan. He also led various groups with musicians like John Coltrane and, more specifically, the drummer “Philly” Joe Jones. “Philly”, so called because of his Philadelphia roots, was a member of Miles Davis’s first great quintet and one of the most influential drummers of his time. In the 1980s he founded the group Dameronia Ensemble as a tribute to the time when he performed with his good friend Tadd Dameron.

Most of Dameron’s originals are part of the jazz repertoire these days. This octet brings these originals back in an up to date but still swinging context. The recording was made towards the end of a two-week European tour, so the arrangements were completely in place and the perfect ground for extended and inventive soloing by all the band members. The general concept was to have an octet which provides many of the options of a real big band and at the same moment still leaves enough solo space for everybody. The choice of musicians also followed that idea.

Drummer Bernd Reiter (Austria) is the driving force behind the project. He studied in Graz and New York and, after several years in Munich, he now lives in Paris. He was awarded several prizes, including the Hans Koller Prize, the Austrian Jazz Prize and has already worked with many international jazz greats. It was his long wish to present the music of Tadd Dameron and "Philly" Joe Jones and, as a result, he put together a real ‘All-Star’ octet with outstanding jazz soloists from New York and Europe.

Jim Rotondi (USA--trumpet) and Dick Oatts (USA--alto saxophone) are among the most respected musicians of the New York jazz scene. Jim Rotondi has worked with artists such as Ray Charles, Lionel Hampton, the Toshiko Akiyoshi Jazz Orchestra, Lou Donaldson, Curtis Fuller, George Coleman, and many others. He is also professor for jazz trumpet at the University of Art in Graz. Dick Oatts has been part of the Thad Jones/Mel Lewis Big Band (now the Vanguard Jazz Orchestra) since the late 1970s and has also worked with musicians such as Freddie Hubbard, Dizzy Gillespie, Stan Getz, Chick Corea, Tito Puente, B.B. King, and Diana Ross.

Jon Boutellier (France--tenor sax) is considered the young French saxophone star and also works as an arranger for various big bands. Rik van den Bergh (Netherlands) is a baritone sax artist who has played and toured with Joe Magnarelli, Jim Rotondi, Dick Oatts, Teddy Edwards, Don Braden, Dan Barrett, Gary Smulyan, and Ronnie Cuber. Trombonist Johannes Herrlich teaches in Vienna and Munich and has also worked for years with jazz giants such as Kenny Wheeler, Joe Haider and many more.

Andrea Pozza (Italy) is considered a pianist capable of handling with great ease any repertoire and boasts collaborations with the "sacred cows" of jazz such as Harry "Sweet" Edison, Chet Baker, Scott Hamilton, Steve Grossman, George Coleman, Lee Konitz and others. Bassist Aldo Zunino (Italy) hails from Genova and has played with many of the greats including Enrico Rava, Benny Golson, Art Farmer, Tommy Flanagan, Joe Chambers, Gary Bartz, Clark Terry, Kenny Burrell, Lester Bowie, Junior Mance, Cedar Walton, Nat Adderley, Clifford Jordan and Horace Parlan.

The exceptional trumpet ace Jim Rotondi gives his view of the project: “Similar to the groups that the great composer, Tadd Dameron, led throughout his own career, the Dameronia’s Legacy All-Stars offers a sound somewhere between small group and big band, courtesy of a dynamic five horn front line with great soloists and tailor-made arrangements. But make no mistake, this is no repertory group. This music is now!”

The world-renowned trumpet player continues, giving his assessment of the line-up: “The music featured on this album by the Dameronia’s Legacy All-Stars is timeless, emanating from the pen of one of the greatest composers the music has ever known. It’s led by the tenacious European drummer, Bernd Reiter, and the band boasts a truly All-Star lineup:

· Legendary US alto saxophonist Dick Oatts, who possesses a sound unique and all his own.

· From the Netherlands, a truly positive force in the European Jazz community, baritone saxophonist Rik Van den Bergh.

· A truly dynamic and versatile voice on the trombone, as well as a pillar of the Vienna jazz scene, Johannes Herrlich.

· Brilliant French saxophonist, composer, and arranger, Jon Boutellier.

· One of the most popular rhythm teams on the European concert circuit, pianist Andrea Pozza (Italy) and bassist Aldo Zunino (Italy).”

Concerning their new-found relationship with Ubuntu Music, Bernd Reiter comments: “I had the pleasure to be on two Ubuntu albums in the past (‘Burnin’ in London’, featuring Eric Alexander and Harold Mabern; ‘Live Encounter’, featuring Eric Alexander, Seamus Blake and Mike LeDonne). The first one was a particularly special treat and is a wonderful memory of the late, great Mr. Harold Mabern. Ubuntu’s way of presenting music and the musicians is the perfect match for this Dameronia octet album!”

Martin Hummel, Director of Ubuntu Music, shares his parting thoughts: “It’s a pleasure to be reunited with Bernd and to extend the relationship with the Dameronia’s Legacy All-Stars for this album. I saw the band perform at Ronnie Scott’s in 2021 and just knew this would make a great live project. It’s such an honour to have Dick (Oatts) and Jim (Rotondi) to be a part of recording, which made this even that much more special. It’s a timeless, musical exposé of highlights from Dameron’s phenomenal catalogue, for all the world to enjoy. We graciously welcome these guys to the Ubuntu Music Family.”

Ubuntu Music is delighted to announce the signing of The Darius Brubeck Quartet (DBQ), led by pianist Darius Brubeck. The album, Live in Poland, was recorded at the prestigious Blue Note in Poznan and will be released on Ubuntu Music in Spring 2020.

 Born in San Francisco, Darius grew up in the artistic milieu of his famous father Dave and has enjoyed a lifetime of varied international experience as bandleader, composer, teacher and broadcaster.

“I was invited to Poland three times in 2018, the 60th anniversary of the 1958 classic Dave Brubeck Quartet’s tour of this country. With the end of World War I in 1918, it was also the 100th anniversary of Polish independence. Szczecin (where I played on stage for the first time when I was 10 years old) was the first stop on the 1958 tour and the first city visited during my initial trip. I appeared for one number, inevitably “Take Five”, with Wynton Marsalis and the Lincoln Center Jazz Orchestra as part of the celebrations”, Darius explains.

“I was deeply moved to find that my father’s tour was associated in the Solidarity Museum with the beginning of the movement that liberated Poland from Soviet domination. Szczecin Jazz invited me back with my London-based quartet to perform at an arts festival the following month. The third time was for a tour of the six cities where the Dave Brubeck Quartet had performed; the first American jazz group to play behind the ‘Iron Curtain’, starting in – you guessed it – Szczecin.  Suffused with political meaning for the audience and my boyhood memories of witnessing the devastation left by war with my late brother Michael and my parents, this was no ordinary concert tour.”

Darius continues by explaining the formation of his quartet and the creation of this recording project. “The Darius Brubeck Quartet features Dave O’Higgins (sax), Matt Ridley (bass) and Wesley Gibbens (drums) and has been together for 12 years. The four of us, along with Cathy, my wife and manager, make important decisions together. The plan was to record every night of the tour and choose the best takes but, in the end, we decided that the last night at the Blue Note in Poznan (the only Jazz Club we played) was it. You might say the album should’ve been called ‘Live in Poznan’.  However, this performance was the culmination of a tour of sold out concert halls and standing ovations.  The band was at a peak, especially in terms of communication with each other and the audience. As the saying goes, the music speaks for itself.  I want to thank Dave, Matt and Wesley for their great playing, professional attitude and artistic wisdom, Cathy for her excellent management and Sylwester Ostrowski (OS Jazz), a great Polish saxophonist, for his concept and organization.”

In terms of joining the Ubuntu Music Family, Darius says, “Cathy and I released four Darius Brubeck Quartet albums on our own Gathering Forces label, which have done well for us and the band, but there are limits to this. All of us believe that signing with Ubuntu Music for ‘Live in Poland’ is significant and will take things up a level. Working with Martin Hummel and his Ubuntu team will give us access to marketing, media promotion and distribution we haven’t had until now. Martin understands where we’re coming from as artists and how far we can go.  We are delighted with this transition as we would like as many people as possible to hear ‘Live in Poland’. Being with a prestigious label increases our reach and, as a result, I will now have more time for writing. Interestingly, Dave O’Higgins also has a deal with Ubuntu, so we’re in the same boat. May it sail on successfully!”

Martin Hummel, Director of Ubuntu Music, describes his passion for the project. “It’s difficult to know where to start. I grew up as a kid with Dave Brubeck’s music playing in our house all the time. I fast-forward to the multiple occasions I’ve heard Darius Brubeck play live in London, with his brothers and with his Quartet—both of which feature Dave O’Higgins on sax, who ranks as one of my favourite tenor players on the jazz scene. And here we are now, commemorating Dave Brubeck’s historical 1958 Poland tour with Darius following his father’s footsteps 60 years later, and a recording that captures this timeless musical magic. It just doesn’t get much better than this. We are delighted beyond words to be working with Darius and the Quartet. We simply cannot wait to release this exceptional live recording next year.”

For Website, Click HERE.

 Dave O’Higgins’ tenor and soprano sax sounds are highly personal and recognisable, with a clear sense of melodic development and adventure. A popular performer with the public, with an excellent sense of pacing and presentation, he has a wide palette from Charlie Parker, Dexter Gordon, John Coltrane, Joe Henderson through to Stanley Turrentine and Michael Brecker.

 Dave is a highly regarded educator at the LCCM, where he is the Jazz Pathway Leader.

 He also runs a small specialist jazz recording studio (JVG), in search of the optimum way of recording jazz musicians through a combination of old techniques (á la Rudy Van Gelder) and newer innovations.

 Dave has worked with some of the world’s finest musicians, including: Joey Calderazzo, Joe Locke, Dave Kikowski, Eric Alexander, Grant Stewart, Max Ionata, Phil Dwyer, Adam Nussbaum, Joe Lovano, Phil Woods, Jimmy Smith, Nancy Wilson, Peggy Lee, Kurt Elling, Wayne Shorter, Eddie Gomez, Billy Childs, Abdullah Ibrahim, Chico Chagas, Stephane Grappelli and Michel Legrand. He wrote and produced the last Matt Bianco album, “Gravity”.

For Website, Click HERE.

Ubuntu Music is delighted to announce the signing of trombonist Dave Sear for the release of his album, I Always Thought My Thoughts Were Me, on 9th September 2022.

Born in Luton, Dave started playing the trombone at the age of eight. He gained a place at the prestigious Royal Birmingham Conservatoire in 2012 and graduated with a First Class Degree (BMus Hons) in July 2016. He has been a freelance trombonist since, and in January 2021 Dave became an official artist for B.A.C trombones. In the spring of 2022, only six years after graduating, Dave joined the faculty at the Royal Birmingham Conservatoire teaching jazz trombone.

Dave is heavily involved with the Birmingham jazz scene and plays regularly with multiple jazz bands. He gigs full time across the UK with a variety of bands including NOLA brass, ska, jazz small bands and jazz big bands. He is more than comfortable in a plethora of styles but feels at home playing jazz.

Dave was delighted to attend the Englesholm Winter Jazz Camp in Denmark in 2015 where he studied with jazz legends such as Dick Oatts, Jeff Ballard and James Genus. During his time at the Birmingham Conservatoire Dave was coached by jazz greats such as Jeff Williams, Mark Turner, John Riley, Elliot Mason, Mark Nightingale and George Colligan and was taught regularly by Jeremy Price, Ashley Horton, Hans Koller and Percy Pursglove.

In recent years, Dave has been lucky enough to perform at many prestigious venues and festivals such as Ronnie Scott's, The Vortex, Glastonbury Festival, Bestival, Shambala, Boomtown, Cork Jazz Festival, Cheltenham Jazz Festival, Birmingham Symphony Hall as well as a number of others.

Dave also made it through to the Top 20 in the 2016 BBC Young Jazz Musician of the Year competition.

I Always Thought My Thoughts Were Me is Dave’s first album. He explains the thinking behind the music: “The music I’ve composed and arranged for my debut album was influenced by my lifelong journey with anxiety and OCD. During the Covid lockdown period I had a lot more time to think, and overthink, and it really dawned on me that so many people struggle with the same issues as me, even though I always used to think my thoughts were ‘normal’. This inspired me to write some music which therefore finally made me feel ready to release my debut album. I reflect on the harder aspects of living with these issues, as well as the positive, embracing good times and thanking many people/places that have been of significant help throughout. Jazz music has been a great friend and of continual support throughout the last decade of my life and I wanted to recognise that in this music too. I have combined completely original compositions, contrafacts on some relevant standards and two arrangements of tunes that were meaningful to me over the years. I’ve never been great with words, and I seem to make the most sense through the trombone, so this album is my acknowledgement of appreciation to the music, my friends, my family and to everyone who’s taken the time to listen to me.”

Dave shares his perspective on the composition of his band: “I had this quintet in mind whilst writing the music and I feel extremely grateful and fortunate to have had the opportunity to play and record with them all. It’s an absolute honour to have Percy Pursglove playing trumpet alongside me, and I am forever thankful for his lessons and advice when he taught me back at the Birmingham Conservatoire. Elliot Sansom is not just one my all-time favourite piano players, but one of my all-time favourite musicians, and I’m so excited that he’s on my debut album. I was lucky enough to study alongside him and he has always been a source of constant inspiration. James Owston is one of the best bass players I know, and I have been fortunate enough to play with him for many years now. His hook-up with Jim Bashford on drums is special, and I’ve always been a huge fan of Jim’s playing and his dedication to the music, so the two of them were always in mind for this recording. I can’t thank my band enough for their patience and support, and of course their musicianship and respect for the music.”

Dave concludes with his comments regarding the relationship with his new record label: “I am absolutely delighted to be releasing my debut album with Ubuntu Music and I can’t thank Martin Hummel enough for having me on board, and for helping me throughout this process. It means more than I can put into words to have my music and my playing released to the world on such a great label, alongside some of the world’s best jazz musicians.”

Martin Hummel, Director of Ubuntu Music, provides his thoughts: “From the first time I had a listen to the rough mixes, I was immediately struck by the seemingly effortless swinging sound the guys delivered. That, combined with unique combination of trumpet and trombone upfront made this a natural for the label. We are so happy to have Dave join the Ubuntu Music Family.”

For Website, Click HERE.

Ubuntu Music is delighted to announce the release of 50 Years, an album which celebrates the first half century of the Doncaster Jazz Alumni and consists of a number of prominent musicians who participated in the recording at the prestigious British Grove Studios in London earlier last year.

The Doncaster Jazz Alumni (DJA) mark the golden anniversary of the Doncaster Youth Jazz Orchestra (DYJO), showcasing the remarkable journey and enduring legacy of its founder, John Ellis MBE, as well as their own individual and collective achievements.

50 Years was recorded with a special intention to try and help support students at the Doncaster Youth Jazz Association (DYJA). As proud Doncaster Jazz Alumni and former members of the association, their shared passion for jazz and the community is a motivating factor to give back to the next generation of talented musicians. While DJA operate independently from DYJA, their core values remain intertwined, and DJA remain steadfast in their commitment to support the Association’s current students. As a result, DJA aim to donate a substantial portion of the proceeds from the sales of this album to help inspire and assist these young musicians. DJA is most grateful for the public’s support of this project, which will have a direct and meaningful impact on empowering young musicians' lives, allowing them to pursue their musical ambitions.

In 1973, John Ellis established a pioneering training program for jazz and modern music, with the goal of offering local children performance opportunities while nurturing their love for jazz and big bands. Now, half a century later, this 50th anniversary album by the DJA is a heartfelt thank-you to John Ellis for his unwavering service, inspiration, and the impact he has had on countless lives.

John explains the idea behind the project: “This unique album is the brainchild of a group of the Doncaster Jazz alumni who wanted to acknowledge and celebrate our collective success in our 50th anniversary year. It is a testament to the commitment, passion, and professionalism of these remarkable musicians, many of whom I’ve had the enormous pleasure to watch grow and develop as both musicians and people. Despite the obvious difficulties of the recent pandemic, geography, and family/work commitments, they managed to organise rehearsals, performances and a recording at British Grove Studios, London. The recording experience was a revelation and a wonderful thing to witness. After greeting each other with smiles and hugs, the jokes and laughs were quickly put on hold as they took their respective chairs. They all worked passionately and tirelessly over two days to create a unique tribute to many of the great writers who have been inspired us all over the last 50 years.”

In celebration of this momentous 50th anniversary, 50 Years provides the DJA with a unique opportunity to delve into a diverse collection of music that embraces the vibrant jazz scene of today. It also pays tribute to their musical roots by showcasing compositions from esteemed artists including Bob Brookmeyer, Bob Mintzer, Laurence Cottle, Tom Kubis, Sammy Nestico, Patrick Williams, Al Wood, Steve Parry, Allan Ganley, and Bob Florence.

Throughout the past 50 years, an incalculable number of aspiring young musicians have found their creative voices through their participation in DYJO. Since then, many have embarked on successful professional careers, performing worldwide alongside renowned artists such as Herbie Hancock, Sting, Quincy Jones, Gil Evans, Jools Holland, and The Royal Philharmonic. Undoubtedly, DJA can be found worldwide, showcasing their talents at the highest level. The gratitude they hold towards John is immeasurable. Through 50 Years, the album, the DJA pay heartfelt tribute to an extraordinary individual.

Reuben Fowler, Music Director and Producer of the project, shares his thoughts concerning their relationship with Ubuntu Music: “’50 Years’ signifies a milestone for the DJA, as we are thrilled to collaborate with Ubuntu Music for the first time to realise this momentous recording. Ubuntu's dedication to delivering high-quality, accessible, and beautiful music resonates with our own values, as we continue to celebrate the legacy of the DYJO whose former members form our ensemble.

Fowler continues: “Throughout the past 50 years, the DYJO's influence has resonated across the globe, igniting a passion for jazz among younger generations from all corners of the world. With Ubuntu's support, we know that we can continue to share this message with an even wider audience. We extend our heartfelt appreciation to Ubuntu and its director, Martin Hummel, for their willingness to join forces on this landmark endeavour. Martin's involvement adds an extra layer of significance to this already special project.”

Martin Hummel, Director of Ubuntu Music, concludes: “When I was first approached by Reuben Fowler about a year ago, I was struck by his passion and his enthusiasm for this project, as well as recognising the importance of making a statement about the tremendous legacy of DYJO, DJA and the driving force behind it all…John Ellis MBE. So many musicians have benefitted from this organisation and it was only fitting that, in this golden anniversary year, a recording of substantial quality be released as a reminder to us all just how remarkable this journey has been. We are honoured to have been selected to be a part of this celebration. We wholeheartedly welcome DJA to the Ubuntu Music Family and look forward to the centennial follow up!”

DONCASTER JAZZ ALUMNI

Since their first downbeat in 1973, the Doncaster Youth Jazz Orchestra (DYJO) have been supporting the young musicians of today who will help shape the future of jazz tomorrow. With remarkable credits that include Quincy Jones, Herbie Hancock, Gil Evans, the BBC Big Band, Jools Holland, Jamiroquai and the Royal Philharmonic, DYJO has cultivated alumni who perform at the highest level worldwide.

In celebration of the organisation's 50-year milestone, the Doncaster Jazz Alumni (DJA) and DYJO founder John Ellis MBE are welcoming back former members for a special recorded project, entitled 50 Years. This unique endeavour encompasses a diverse program featuring works by renowned jazz figures including Bob Florence, Bob Brookmeyer, Francy Boland, Sammy Nestico, Tom Kubis, and Bob Mintzer. The orchestra will also pay tribute to icons of British jazz with original compositions by Allan Ganley, Al Wood, Laurence Cottle and Steve Parry, as well as showcasing pieces from within the orchestra.

Well known for their exceptional soloists and ensemble players, the DJA continues to receive critical acclaim. Over the past half-century, the former members of the DYJO, now part of DJA, have undertaken a global mission that has brought them to prestigious venues across the world, including Ronnie Scott's in London and the United Nations in New York. Furthermore, notable accolades include being named ‘BBC Big Band of the Year.’

In addition to 50 Years, the ensemble remains actively involved in progressive and ambitious projects, such as their upcoming concerts commemorating the centenary of Thad Jones. Over the course of the past five decades, they have had the honour of collaborating with esteemed guest artists, including Thad Jones, Cat Anderson, Stan Tracy, Ronnie Scott, Humphrey Littleton, Barbara Thompson and Slide Hampton, among others.

For Website, Click HERE

Ubuntu Music is delighted to announce the upcoming release of Home, the debut album from pianist/composer Eddie Gripper, which will be available from 3rd March 2023.

Born and raised in Burford, Oxfordshire, Eddie first started learning the piano at age 11. In 2019, he began to study Jazz under the tutelage of Huw Warren at Cardiff University, graduating with First Class Honours in 2021. Since then, Eddie has established himself as a prominent pianist/improviser, composer, and educator in the Southwest region, expressing a broad interest in musical styles, including jazz, folk and electronic music.

Home, Eddie’s debut album, consists of a traditional trio format and exhibits a keen rhythmic focus. The development of this vocabulary is evident from beginning to end; metrically challenging grooves are paired with rich, elegant harmonies, culminating in an outcome that is both provocative and gratifying. The stylistic range of compositions (through choice of instrumentation and arrangement) helps to support an overall, arcing narrative. Each track is a journey through time and space - beginning and finishing at a familiar and comforting destination before moving onto new or subtly developed ideas. The trio breathes together as one homogeneous sound, with individual players taking to the spotlight to elaborate on their own interpretations of the music at hand.

Eddie explains: “This album really came out of nowhere for me. Once Covid hit and we all went into lockdown, that’s when I really started to take writing music seriously. All of the music featured on this album was written in the space of a year, starting in Spring 2021. It was never supposed to be an album or, at least, I never had that intention from the outset; the whole process was totally serendipitous! This record encapsulates a very important moment in my life - the exact moment where the line was crossed from wanting to write to needing to write.”

Eddie continues: “The past few years of my life have been particularly turbulent. Amongst all the personal experiences that have inspired the creation of this record, the idea of enjoying what you have while you have it and cherishing that fondness is the most significant. As a band, all three of us can certainly relate to this notion. At the time of recording the three of us were imminently due to go our separate ways for the indefinite future - with Ursula Harrison (bass) to Newfoundland and Isaac Zuckerman (drums) to Portland, OR. Our camaraderie and close friendship certainly shines through on this record and, for me, that is the real the icing on the cake. This album is an honest portrait of the events that have shaped not only who I am as a person but, more importantly, as an artist.”

Eddie describes his new relationship with Ubuntu Music: “Having the opportunity to work with the team behind Ubuntu has been an absolute dream. Martin’s (Hummel) support and propriety throughout the whole creative process has encouraged me to go above and beyond. It is reassuring to know that ‘Home’ has found its right home - here at Ubuntu. I already have a handful of ideas for my next project, and I look forward to expanding and developing our relationship further in the coming years.”

Martin Hummel, Director of Ubuntu Music, concludes: “It was such a pleasure to connect with Eddie and to discover his music. Eddie is a talented, driven and determined individual whose music is a combination of innocence with depth and warmth throughout. From the first piece, it brought a smile to my face and joy to my heart. We are please to welcome Eddie to the Ubuntu Music Family.”

For Website, Click HERE.

Ubuntu Music is delighted to announce the signing of accomplished drummer Elliott Henshaw for the release of his album, Who’d Have Guest?, on 27th August 2021.

Elliott has been an in-demand drummer for many years now, working with artists and bands that include Shirley Bassey, John Lord and Roger Glover (Deep Purple), Paul Anka, Michael Ball, Tony Christie, Leo Sayer, David Benoit, Russell Watson, Tony Hadley, The BBC Big Band, The Drifters, Gwen Dickie, Georgie Fame, Bob Mintzer, Mike Stern, Eric Marienthal, Beverley Knight and Phil Collins. He has played in over 20 West End shows that include Lion King, Come from Away, Dear Evan Hansen and Bat Out Of Hell. Alongside his own band, Elliott co-runs the 18-piece band Spice Fusion with Simon Niblock, who together have released two albums to date--Trying Too Hard and Trying Hard 2.

“Being heavily influenced by the likes of Dave Grusin, The Yellowjackets, Al Jarreau and David Sanborn”, explains Elliott, “I wanted to release music that celebrates the importance of strong melody combined with solid groove. Every member of the band is encouraged to stretch out and be creative within these parameters. ‘Who’d Have Guest’ features original compositions that showcase horn sections, string sections and, as the album title suggests, some very special guests. It has been 10 years in the making due to everyone’s work schedules but for me it has been worth the wait. Producing an album that allowed me to make music not only with my friends, but my heroes as well has been a joy from start to finish.”

The core members of The Elliott Henshaw Band are some of the busiest musicians on the UK scene--Bass player Andrew McKinney (James Taylor Quartet/Jarvis Cocker), keys player Matt Steele (Brand New Heavies/Jersey Street), guitarist James Pusey (Beverley Knight/Paloma Faith) and saxophonist Simon Willescroft (Duran Duran/Joss Stone).

Elliott continues, “The idea behind this project was to take my existing 5-piece band and include different guest appearances on each track. The guests vary from a horn section featuring the likes of Tom Walsh, Simon Niblock and Chris Traves, vocalists such as Miranda Wilford and Noel Sullivan, or jazz heavyweights such as Gwilym Simcock, Bob Mintzer and Dave Weckl. I wanted to celebrate music and musicians that have inspired me over the years whilst at the same time document where I am creatively at this point in my life.”

Concerning his new relationship with Ubuntu Music, Elliott shares his thoughts: “I was first introduced to Martin Hummel by my good friends Matt Steele and Quentin Collins. After our first conversation I knew straight away that I wanted to work with him and his label, Ubuntu Music. Martin has an abundance of passion and commitment to music combined with a great respect for the musicians. He has been so helpful with his guidance and advice, all of which comes from a wealth of experience in the industry. I am very much looking forward to what I hope will be a long relationship with Martin and Ubuntu.”

Martin Hummel, Director of Ubuntu Music, adds his perspective: “I’d been aware of Elliott for some time and, through mutual acquaintances, we had the opportunity to meet. Elliott kindly shared his project with me and the rest is history. I was floored by the richness and the depth of the music, all of which is firmly anchored in seductive melodies. Having Gwilym Simcock, Bob Mintzer and Dave Weckl appear on the album, along with other such standouts, is the icing on a very delicious cake. It’s great to welcome Elliott to the Ubuntu Music Family.”

For Website, Click HERE.

Ubuntu Music is delighted to announce the upcoming release of Ten Past Never, from the dynamic Italian drummer, Enzo Zirilli and his quartet, Enzo Zirilli’s ZiroBop, on 3rd February 2023.

Enzo is considered one of the most creative and versatile drummers/percussionists of the last generation, within the international world of contemporary music. Since 1990, when he began as a professional, his collaborations have been considerable in the fields of Jazz, Pop and World Music.

In 2004, Enzo moved to London where he immediately established himself as one of the most in-demand musicians on the London scene. He has collaborated with a broad range of artists, including Dado Moroni, Enrico Pieranunzi, Jim Mullen, George Garzone, Tom Harrell, Bob Mintzer, Ian Shaw, Omar Lye Fook, Gloria Gaynor, Hamish Stuart, Liane Carroll, Flavio Boltro, Nico Di Battista, James Moody, Gary Bartz, Peter Bernstein, Marco Pereira, Antonio Forcione, Gilad Atzmon, Brandon Allen, Tony Kofi, Quentin Collins, Stan Sulzmann, John Etheridge and Jason Rebello.

Enzo formed ZiroBop, his own band, in 2013 with rising star guitarists Rob Luft and Alessandro Chiappetta, along with the gifted bassist Misha Mullov-Abbado. Enzo returned to Italy and Turin (his home town) in 2020, following his appointment as professor of Jazz Drums and Percussion Chair at the Conservatory G.Verdi. In Bruino, Italy, Ten Past Never was recorded on 9th April 2023.

Enzo describes the project: “ZiroBop was born in 2013 in London, when I met the very talented Rob Luft, Alessandro Chiappetta and Misha Mullov-Abbado. The music we play on this album, like in the previous two, mirrors my idea and our collective idea of playing music at 360 degrees, getting deep inside all the jazz languages, from the very early days through the modal and post avant-garde mood, mixed with influences from Indian, South American and eastern world music.”

Rob Luft is an award-winning 28-year-old jazz guitarist from London whose virtuosity has been compared to that of six-string legends John McLaughlin, Al Di Meola & Paco De Lucia. Italian guitarist Alessandro Chiappetta is a sought-after musician in his country, while London-based multiple prize-winning bassist Misha Mullov-Abbado rounds out the quartet.

Enzo continues: “Apart from our own original compositions, you can find songs by Steve Swallow, Keith Jarrett, Charlie Mariano, Thelonious Monk, Charles Mingus, Hermeto Pascoal, Charlie Parker, as well as Enrico Pieranunzi, with whom I have been collaborating for more than 20 years, and the late Italian songwriter Pino Daniele. I love combining energy and power with just pure, beautiful melody.”

The accolades for this ZiroBop music partnership have been considerable:

"I love this music! Enzo and his great band approach a wide range of material with such creativity, taste and soulfulness. A beautiful album."

--LARRY GOLDINGS

"Great music from drum maestro Enzo Zirilli's band, Zirobop"

--JIM MULLEN

"These four artists really play, breathe and fly together, bringing their personal experiences into the notes, but combining them into a fantastic mix of influences."

--DADO MORONI

"This is a great recording by four exceptional musicians! A unique and varied repertoire beautifully rendered by this special group. Fantastic guitar playing by Rob Luft and Alessandro Chiappetta and an amazing foundation of different grooves laid down by Misha Mullov-Abbado on bass and the leader Enzo Zirilli on drums. Everyone here is playing on the highest level. This is a recording that shows the maturity and adventurousness of all involved! "

--PETER BERNSTEIN

"I enjoyed ZiroBop immensely. I liked the fact that you were willing to play so many ballads. Love the texture of the two guitars and there's so much you can achieve sonically with all the pedals available.”

--HAMISH STUART

Concerning his new-found partnership with Ubuntu Music, Enzo explains: “I’m very delighted to collaborate, for the first time as a leader, with Ubuntu Music, a few years after I appeared on the label as a sideman with QCBA, featuring Quentin Collins (trumpet), Brandon Allen (sax) and Ross Stanley (Hammond organ). Label boss Martin Hummel is a real jazz lover and he created many beautiful productions over the last five years, with loads of talented musicians involved. It’s a great label and we are in good company!”

Martin Hummel, Director of Ubuntu Music, concludes: “I always believed it was simply a matter of time before we would have the opportunity to work with Enzo and his dynamic project. I’ve been an admirer of his talent for quite a while and Enzo has appeared on three previous Ubuntu releases. Guitarist Rob Luft makes his fourth Ubuntu appearance, and it will be bassist’s Misha Mullov-Abbado’s second appearance on the label. Guitarist Alessandro Chiappetta is the new kid on the block for us and we welcome him with open arms. ‘Ten Past Never’ is one to savour and we are so happy they are with the Ubuntu Music family!”

For Website, Click HERE.

A fine straight-ahead jazz saxophonist, Eric Alexander grew up in the state of Washington. He initially attended Indiana University, studying classical music as an altoist. However, he soon discovered jazz, switched to the tenor, and transferred to William Paterson College in New Jersey. After graduating, he moved to Chicago and gained important experience touring with Charles Earland while also becoming a fixture in local clubs. Influenced by Dexter Gordon and George Coleman, but gradually developing a more original sound, Alexander has also worked with Mel Rhyne, Cecil Payne, Kenny Barron, and Eddie Henderson, among others.

In 1991, Alexander placed second at the Thelonious Monk Institute's saxophone competition, finishing just behind Joshua Redman. In 1992, he relocated to New York and made his recording debut as a leader with New York Calling on Criss Cross. Alexander recorded two additional sets as a leader for Criss Cross, was part of their Tenor Triangle session, and cut several heated CDs for Delmark, including one that he co-led with veteran tenor Lin Halliday. His 11th album, Man with a Horn, was licensed for U.S. release in 1999 by Milestone, which also issued the follow-up, The First Milestone, in 2000.

Also during this period, he co-founded the jazz supergroup One for All with trumpeter Jim Rotondi, trombonist Steve Davis, pianist David Hazeltine, bassist John Webber, and drummer Joe Farnsworth. A hard-swinging ensemble in the mold of Art Blakey's Jazz Messengers, One for All toured often, and released a bevy of albums since the late '90s including Too Soon to Tell, Wide Horizons, and What's Going On?

On his own, Alexander has kept busy releasing a steady slew of his own albums including Summit Meeting in 2002, Dead Center in 2004, Battle: Live at Smoke with alto saxophonist Vincent Herring, Temple of Olympic Zeus in 2007, Prime Time: In Concert in 2008, Revival of the Fittest in 2009, and Don't Follow the Crowd in 2011. In 2012, Alexander once again paired with equally adept saxophonist Herring for the concert album Friendly Fire: Live at Smoke. Two years later, he paid homage to his adopted hometown of Chicago with the album Chicago Fire.

Real Thing, featuring his long time band with Harold Mabern, Joe Farnsworth, and John Webber, appeared in 2015. A year later, he paired with the Bernd Reitem Quintet for a live album on Steeple Chase, followed by another guest session on Federico Bonifazi's You'll See, also on Steeple Chase. The saxophonist also reconnected with One for All for 2016's The Third Decade. Alexander then returned to his own session work with 2016's Second Impression, which once again showcased octogenarian bassist Bob Cranshaw. In 2017, he delivered Song of No Regrets, featuring appearances by percussionist Alex Diaz and special guest trumpeter Jon Faddis.

Eric's first album on Ubuntu Music,  'The New York All-Stars--'Burnin' in London'', also features Harold Mabern on piano. It will be released in September 2018.

For Website, Click HERE.

Ubuntu Music is delighted to announce the upcoming release of All the Way, the debut album from Five-Way Split, which will be available worldwide from 17th March 2023.

Five-Way Split is a new jointly led band which was formed in 2020 and features some of the finest contemporary jazz bebop musicians in the UK. Five-Way Split is fronted by internationally renowned trumpet star Quentin Collins, Greek saxophone phenomenon Vasilis Xenopoulos and the golden touch of pianist Rob Barron. Added to this is virtuosic double bassist Matyas Hofecker and hard-swinging drummer Matt Home. The band’s vision is to carry on the lineage of groups like Art Blakey’s Jazz Messengers as well mirroring the New York contemporary-bop scene. From this inspiration, the band presents a sound that respects the tradition of the hard-bop era whilst also bringing it up to date for today’s audience. With an extensive repertoire of carefully crafted and imaginative original compositions, along with cool, swinging material by greats like Jimmy Heath, Cedar Walton and Horace Silver, Five-Way Split delivers some of the best swinging and soulful music in contemporary jazz.

The band explains: “Five-Way Split is a group born in 2020 at a time when performance opportunities were scarce, but creative energy was strong, by musicians with a shared passion for continuing the lineage of contemporary bop music.

“We are thrilled to join the impressive Ubuntu Music roster. It also makes perfect sense for Rob Barron and Ubuntu Music co-founder Quentin Collins to continue their strong association with one of the best independent jazz labels on the international scene.”

Martin Hummel, Director of Ubuntu Music, concludes: “It’s a pleasure to be working with such a gifted group of musicians, who keep the contemporary jazz flag flying high and proud. I’m so happy to be back with Quentin Collins, my original label partner, and with Rob Barron, whose trio project we recently released and received exceptional critical acclaim. Five-Way split is a group of equal talents who deliver on their promise of great hard-bop jazz that is as good as it gets. We love to have these guys as members of the Ubuntu Music Family.”

For Website, Click HERE.

FLYING MACHINES play emotive and dramatic music, drawing upon influences as diverse as jazz, progressive rock and metal to create an utterly unique and modern sound.

Formed by guitarist Alex Munk in 2014, Flying Machines features some of the most innovative young musicians to emerge in recent years from the UK jazz scene, Matt Robinson on piano/keyboards, Conor Chaplin on electric bass and Dave Hamblett on drums. Centred on Alex's unique compositional approach, the band fuse visceral  improvisation with anthemic melodies and lusciously textured soundscapes. It's a sound shot through with the here and now of London's cutting-edge music scene, a decadent mash up of free-wheeling improvisations, prog rock energy and ambient meditations that never detract from the emotive lyricism at the music's core.

Having released their self-titled debut album to critical acclaim in October 2016, with glowing reviews in the likes of Guitaristmagazine and The Guardian, Flying Machines went on to complete a 24 date UK tour supported by Arts Council England which ended with a sold out, headline performance at Ronnie Scott's Jazz Club. The band went on to perform on the BBC Introducing stage at Latitude Festival. 

Having recently finished off a breakthrough year with performances at London Jazz Festival and Cambridge Jazz Festival, Flying Machines have recorded their second album with the Grammy, MOBO and Mercury nominated producer Sonny Johns at the world class Livingston Studio 1 recording studio. Entitled ‘New Life’, it will be released on Ubuntu Music in October 2018.

Ubuntu Music is delighted to announce the upcoming release of Tip Top!, the debut album from tenor sax player Fraser Smith, which will be released on 7th April 2023.

Tip Top! is the current stop-off-point in the musical journey/career of Fraser. Two decades of study and scholarship have informed this album of original material. Wholly inspired by the music and artists of the late bebop to early hard bop periods, Fraser pays tribute to his heroes with ten tracks stylistically dedicated to the jazz masters of the mid-twentieth century.

A slightly late starter, Fraser picked up the sax at age 15, and at around the same discovered a Charlie Parker CD in the Woolworths discount bin. These incidents started him on a lifetime path of decoding and understanding bebop and its descendent genres. With no musicians in his immediate family, he was left to his own devices, listening and playing along to the CDs of Louis Armstrong and Scott Hamilton. Three years later Fraser was accepted onto the jazz course at the Royal Welsh College of Music and Drama where he later graduated with first class honours. After that he moved to the capital to complete his Masters Degree at the prestigious Trinity College of Music, London.

Homing in on swing and bebop, Fraser then continued to learn the craft the old way. Through thousands of hours on and off stage he listened and emulated to inform his own sound. The result is a style that has been described as rich and firmly rooted in the jazz tradition. Contrary to many of his contemporaries he takes prominent influence from the likes of Mobley, Dexter, Illinois Jacquet and unsung hero of the Tenor Wardell Gray (with a track on the album written in dedication).

Fraser has worked professionally for the last 12 years, playing as far away as Mexico and China, and everywhere in between with a whole range of projects and bands. He’s led his own group at world famous Ronnie Scott’s numerous times and is a regular on the UK jazz club scene.

Tip Top! was an effort to solidify and record some of the musical experiences Fraser was having. With jazz being transient in its nature, gigs come and go. The vibrant and world class ‘straight ahead’ London scene is happening every night and without stopping to take note, it can pass one by. For this recording Fraser assembled a top band of musicians whom he was playing with on-the-fly on a regular basis in different set-ups and wrote music specifically for the group, to solidify the communion.

Fraser describes the project: “I wanted to take a snapshot of where I was at that point with my playing. It is only recently I’ve felt that years and years of study and performing have begun to manifest, allowing me to express myself more accurately. Feeling a new control and facility enabled me to compose in the vein I was aiming for. This was another major driving force behind this venture.”

Rob Barron, pianist (and Ubuntu artist), is one of the best in the business and has a top reputation across London and Europe. He has played with Benny Golson, Grant Stewart and Phil Woods to name just a small handful. From Hollywood scores to the most in-demand side man, he’s one of the very best in the music business. The same can be said for Steve Brown, first call drummer for many of the US masters when they’re in town. He was the regular UK drummer for the late jazz legend Barry Harris and has also toured extensively with Scott Hamilton among others. Bassist Simon Read is a young player making waves, already playing with some of London’s best improvisers.

From the very first rehearsal the band was ‘oven ready’, with little actual musical direction needed. As hoped from the outset, a connection was made and everyone in the group felt the music in the same way.

For a group with a sound as specific as this, there was only one place to take them to record. Durham Sound Studios located in Kentish Town (London) has the ghost of an old phonograph store sign above the door. Not a computer in site, you can smell the solder from the owner making last minute adjustments to the vintage equipment. Straight to tape, the band laid each track down in no more than two takes using gear from the era they pay homage to.

What started out as an effort to capture Fraser’s current experience of the London live jazz scene, became an amalgamation of things. It now stands as a tribute to his heroes, a small gesture in return for countless hours of music and enjoyment that the original creators themselves sacrificed everything to offer. And finally, it stands up as an album in its own right, albeit highly stylised. A contribution to the huge tapestry of musicians today striving to keep modern jazz alive, playing the music to the best of their capacity in honour of their idols.

Fraser continues with his thoughts concerning Ubuntu Music, his new record label: “Ubuntu has been on my radar for a long time due to the amount of amazing artists that they represent. I was thrilled for Martin (Hummel) to come onboard after the initial stages of the production of my album. He shared a wealth of knowledge about the process of releasing and comes at it with a genuine interest in the music and musicians. I don’t think the same can be said for other labels!”

Martin Hummel, Director of Ubuntu Music, concludes: “Fraser is one of the strong emerging talents in the London jazz scene, paying his respect to the masers while playing on his terms. Tip Top! swings like it was recorded in the golden age of jazz in the sixties. With Rob Barron on piano leading the excellent rhythm section, it’s a thoroughly enjoyable, timeless ride.”

For Website, Click HERE.

Ubuntu Music is proud to announce the signing of US pianist George Colligan, for the worldwide release of his trio album, ‘Live in Arklow’, on 3rd April 2020.

George is not only one of the great jazz pianists of his generation, but he has earned an international reputation as a multi-instrumentalist (drums, trumpet, organ, keyboards), composer, accompanist, teacher and bandleader. Winner of the DownBeat Magazine Critics Poll, he has had a long association with living jazz legend Jack DeJohnette. With over 130 albums to date as an accompanist, Colligan has worked with a long list of jazz greats, including Buster Williams, Cassandra Wilson, Don Byron, Ravi Coltrane and many others. Colligan, a New York resident for 15 years, now resides in Portland, Oregon where he is an Associate Professor at Portland State University.

“Mr. Colligan… favours an earthy, assertive style, putting him in a lineage that includes McCoy Tyner, John Hicks and Mulgrew Miller.”

--The New York Times

George was reunited with a long-time colleague, Irish drummer Darren Beckett, since their extensive recording and playing days in New York, and was joined by Irish bassist David Redmond, to form a gifted trio that performed at the Bray Jazz Festival in 2018, appearing at Arklow Methodist Church. The live performance was recorded and will be released in CD and digital formats.

“One of the best kept secrets in jazz.”

—All About Jazz

Darren Beckett (drums) won the prestigious Bass Ireland Award as a teenager, leaving the emerald isle to study jazz in New York, where he resided for 21 years. Across his career, he has played drums everywhere from Carnegie Hall in New York to the Royal Albert Hall in London. He has performed on over 50 albums recording with notable names like Brandon Flowers, Daniel Lanois, Madeleine Peyroux, Lee Konitz and Kenny Wheeler. Over the years, Darren has worked with Lauryn Hill of The Fugees, James Hunter, jazz pianist Aaron Parks and played festivals all over the world from Austin City Limits to Montreux to NH7 in India.

David Redmond is best known for his collaborations with renowned Irish and International groups, and musicians including the acclaimed American pianist Bill Carrothers as part of the Kevin Brady Trio, Larry Coryell and the UK jazz vocalist Ian Shaw. He is a member of both the Phil Ware Trio and Tommy Halferty Trio. He is also a member of Yurodny (one of Ireland’s leading world music groups).

As George describes this special session in the album’s liner notes, “This album was a magical night in a magical venue with a magical piano and a magical trio and a magical audience. Sometimes, all the parameters are just right and it creates the perfect setting. It doesn’t always happen, in fact, it seems like these days it rarely happens. When it does, I try to savour it. Luckily, the tape was rolling and we captured it forever.

“This concert was part of the Bray Jazz Festival “On The Road” series; the venue was a Methodist Church in Arklow. The piano was one of those instruments so well maintained that you feel like you could sit on the keys or mash your hand down and it would be the most beautiful chord you’ve ever heard. The audience was amazing; it seemed as if they hung on our every phrase. Music is a conversation, not just between the musicians, but with the audience as well. We play, and the positive energy of the people listening makes us play more, and better. Everything was in sync on this night. I hope you can feel that magic when you listen. I’m thrilled to be reunited with Darren Beckett and to be newly acquainted with Dave Redmond for my first Trio release on Ubuntu Music. This is a recording of a magical concert and I hope listeners will hear and feel as amazing as I did while we performed. This is a great Trio and I believe we have a future. Hopefully, this recording will help to facilitate this.”

In describing the new association with Ubuntu, Darren Beckett commented, “I am absolutely thrilled to be working with Ubuntu Music on this trio’s first ever recording. Martin sees the long-term vision and has supported us every step of the way. Ubuntu’s great marketing and distribution will only strengthen that. It’s an honour to be added to an already incredible roster.”

Martin Hummel, Director of Ubuntu Music commented, “George is a bit of a jazz institution, hailing from NYC and playing with the best of the best. Combined with two outstanding Irish jazz artists, Darren and Dave, performing at a very special place, created the perfect situation to capture exceptionally special music and to now bring it to the world. We are delighted to have these wonderfully talented musicians join the Ubuntu Music Family.”

For Website, Click HERE.

Ubuntu Music is delighted to announce the signing of rising trumpet star Gileno Santana, for the worldwide release of his next album in Spring 2021.

On 23rd October, the Label will release ‘Be Yourself’, and exclusive single in advance of the album release. This track was recorded in Portugal earlier this year and features Australians Harry Morrison (bass) and Patrick Danao (drums).

Born in Salvador (Bahia, Brazil), Gileno is a Portuguese-Brazilian trumpeter and composer. He won the international BEJAZZ’14 jazz competition in the city of Bern (Switzerland) with the Egli-Santana Group. He received the Medal of Honor of the Order of Musicians of the State of São Paulo and he was the first musician luso-Brasilian to be a speaker at Harvard University.

While in Brazil, Gileno started studying music in 2003, and two years later he participated in the recording of the album of the American saxophonist Mike Ellis, as part of the Bahia Band.

In 2006, Gileno moved to Portugal to study at the Hot Club Portugal and the Superior School of Music and Performing Arts. He was invited to contribute to the Orquestra Jazz de Matosinhos (OJM), the most prestigious Portuguese big band. As lead trumpet, he performed works by Jim McNeely, Chris Cheek, Mark Turner, Ohad Talmor, Andy Sheppard, Lee Konitz, Kurt Rosenwinkel, Joshua Redman, Maria Schneider, Carla Bley, Steve Swallow, Jason Moran, Dan Weiss, Maria João, Mayra Andrade, Julian Argüelles, Florian Ross, Pierre Bertrand, Michael Mantler and Fred Hersch, among many others. He also recorded four albums as the lead trumpet of OJM and participated in major jazz festivals in Portugal, France and Spain. Of particular note is his performances in the prestigious Wiener Konzerthaus (Austria) and the famous New York jazz clubs Birdland, Jazz Standard and Blue Note.

The solo discography of Gileno dates back to 2010 as leader of his own Quartet. For his first album, ‘Início’, Gileno was joined by world leading musicians Hermeto Pascoal and Hamilton de Holanda. His next album, ‘Metamorphosis’, (2014), was considered by critics as one of the best albums of the year. In 2016, Gileno released his third album, ‘Inevitável’. This last project, in duo with the guitarist Tuniko Goulart, reached world-wide popularity. One composition, ‘Malaco’, has become a true phenomenon with the participation of more than 100 musicians from various parts of the world. With this album, Gileno toured through Portugal, Czech Republic, Hungary, Austria, Switzerland, South of Korea and England. In 2017, Gileno, in duo with the accordionist Inês Vaz, presented his fourth album, ‘Ciranda’, which features traditional Portuguese music.

His work as an arranger includes collaborations with highly successful Portuguese artists. He is constantly in demand for both studio sessions and live concerts with some of the greatest and most respected musicians in the country, spanning from rock to pop and soul, to mention just a few. Internationally, he collaborated with Tony Allen, Amp Fiddler, Munir Hossn, James Morrison, Edmar Castaneda, Andy Hunter, Marshall Glikes, Bob Stewart, Thomas Gansch, Dick Oats, Hermeto Pascoal, Adam Rapa and Maceo Parker. In 2015 and 2017, he was the invited soloist to perform with the Symphony Orchestra Casa da Música in two concerts with the singer Gregory Porter. He also collaborated with the Italian project PoLo, with which he recorded the album ‘Pleasures’ and performed dozens of concerts in the north of Italy. In Switzerland, he is a member of the Egli-Santana Group and the DRO jazz orchestra - David Regan Orchestra.

Gileno is often invited to teach masterclasses and workshops in different venues across the world. Of particular note is his presence across five countries, namely Japan, Australia, Colombia, Cape Verde and Austria. In October 2017, he was a resident professor at the famous Australian University, James Morrison Academy, in Mount Gambier. He is a professor of jazz trumpet at the Music Conservatory of Oporto. He is sponsored by international trumpet brands such as Inderbinen, Schagerl (where he has his own line of mouthpieces and trumpets), Applied Microphone Technology and Joyo. He is also a Portuguese ambassador of the British clothes brand, Fred Perry.

Concerning his upcoming release, Gileno explains, “This project was born in a very difficult period for all of us. With all the uncertainty of not knowing what tomorrow may bring, I delivered everything I had with the hope that one day we will all be able to go from who we were to who we are.”

And with his newly confirmed relationship with Ubuntu Music, Gileno continues, “Ubuntu welcomed me with open arms. I felt understood and cherished by a person who believes that one of the greatest gifts is to help others. Thanks Martin (Hummel), thanks Ubuntu.”

Martin Hummel, Director of Ubuntu Music, describes the Label’s latest signing: “This relationship began earlier this year at Ronnie Scott’s. Gileno was opening for the Darius Brubeck Quartet (another Ubuntu artist) and I was there with saxophonist and good friend, Leo Richardson (another Ubuntu artist). We heard Gileno and were both blown away. I met Gileno after the show and said we needed to talk. A few months later, James Copus, another outstanding trumpet player and Ubuntu artist, provided the formal introduction for Gileno to connect with me and the rest is history. I guess you could say this was always meant to happen. We’re delighted to have Gileno join the Ubuntu Music Family.”

Ubuntu Music is delighted to announce the signing of the versatile Italian drummer and composer, Giuseppe Paradiso & Meridian 71, for the release of Giuseppe’s sextet album, Parallel Dimensions, on 15th April 2022.

Meridian 71 is a cross-cultural music project created and led by Giuseppe since 2012. The project name comes from Boston's longitude: the 71st meridian that passes precisely through the eastern part of the city. Their third album features original compositions by Giuseppe who performs with an eclectic and multicultural ensemble of well-established Boston-based musicians.

“Boston is the location where I met musicians from different parts of the globe. We are deeply connected and spoke the common language of music together”, reflects Paradiso. “It felt like I had known for a long time that at some point in my life I would have met musicians just like them, way before moving across the Atlantic in 2008. Meridian 71 became the creative laboratory and space to develop this music.”

Meridian 71 is more than a conceptual band…it's a dynamic and ever-changing musical project with a revolving lineup and a driving vision to use music and sound to inspire, bridge cultures and create links within different traditions.

Blending music genres that range from jazz and improvised music to Mediterranean and West African styles, the Parallel Dimensions album features Giuseppe on drums, percussion, electronics & vocals; Mark Zaleski on alto & soprano sax/clarinet; Utar Artun on piano & keys; Phil Sargent on electric guitar; James Hazlewood-Dale on upright, electric and fretless bass; Malick Ngom on West African sabar drums, percussion and vocals.

Giuseppe provides his thinking behind the project: “I began composing the Parallel Dimensions album during the early stages of the Covid-19 pandemic in April 2020. This was a time when, on a personal level as well as in the World, many events were unfolding uninterruptedly almost on a daily basis. Music, creative development and art were my medicine and my life’s purpose that guided me through and kept inspiring me to continue a search for deeper layers and to stay focused on my life’s purpose. This album is an attempt to describe the different and parallel realities that each one of us experience even living the same event, at the same time and in the same place. Different perceptions, beliefs, ideologies and interpretations can make a singular event be a completely different story and experience for each one of us, sometimes based also on equivocacy.”

Giuseppe explains further: “These original compositions represent my extensive and ongoing research into multiculturalism and the different traditions and cultures to which I have been exposed musically and personally. Indeed, my experience performing as a sideman with hundreds of international musicians and artists across genres and continents has undoubtedly shaped my own identity and voice as a musician and brought me to create an eclectic and international ensemble in which I could blend all of these different experiences that have enriched my life both on a professional level as a performer and a composer, as well as on a personal level.”

Concerning his signing with Ubuntu Music, Giuseppe elaborates: “I am very excited and honored to be included in the Ubuntu Music Family. I look forward to a new chapter for this project in working with such a great record label and team. Since the very beginning I fell in love for the work that the Ubuntu label was putting out in the world. Working with Martin Hummel, I realized how much love and respect he has for musicians and their work. This alone makes me feel at home and glad to be working with such a label. It has been a unique and very enriching experience. It’s not easy to meet people in the industry who respect and fully understand the musicians’ work. Martin’s sensitivity in this regard has blown me away. He is undoubtedly one of a kind, and I am so glad we crossed paths. The support of Ubuntu Music will definitely help take this project to the next level in so many different ways, thanks to their expertise in the field and marketing strategies, as well as network and distribution. The Meridian 71’s ensemble and I are thrilled to be a part of their roster as we expand our family across the Atlantic.”

Martin Hummel, Director of Ubuntu Music, concludes: “Meeting Giuseppe and hearing his project was an immediate joy for the head, heart and the ears. We have a strong affinity for jazz music that transcends cultures and defies genres. ‘Parallel Dimensions’ does just that, from the genesis of the band’s formation through to the compositions and the musicians who made this possible. It is fantastic to welcome Giuseppe and Meridian 71 to the Ubuntu Music Family.”

For Website, Click HERE.

Ubuntu Music is delighted to announce the signing of the gifted Italian guitarist and composer composer, Giuseppe Pucciarelli, for the release of his quartet album, Uplift, on 11th March 2022.

Giuseppe Pucciarelli’s career has been deeply driven by his commitment to study, compose and perform music at the highest level. His philosophy isn’t very different to that of the legendary performers and composers of European and American Improvised Music. Pucciarelli’s main goal is to carry on shaping the trajectory of European post-bop jazz by recognising and respecting the great composers and improvisers who have already outlined and modelled the foundation of such music.

The Pucciarelli Group’s upcoming release, Uplift, synthesises all those elements together into a superb and confident album. Although conceptually modern, the original compositions of this album are firmly grounded in a particular tradition of harmony, melody and rhythm mostly found in contemporary improvised music. Stylistically, this release is perhaps more decidedly European in character compared with his previous album, Feel Free to Feel Free, which could be described more as straight-ahead jazz. Music lovers would argue that Uplift offers much more besides in terms of the moods it raises and the emotions it creates.

Describing his latest project, Giueeppe explains: “I wanted to write music in a style that would suit my Italian quartet featuring Ergio Valente (piano), Aldo Capasso (bass) and Marco Gagliano (drums). We recorded my debut album ‘Shall We Say It Is Worth It’ back in 2017, and this album is perhaps its natural extension. I had the sound of Ergio and Marco in mind when composing the music, and I knew I had my friend Aldo Capasso watching my back (He’s played on all of my albums and most of my concerts!). ‘Uplift’ wouldn’t sound the same without these guys. And that is the reason why the album gets released under The Pucciarelli Group as the artist name and not just my name. It’s about them too. They tend to understand my music in a very specific way, which then leads into playing it beautifully. “

Concerning his new relationship with Ubuntu Music, Giuseppe continues: “I am so proud to sign to Ubuntu Music for the release of ‘Uplift’. Martin has shown great interest in me and my music and I do believe Ubuntu is the right label to release the music on. Martin treats artists in a way that most labels don’t, and I know he can help me reach the right audience. Plus, being on the same label as some of the finest U.K. and international jazz artists makes me proud! (And a bit scary at the same time!)”

Martin Hummel, Director of Ubuntu Music, concludes: “I was seduced by Giuseppe’s composing and his music from the very first time I listened to ‘Uplift, the title track to the album. It’s an immaculately crafted album and warms the head and heart with each note. It’s a pleasure to welcome Giuseppe to the Ubuntu Music family.”

Ubuntu Music is delighted to announce the continuation of its relationship with Gwen & Tiana, for the release of their next album, African Time, Live in Switzerland, which will be released digitally worldwide on 5th February 2021.

Award-winning artist, Gwen & Tiana is an explosive duo of « afro-optimist » singers. Every time they go on stage, you can sense something special in the atmosphere. Time stands still as they spread their positive vibes and contagious joy with their audience.

Just like the two singers, their music reflects its diversity and cultural crossing. It's a chemistry between energetic African rhythms and jazz harmonies, performed by powerful soul voices. In an atypical journey between Africa and Europe, Gwen & Tiana delivers optimistic songs that celebrate love of self, of Africa and of life.

Gwen & Tiana’s debut album, African Time, released by Ubuntu Music in April 2019, is a poetic and melodious break, produced by the Nigerian-British jazz guitarist Femi Temowo. Musicians on the album included Oli Rockberger, Michael Olatuja, Soweto Kinch, Keyon Harrold and Grégoire Maret.

In November 2019, at the All Africa Music Awards in Lagos (Nigeria), the duo won the award of Best Artist in African Jazz.

Gwen & Tiana explain, “It's been four years since we wrote the songs of our debut album ‘African Time’ with Femi Temowo and Jo Güstin. Since then, we had such a blast playing these songs live with our amazing musicians and friends. These melodies and stories finally took us from our small flat in Warsaw, to all over Europe, Africa and Asia. After the release of the studio album last year, we felt like sharing a live version of some of our songs. We love the idea of sharing the vibe we create on stage with people from all over the world, wherever they are.”

The audiences feel something special, something gripping every time Gwen & Tiana perform. The chemistry between the two, the smile at one another and their love of their African heritage, soul music, jazz combined with their love for each member of the audience creates an infectious, spiritual vibe.

Gwen & Tiana continue, “The release of this live album with Ubuntu Music is for us a testament to the bond we have between us. The beautiful relationship we have with Martin since we first met is so unique. His presence in each step of the process always gives us strength and confidence. Above our common passion for music and people, we have a mutual love and respect for each other. All these things lead us to continue this journey growing stronger together. We feel so grateful to have Martin by our side. Thank you for who you are.”

Martin Hummel, Director of Ubuntu Music, shares his views, “Gwen & Tiana are two exceedingly special people, with a spiritual grounding that lies deep within their African roots. They are amongst the kindest, most optimistic and hardest working artists I know. And All of this is reflected in their music, which achieves the highest articulated level when performed live. And this album captures exactly that. It’s so special to be bringing this vibe to the world, particularly during these difficult times. Gwen & Tiana are and continue to be a loving part of the Ubuntu Music Family.”

Hakan Başar (Jr.), who was born in Istanbul, Turkey, in 2004. He began playing piano when he was eight years old. After some private lessons he continued his studies with his father, who is a guitarist.

Hakan was 10 when gave his first concert, within 5th Pera Music Festival, with transcription and repertoire of Michel Petrucciani, Oscar Peterson, Keith Jarrett, Kenny Barron, Hank Jones, Bill Evans and Tommy Flanagan.

He has performed at events such as Cercle d'Orient, Caddebostan Cultural Center, Istanbul Hilton, BBVA (Esma Sultan), Akbank Syndicated Loan Signing Ceremony (Raffles Hotel), AkçanSA (Sabancı Center) with projects like "Tribute Michel Petrucciani", "Tribute Oscar Peterson & Keith Jarrett".

Hakan has met with a number of international jazz superstars, including Chick Corea, Ron Carter, Russell Malone and Eddie Gomez. Hakan even got the chance to workshop with Chick Corea before Corea's concert in İstanbul.

Hakan began recording in 2018. İmer Demirer, Halil Çağlar Serin, Engin Recepoğulları, Kağan Yıldız and especially Ferit Odman have taken part in these recordings.

Hakan’s debut album, ‘On Top of The Roof’, will be released on Ubuntu Music in late 2019.

For Website, Click HERE.

Harold Mabern (born March 20, 1936 in Memphis, Tennessee) is a hard bop and soul jazz pianist.

Mabern was born and raised in Memphis, Tennessee – a city that’s a capital of 20th century American music. Like fellow Memphis jazz artists George Coleman, Booker Little, and Frank Strozier, Mabern attended Manassas High School, and after an early attempt at playing the drums, he taught himself piano and fell under the spell of pianist Phineas Newborn Jr., an influence that would shape and linger with Mabern for the rest of his life.

Along with some other Memphis musicians, Mabern moved to Chicago in in 1954 where he soon found work backing up tenor sax players Johnny Griffin, Gene Ammons and Clifford Jordon. He also gained further influence from studying with pianist Ahmad Jamal and played in the hardbop group MJT + 3, before going on to New York City in 1959. “Chicago gave me the stuff I needed—and the confidence,” he recalled in 1987. “New York refined my stuff and it’s still doing it.”

One of his earliest significant gigs was an 18-month stay with Art Farmer and Benny Golson’s Jazztet. After the Jazztet disbanded, Mabern worked with Jimmy Forrest, Lionel Hampton, Donald Byrd and did a brief stint with Miles Davis in 1963.  He worked with J.J. Johnson (1963-65), Lee Morgan(1965) and Hank Mobley- recording the album, Dippin’. Sonny Rollins, Freddie Hubbard, Joe Williams (1966-67)  Mabern also played in a quartet with guitarist Wes Montgomery. Decades later Mabern praised the joyous quality of Montgomery’s playing and personality and told an interviewer:

The music was challenging. He’d just start playing. He’d say “Mabern, play this with me.” Now, if he had a specific thing he wanted me to play, like say maybe he wanted me to play a figure with him in unison, ok, and I’d pick it right up because of the fact that I’m self taught, always had to use my ears anyway… Then there’d be times when he’d say, “Mabern, you play this with me,” and it might be the harmony part to what he’s playing…whatever way, it was always a challenge. He always said, “Mabern, you’re a bad cat.” And I’d say, “Oh, I’m just trying to keep up with you.”

Between 1968-70,  Mabern led four albums for Prestige, the first being A Few Miles From Memphis with a lineup that featured two saxophonists, one of them fellow Memphis native George Coleman. As the 1970s began, Harold Mabern became a key member of Lee Morgan’s working group and appeared on several live and studio recordings made by the trumpeter before his death in 1972.

In 1971, he played on Stanley Turrentine’s The Sugar Man and Don’t Mess With Mr. T. album in 1973. In 1972 he recorded with  Stanley Cowell’s Piano Choir.

In more recent years, he has toured and recorded extensively with his former William Paterson University student, the tenor saxophonist Eric Alexander. To date, Mabern and Alexander have appeared on over twenty CDs together. A longtime faculty member at William Paterson University since 1981, Mabern is also a frequent instructor at the Stanford Jazz Workshop.

Harold Mabern has recorded as a leader for DIW/Columbia and Sackville and toured with the Contemporary Piano Ensemble (1993-1995).

For Website, Click HERE.

Ubuntu Music is delighted to announce the signing of guitar duo Harry Christelis and Pedro Velasco for the release of their upcoming debut album, Scribbling, on 25th March 2022.

Harry and Pedro formed a guitar duo that explores and challenges the boundaries of improvised music. Theirs is a melting pot of jazz and folk harmony, immersive sonic textures, and calm, introspective moments that are interjected with wild intensity. In a world that rushes to excite and distract, their music focuses on taking time to develop and create space. This often-understated approach puts just as much emphasis on the notes that are not played, as the ones that are.

The partnership was born in 2016, when the two London-based guitarists came together for a concert and discovered a like-minded approach to music. Their musical connection has developed with each meeting since. They share a respect of jazz traditions but also a love of expanding these to incorporate elements from folk and electronic music, as well as ambient styles and free improvisation. Together, they’ve built a unique, intimate setup and found a way of conversing that’s equally unassuming and thought-provoking.

They recorded their first album, Scribbling, in December 2020. The result is a truly distinct album that challenges the ideas of what a guitar duo should sound like. Some tracks might transport you to a sound world that feels like it belongs in outer space, others as if you’re immersed in the depths of the ocean. It is, however, a beautifully balanced piece of work that keeps its feet firmly rooted in traditions of the instruments and the music they are playing.

As Christelis and Velasco explain, “The music on this album has come together through years of individual self-discovery, and exploration of the endless possibilities that emerge from playing as a duo. Our shared influences and differing life experiences have brought about a harmonious musical relationship based on listening, space, freedom, and interaction. We feel so happy for how we’ve been able to capture this on our debut album ‘Scribbling’, and we hope that others will make their own discoveries when listening.”

Regarding their relationship with Ubuntu Music, they carry on to say, “Having our work supported by Ubuntu Music has been invaluable to this project. Martin Hummel’s deep appreciation for music and the jazz community makes it all the more special that he’s so excited about what we’ve created. We feel that our music is in knowledgeable, attentive, and caring hands.”

Martin Hummel, Director of Ubuntu Music, concludes: Harry and Pedro have created a hypnotic cocktail of improvised music that defines its own boundaries, while rooted in contemporary jazz. It’s a beautiful blend of seductive guitar duos that take you on an exotic musical journey. We welcome them to the Ubuntu Music Family.”

Ubuntu Music is proud to announce the upcoming release of That’s the Way to Live! from the Harvey / O’Higgins Project, which features exceptional pianist Graham Harvey and tenor sax supremo Dave O’Higgins.

BACKGROUND TO THE PROJECT

When four musicians come together with a shared conception of musical values, the result is bigger than the sum of its parts. When the Harvey / O’Higgins Project performs or records, the trust they have in each other allows a great deal of freedom. In fact, it's very liberating as a player to understand their role – not to feel confined by musical responsibilities, but to acknowledge and use them as the foundation for creation.

The musical landscape that the Harvey / O'Higgins Project inhabits is neither innovative nor fashion led. There is however, a thread in jazz that has continued from its origins in the small groups of the swing era, through bebop and up to the present day, that embodies the aesthetic of harmonic integrity ('making the changes') coupled with rhythmic coherence ('being in the pocket'). This is where the Harvey / O'Higgins Project resides.

It's not a lack of creativity that leads us to explore the standard repertoire and forms of jazz. Instead, these forms provide the canvas for improvisation and dialogue. The tradition of jazz provides an infinite horizon to experiment and create. Just as a Bach fugue is open to a myriad of creative interpretations, so is the blues or a great standard.

The band members have known each other for many years now, and it's extremely satisfying to witness such swinging musicians onstage. Swing is at the core of what this Project is all about, with ballad, Latin and groove variations.

THE BAND MEMBERS

The Harvey / O’Higgins Project consists of the following musicians:

Dave O’Higgins (saxophone): Has 22 albums as leader to his credit. In 2017 he made a 34-date UK Tour with the Dave O'Higgins Quartet, promoting “It’s Always 9:30 in Zog” which was nominated best CD (British Jazz Awards) & also in 2017 was nominated best tenor saxophonist. In 2019 undertook a 40-date tour with O’Higgins & Luft. O’Higgins & Luft were nominated best band in 2020 Parliamentary Jazz Awards.

On the faculty at the London College of Contemporary Media. Currently performs with the O’Higgins & Luft, Darius Brubeck Quartet, and the Ronnie Scott’s Jazz Orchestra. Also worked with Ray Charles, Frank Sinatra, Joey Calderazzo, Joe Locke, Dave Kikowski, Eric Alexander, Joe Lovano, Phil Woods, Jimmy Smith, Nancy Wilson, Peggy Lee, Kurt Elling, Wayne Shorter, Eddie Gomez, Billy Childs, Abdullah Ibrahim, Jim Mullen, Martin Taylor and Stephane Grappelli. Wrote and produced the 2017 Matt Bianco album, “Gravity”.

Graham Harvey (piano): Graduated from the University of Denver in 1989. He has played everywhere from Ronnie Scott's in London to Birdland in New York, and recorded with George Benson, Aretha Franklin, BBC Big Band and Gregory Porter. Musical Director and co-writer for acclaimed acid jazz band Incognito for 10 years.

In 2006 he became the pianist for American Jazz Singer Stacey Kent and appeared on all of her subsequent albums, including the Grammy nominated 'Breakfast On The Morning Tram'. Since 2016 he has been a faculty member of the LCCM.

Jeremy Brown (bass): One of the most sought-after bass players on the jazz scene, and has played with Brad Melhdau, Art Farmer, Jon Hendricks, Benny Golson, Johnny Griffin, Mark Turner, Bruce Barth, Phil Woods, Joe Lovano, Lalo Schifrin, Bud Shank, Sammy Nestico, Eliane Elias, Bob Brookmeyer, Peter King, Stan Tracey and Claire Martin. Currently a member of the BBC Big Band.

From 2009-2020 a member of Stacey Kent’s group touring extensively in five continents. He appears on Kent’s last four recordings.

As well as performing, Jeremy is also professor of Jazz Double Bass at the Royal Academy of Music.

Josh Morrison (drums): At 17 he received a scholarship to study at the prestigious Berklee College of Music in the USA, and has played with Trish Clowes, Gareth Lockrane, Atila, Anthony Strong, Sara Dowling, Nigel Price, Ant Law, Rob Barron, Gabriel Latchin, Grant Stewart, Eric Alexander and Andrea Pozza. In 2012 joined Stacey Kent’s group.

He has appeared at Ronnie Scott's (London), Birdland (NYC), Blue Note Tokyo, Duc Des Lombards (Paris), Fasching (Stockholm) and Blue Note (Milan).

A lifelong student of the music and has a deep passion for the jazz tradition. Some of his biggest influences include Philly Joe Jones, Elvin Jones, Billy Higgins, Art Blakey, Max Roach (who has a park named after him in Brixton), and many more.

THE RECORDING ETHOS

Dave & Judith O’Higgins have run a tiny studio from their home for the last 10 years in pursuit of recording the jazz-making process with as much natural authenticity as possible. Everyone playing in the same room & blending to the acoustics as they would on a live gig makes the process seem very natural and organic and helps to gel the swing feel and dynamics in a way that it’s hard to simulate when 100% reliant on headphone monitoring. A preference for high end ribbon mics and quality preamps and using room “spill” to recreate the real ambience, make the recording aesthetic something entirely different to the “rock’n’roll” studio approach, and far more akin to the way they made the classic Blue Note recordings of the early 60s. Of course, this expects more from the musicians’ performance, as repairs after the event are not possible. Dave sees through the mixing & mastering process, too, with this aesthetic in mind.

THE NEW RELATIONSHIP WITH UBUNTU MUSIC

Dave and Graham explain: “We’re very excited about our new quartet project, which is very much a collaborative effort with all four players bringing tunes & creative input to the table. Big thanks to Martin Hummel, the indefatigable Ubuntu boss, for believing in it & signing us.”

Martin Hummel, Director of Ubuntu Music, concludes: “This is a logical progression in the relationship that began with Dave and guitarist Rob Luft. From there, it was Dave and Judith O’Higgins, with ‘His’n’Hers. To top things off, it’s now the Harvey / O’Higgins Project. These guys are the real deal, with straight-ahead, take-no-prisoners bebop at its finest. The album, ‘That’s the Way to Live!’, is a treasure chest of musical delights for everyone who enjoys the real swing.”

Tenor saxophonist Helena Kay (Young Scottish Jazz Musician of the Year 2015, winner of Peter Whittingham Jazz Award 2017) leads a trio comprising some of the most in demand young musicians on the London jazz scene. Joined by Ferg Ireland (Kansas Smitty’s House Band, Soweto Kinch) and David Ingamells (Kate Williams), the trio play a mixture of Helena’s originals and tunes from the jazz canon, inspired by greats such as Sonny Rollins and Antonio Carlos Jobim, and contemporary names like Melissa Aldana and Larry Goldings. Their debut album Moon Palace is released on 7th December 2018 on Ubuntu Music.

Helena grew up in Perth, Scotland and moved to London in 2012 to begin studying at the Guildhall School of Music and Drama, graduating in 2016 with a First Class in BMus Jazz (Hons) and also awarded the Anjool Malde Jazz Prize for the highest jazz final recital mark that year. In 2015 she won the Young Scottish Jazz Musician of the Year, and in 2017 she won the Peter Whittingham Jazz Award, the prize of which she is using to record and release her debut album.
Since graduating, Helena has performed with bands such as Barry Green/Helena Kay Quartet, Calum Gourlay Big Band, Scottish National Jazz Orchestra, Issie Barratt Dectet, Helena Kay/Peter Johnstone Duo, Ryan Quigley Big Band, EuroRadio Jazz Orchestra.

David Ingamells has been performing in the UK and abroad for many years. He has participated in several album projects, in addition to numerous festival, concert and club performances. A versatile musician, he has appeared in large ensembles such as orchestra and big band, as well as intimate groups of duo and trio.
Recent highlights include Kate Williams’ album Four Plus Three, Birmingham Jazz Festival, and appearances at Ronnie Scott’s Jazz Club, Pizza Express Soho and the Vortex Jazz Club.

Ferg is a founding member of the Kansas Smitty’s House Band and a first-call bassist for some of the leading jazz musicians in the UK (Soweto Kinch, Zhenya Strigalev, Jay Phelps, Ruby Rushton, Nathaniel Facey, Reuben James, Ashley Henry, Empirical) as well as for visiting US luminaries such as Johnny O’Neal (Art Blakey) and Leroy Jones.
He now performs regularly in the UK at leading Jazz venues such as Ronnie Scotts, The Jazz Cafe, Pizza Express Dean Street, the Vortex and the 606, has performed at The Barbican, Kings Place, The Cadogan Hall, Glastonbury Festival, the Royal Albert Hall, The Hackney Empire and The Shoreditch Town Hall, and frequently performs Internationally at festivals and venues across the world.

Helena Kay’s KIM Trio’s debut album, ‘Moon Palace’, will be released on Ubuntu Music in December 2018.

For website, please click HERE.

Ubuntu Music is delighted to announce the signing of the exceptionally talented young keys player, Hideaki Ura, for the worldwide release of his debut EP, Intersection after Illusion, on (date).

Hideaki (known as ‘Hide’ and pronounced HEE-DAY) is a Japanese pianist/composer/arranger, currently based in Boston. He was born in Nagasaki in 1994.

Hide studied piano at Yamaha Music School from the age of four, composition at seven, and jazz music at 10. While he was at the Yamaha Music School, he studied with Hatsuko Ishizuka and Osamu Kajitani.

In 2009, Hide was selected as a representative of the Junior Original Concert (JOC) and performed at their highlight performance. The same year, he also performed at the Yanagawa City Concert.

After graduating Tsurumaru High School in 2012, Hide entered Seinan Gakuin University as an economics major while pursuing his music career.

In 2017, Hide matriculated at Berklee College of Music. He studied music theory, orchestration and composition with Arnold Friedman and Tamar Diesendruck and piano and composition with Vadim Neselovskyi.

In Spring 2018, Hide formed his trio and subsequently performed at various recitals and worked on a range recording projects.

In 2019, Hide was selected as the 2019 Yamaha Music Scholar by the Yamaha Music Foundation. He toured Japan with Ryo Miyachi (b) and Kunito Kitai (dr) in January 2020.

Hide graduated from Berklee College of Music in May 2020. He describes his music as complicated and highly skilled, while being based on a range of music genres such as jazz, fusion, progressive rock, metal, djent and classical.

In addition to his compositions and performances, Hide’s free improvisations have also been highly acclaimed.

Concerning his three track EP, Intersection after Illusion, Hideaki explains, “I composed these three songs when I was a student. They have a lot of sections and show many expressions. Perhaps the first thing the people mention in my songs is the complicated, odd meter. However, this is natural for me because I have been inspired by Bill Evans, Hiromi, Michel Camilo, Return to Forever, Dream Theater and Animals as Leaders since I was little. That’s why I unknowingly compose the songs with odd meter. I recorded my songs with Kevin Barber (b) and Alex Silvergold (ds) in “Capricious Illusion” and “Intersection” and with Dana Roth (b) and Ivanna Cuesta Gonzalez (ds) in “After Rain” in the form of trios. Playing melodies and improvising in a complex time is always exciting. This happened the thrill to the songs. I am very excited to release these songs with Ubuntu Music.”

Hideaki goes on to further explain his new relationship with Ubuntu Music: “I don’t want to be categorized as one music and I have always pursued new music…in other words, my own music. This is very exciting, but at the same time it’s really challenging. Ubuntu Music is also constantly exploring new music as you can see from their line-up. This stance matches perfectly with my stance. That’s why I decided to sign with Ubuntu Music. The Label is based on London, so they will give us the new access to things like strategy, marketing and promotion. I am very happy with this because I want the people from different regions to listen to my music. I am sure that this project will be great. I am very excited to make the journey with Ubuntu Music!”

Martin Hummel, Director of Ubuntu Music, concludes: “I was first introduced to Hideaki through my business partner, Laura Hess Hay Jamal, and immediately fell in love with Hide’s compositional strength, phrasing and his adrenalin-induced playing. ‘Intersection after Illusion’, the three track EP, represents just the starting point in our relationship. Laura and I have some big plans for this exceptional talent--musically and managerially--and Ahmad Jamal has expressed an interest in producing Hideaki’s next, full length album. So, enjoy the present moment and watch this space for even greater things to come.”

Ubuntu Music is delighted to announce the signing of Judith and Dave O’Higgins, for an album release that features the His‘n’Hers frontline tenor saxes doing battle in straight-ahead, full-on jazz.

His’n’Hers affectionately pits Mr and Mrs O’Higgins against each other as in the movie, Mr & Mrs Smith. In reality, this is a swinging “tough tenors” band in the good humoured tradition of the great Johnny Griffin - Eddie Lockjaw Davis group, who made nine albums together between 1960 and 1962. But what Griffin and Davis did together was not a competition, however apparently combative. It was collaboration, mutual inspiration and special because of both the similarity and contrast of the two protagonists.

Judith O’Higgins was born in Hilden, Germany. She studied medicine and music education in Münster, finished university in Hamburg and became a forensic pathologist. She now lives in London with Dave. Her German autobiography/popular science book, “Spuren des Todes”, was published by Fischer Verlag in 2013.

Although Judith became a forensic pathologist, she continued playing the saxophone to a high standard and her CV includes Matthew Herbert Big Band, Two Minds Big Band, and Barnes/O’Higgins and the Sax Section. Judith also produced and played on the critically acclaimed Abstract Truth Big Band recording made under the direction of Jörg Achim Keller at the famous Abbey Road Studio in 2015.

Five years after this hugely ambitious project and with COVID-19 lockdown looming, a recording session was organised just in time before the scene froze….

Judith has a strong tenor sound that evokes the spirit of Dexter Gordon and Clifford Jordan and steps up this time as a featured soloist and composer in this group. She and Dave have written three new originals and play three “greatest hits” from their two-tenor book, honed over a few years of gigs with different rhythm sections. They are joined by the super swinging dream team trio of Graham Harvey (piano), Jeremy Brown (bass) and Josh Morrison (drums).

Dave O’Higgins now has 22 albums as leader to his credit. His sax sounds are highly personal and recognisable, with a clear sense of melodic development and adventure. A popular performer with the public, with an excellent sense of pacing and presentation, he has a wide palette from Charlie Parker, Dexter Gordon, John Coltrane and Joe Henderson through to Stanley Turrentine and Michael Brecker. He has relentlessly pursued artistic exploration and development with a deep respect for the tradition of the music.

Dave is also a highly regarded educator at the London College of Contemporary Media, where he is the Jazz Pathway Leader.

Dave has worked with some of the world’s finest musicians, including Joey Calderazzo, Joe Locke, Dave Kikoski, Eric Alexander, Grant Stewart, Max Ionata, Phil Dwyer, Adam Nussbaum, Joe Lovano, Phil Woods, Jimmy Smith, Nancy Wilson, Peggy Lee, Kurt Elling, Wayne Shorter, Eddie Gomez, Billy Childs, Abdullah Ibrahim, Chico Chagas and Stephane Grappelli. He also wrote and produced the last Matt Bianco album, “Gravity”. While his jazz career was in its early stages, Dave cut his teeth as a sideman with Ray Charles and Frank Sinatra.

The eponymous His’n’Hers recording has been prepared specifically for vinyl. The appeal of this medium was to present something considered and well programmed in an elegantly digestible format. Pour yourself a glass of wine and listen to side one, whilst perusing the large-scale cover art and familiarising yourself with the tune titles and personnel. Then, 18 minutes later it will be time for a refill, and you’ll be lured into hearing what Side B brings. An LP requires careful programming on the part of the artist, in the same way as a good set at a gig. The track order is crucial and, due to the nature of the medium, often listened to in the intended order. The CD format can be the musical equivalent of the “all you can eat” buffet--too much for one sitting! In addition, the tactile, analog nature of the 12” disc encourages focused engagement, not ripping onto a digital device for shuffled play in the background.

The recording was made with a “new meets old” aesthetic: inspired by the 50s and 60s Rudy Van Gelder recordings in terms of transparency and natural fidelity, but also with a nod to contemporary sonic developments. The O’Higgins have been on a mission for over 10 years to create a jazz friendly, ribbon mics, spill-and-all recording environment and JVG Studio gets better all the time.

Concerning the new relationship with Ubuntu Music, Judith commented, saying, “I have known Martin for several years and found we have some of our favourite players in common. I have been especially impressed by how much he cares about his artists, so I'm absolutely thrilled to join the Ubuntu family. Am I the first forensic pathologist ever to have a record deal?”

Dave continues… “It was a pleasure to work with Martin Hummel for the O'Higgins & Luft release last year and I'm very excited to bring a new project to the ever-expanding roster. I particularly enjoy Martin's readiness to listen to something new and how genuinely excited he gets when he likes it!”

Martin Hummel, Director of Ubuntu Music concludes: “This is a unique and exciting project, filled with excellent, straight-ahead jazz in the dynamic two-tenor format. I have a lot of time for Dave and Judith, as musicians and as friends. The O’Higgins relentlessly challenge each other to deliver a most enjoyable result. You cannot help but fall in love with His’n’Hers, which is certain to make your day!”

Ubuntu Music is pleased to announce the continuation of its relationship with gifted pianist Jacky Naylor, for the release of his commissioned project, The Industrial Suite.

Jacky describes the project: “The great thing about this commission was that it enabled me to put together a new ensemble, featuring some of my favourite musicians: Tom Syson (Trumpet), Alex Hitchcock (Tenor), Harry Maund (Trombone) Will Sach (Double Bass) and Luca Caruso (Drums). The last year has been very different to previous years, with vastly reduced performance opportunities, but due to generous support from Arts Council England, we were able to rehearse and record this project. In addition, I invited videographer Tom Sankey to film the recording process, and document three pieces from the suite.”

Jacky continues, regarding the music of Industrial Suite: “‘Industrial’ is a suite of music I wrote in response to a commission from Lancaster Jazz Festival. It’s based on the textile mills and factories in the North of England, which are not only a big part of my own family’s history, but the history of many other northern families. The suite consists of five pieces, each with their own narrative and character, ranging from the busy mill-yard and heavy clunky machinery, to workers’ strikes and disputes, via a train ride through the Yorkshire countryside when the mills closed for Wakes Weeks.”

And Jacky shares his thoughts about his label: “Having worked alongside Martin (Hummel) for my trio release with Meraki earlier last year, I’ve really enjoyed being a part of the Ubuntu family. There are so many incredible musicians on the label, and it’s a privilege to release my music alongside them.”

Martin Hummel, Director of Ubuntu Music, concludes: “Jacky is all about talent, brains and drive. Working with him on Meraki, his trio album, was an absolute pleasure. We’re delighted to continue this productive and fulfilling relationship with Jacky, as a special Ubuntu family member.”

For Website, Click HERE.

Ubuntu Music is delighted to announce the signing of trumpet ace James Copus, for the worldwide release of his debut album, ‘Dusk’, on 17th July 2020.

James is an award-winning musician who is rapidly establishing himself as one of the most exciting trumpet players anywhere on the jazz scene. Having grown up in a musical household, James took to music at an early age and started playing trumpet at the age of eight years old. He attended the junior Jazz course at the prestigious Royal Academy of Music before going on to study there full-time and graduated with first class honours. During his time at the Academy, he became a proud recipient of the distinguished Derek Watkins award.

James studied with the likes of Till Bronner, Gerard Presencer, Alex Sipiagin and Steve Fishwick and cites all four as major influences on his playing. James has had the privilege of recording and playing with some of the world’s most established musicians including Dave Holland, Joe Locke, Tim Garland, Stan Sulzmann, Gareth Lockrane, Laurence Cottle, Jim Hart, Clark Tracey, Curtis Stigers and many more.

“Think of all the qualities that make a great trumpeter: a full brassy tone, dazzling runs and immaculate articulation, a range that sends the high notes soaring into the stratosphere, imagination and sensitivity … James has all these and more.”

--The Jazzmann

As a session musician and commercial trumpet player, James has played and recorded with the likes of Joss Stone, Olly Murs, Pixie Lott, Louisa Johnson, Gregory Porter, James Bay, Basement Jaxx, The Riverdance Company, The London Concert Orchestra (LCO), English Session Orchestra (ESO), Manchester Cameratta, The BBC Big Band, The Guy Barker Big Band and the John Wilson Orchestra. James most recently was a special guest on Jacob Collier’s latest album, ‘Djesse Vol. 3’. With these various outfits, James has played at venues such as Wembley Stadium, The Royal Albert Hall, The Barbican and Abbey Road studios. He can also be frequently found playing in London’s West End.

For his debut album, ‘Dusk’, James pulled together some of his favourite musicians for his Quartet, for which he composed and arranged original music. Tom Cawley is featured on piano and keys, with the forever in-demand Conor Chaplin on bass. NYC drum powerhouse Jason Brown rounds off the extraordinary ensemble.

As James explains it, “I am really excited to release the music I’ve been working on for the past few years. It was after hanging with Jason (Brown) in New York, when he said he’d love to play on my album, that I knew I was finally ready to go into the studio and record. Jason plays and has played with many of the people my music is inspired by (Kurt Rosenwinkel, Cedar Walton, Wynton Marsalis, Seamus Blake) so it was truly a dream come true to have him on the album. The music was written with Tom (Cawley), Conor (Chaplin) and Jason in mind, combining my predilection for the music of the Blue Note era with my love of more contemporary sounds.”

Concerning his new relationship with Ubuntu Music, James elaborates: “I met Martin (Hummel) a few years ago now and am very excited to finally be working with him as he’s shown a passion for my music from the very beginning that I haven’t found anywhere else. Ubuntu has a roster of artists--from Chet Baker and Harold Mabern, to Seamus Blake, Paul Booth and Tom Cawley--which made me feel right at home. I’m really happy to join the Label and to be a part of something very exciting in jazz today.”

Martin Hummel, Director of Ubuntu Music, describes the Label’s latest signing: “I have been following James for some time. I know just how amazing this guy really is and wanted James to be on our thriving Label. James did the right thing…he took his time to determine where he would get the focus and attention he wanted and deserved, and where he would feel the most comfortable. Thankfully, James chose our Ubuntu Music Family and we have welcomed him with open arms. This is a major signing for us and we expect great things from this new relationship.”

For Website, Click HERE.

Ubuntu Music is delighted to announce the signing of composer/guitarist James Kitchman for his debut album release, First Quartet, on 28th January 2022.

James leads a cast of London’s finest improvisers: pianist Bruno Heinen (Denys Baptiste); bassist Tom McCredie (Elliot Galvin); and drummer Shane Forbes (Empirical). They play James' compositions which draw influences from the variety of musical worlds he traverses; from jazz, to chamber music, to contemporary folk. Improvisation and empathic listening are at the core of the group’s spirit, conjuring a sound that is equally stark and refreshing.

James describes the idea behind the album: “Having spent the best part of a decade honing my craft as a guitarist and improviser, I made it to a place where I felt my experience and imagination start to converge, so I began to compose the music for this record. There are influences from lots of places - I didn’t want to shy away from exhibiting certain aspects of myself, nor from my jazz tendencies. There are nods to my beginnings in folk and psychedelic rock, harmonies derived from the melancholy and romanticism of Astor Piazzolla and the Nuevo-Tango, melodies inspired by composers such as Chopin and Satie, the expansive textures of Scandinavian jazz and the ‘ECM’ sound, and of course the masters of jazz who continue to inspire and inform my playing style (Coltrane, Rollins, Jim Hall, Scofield, Frisell). I hope this results in a record that will be enjoyed by eclectic listeners and aficionados alike.”

James continues: “The quartet is completed by three very happening players (Bruno Heinen - piano, Tom McCredie - bass, & Shane Forbes - drums) each of whom I have played with for a number of years. When I formed the group I knew that they would sound great together - and it sounded that way from the first few notes. They understood what the music was about and brought the vibe in the studio. This record is as much my debut as a jazz guitarist and bandleader as it is a composer. I wanted to create environments in which things could happen musically, and for me they did.”

“Quietly rebellious”--Songlines Magazine

Concerning his new relationship with Ubuntu Music, James concludes: “I am thrilled to join the Ubuntu Music family alongside a roster of so many fine artists. Martin Hummel has created an exciting and dynamic label and I’m proud to be a part of it.”

Martin Hummel, Director of Ubuntu Music, shares his thoughts: “James has a style and a touch, all his own. His influences are diverse, which are reflected in his playing. He’s amassed top drawer talent. ‘First Quartet’, his debut album, captures this magic, taking the listener on a hypnotic audio journey. We welcome James and the Quartet to the Ubuntu Music family.”

Trumpeter, composer, band leader, educator and writer – Jay Phelps has performed with some of the world’s top names. With an instantly recognisable warm and projecting tone, Canadian born Phelps is a household name on the Jazz scene in the UK and his international presence is steadily growing. From his own quartet to his other projects NBOC and SoulEndvr, Phelps, who is never idle, remains fresh and full of new ideas and concepts. While living in Vancouver, Phelps was tutored by the city’s top jazz and classical trumpeters. He distinguished himself early on as the youngest band-leader in the Vancouver International Jazz Festival’s history at age 15. In 1999, aged 17, Jay moved to London and immersed himself in the jazz scene immediately.

Jay went on to study at Trinity College of Music, gaining an honours in Jazz Theory and Performance. During this time at college, Phelps created and co-lead the UK jazz sensation, Empirical. They spent years touring major festivals with their self-titled debut album, produced by Courtney Pine, while garnering worldwide media attention that UK jazz musicians hadn’t enjoyed for years. Empirical is looked upon as one of the major influences that kick-started the current young British jazz movement and Jay is a big part of that due to his role as a band leader and an enabler for many of the scene’s top artists and groups. The list includes Shabaka Hutchings, Moses Boyd, Femi Koleoso (Ezra Collective), Nubya Garcia, Ashley Henry, Reuben James, and many more. In 2008, and the same year that Empirical were garnering awards such as the EBU and Parliamentary Jazz, as well as performing at the Newport Jazz Festival, Jay was approached by Amy Winehouse herself, in a park in London and mentioned to him that she had been watching the trumpeter perform for a while in various locations. Amy asked Jay if he would join her band. Jay joined the band for a few months of touring before having to make a decision between his own band or Amy’s band. Jay decided to pursue his own creative path.

Jay has performed and recorded with a veritable Who’s Who of international and famed jazz artists such as Courtney Pine, Andrew Hill, Wynton Marsalis, Ray Brown, John Hendricks, Nasheet Waits, George Benson, Jamie Cullum, Sir John Dankworth, Jean Toussaint, Dennis Rollins, Guy Barker, Amy Winehouse, Charlotte Church, Sam Moore, Hugh Masakela, Jazz Jamaica, Mighty Sparrow, Soweto Kinch, Skatroniks, Ska Cubano, Chineke Orchestra, David Murray and Liv Warfield.

 Given his new partnership with Ubuntu Music, Jay is releasing a carefully selected range of material from his former album, Free as The Birds (previously available on the Ropeadope record label) along with new, unreleased material. SoulEndvr features an outstanding array of musicians, which includes Rick Simpson, Mark Lewandowski, Shane Forbes, Rachel Cohen and Ruben Fox. Chaos or Commerce includes tracks features New York and international heavyweights David Binney (alto sax), John Escreet (piano) and Nasheet Waits (drums). These albums--SoulEndvr and Chaos or Commerce--are available as digital-only releases.

For Website, Click HERE.

Ubuntu Music is excited to announce the signing of Jersey Street for the worldwide release of their long-awaited album, ‘Love Rising Up’, on 25th September 2020.

Jersey Street’s heady combo of Deep House, Spiritual jazz, Latin rhythms and raw soul saw them embraced by audiences all around the world when they first appeared on the scene. The band features ‘Manchester’s best kept secret’, vocalist Dawn Zee, who has been compared with the likes of Erykah Badu, Jill Scott and Lauren Hill.

Previously, Jersey Street released two highly respected albums and a series of singles that were equally at home on the dancefloors of clubs such as Giant Step and Paradise Garage, as they were in the playlists of jazz and soul DJs. This saw the band release tracks on such legendary underground labels as Junior, Electric Chair, Defected, Hed Kandi, Naked and Yellow as well as touring throughout Europe as a powerful nine-piece live outfit.

Now, in 2020, Jersey Street is back with a brand new album, ‘Love Rising Up’, that returns to their original jazz roots and steps away from the dance floor to draw the dots between the influences of Roy Ayers, Rotary Connection and Betty Davis to the more contemporary stylings of Anderson Paak and Floating Points, while stopping off for a drink with Nu-Yorican Soul along the way.

The album is characterised by lush string and brass orchestration, some world-class musicianship, and an irreverent Manchester attitude, with the band’s classic song writing chops always at the forefront.

According to co-founder Dawn Zee, “We began this process a couple of years ago as something very pure, based on the desire to make the record that we’d always wanted to, musically and sonically, without any reference to anything apart from our own taste. It ended up sounding better than we could have imagined, probably because of that very approach. It’s heavily song-based and draws on a wide range of influences. We’ve got some wonderful musicians on the album and we wanted to give all the players the freedom to bring their own vision of how it should sound. We’re really proud of it, and we hope it can bring a bit of happiness to all our fans and listeners. Hope everyone is irie. Stay blessed Xx.”

In addition to Dawn, the other founding members of Jersey Street have equally impressive credentials.

During a career of over 20 years, Matt Steele has played with the cream of International jazz/funk/soul artists, ranging from Peven Everett to Eric Marienthal, while focusing recently on music for film and TV. He is the long-standing Brand New Heavies keyboard player and arranger, has written with such standouts as Angie Stone and Siedah Garrett, and is currently a touring member of pivotal jazz-punk revolutionaries A Certain Ratio.

Founder member and lynchpin of Jersey Street, Neil Reid, had his first releases with legendary Mancunian manager Rob Gretton. His always-hip but timeless production skills were much in demand as the band carved a respected path between the worlds of Deep House and Nu-jazz, working with luminaries including Larry Heard and Uschi Classen, and being regularly played at clubs such as Giant Step and Shelter. Mainly a resident of Barcelona, Neil has recently been heavily involved in education as well as having a publishing contract with Sony/BMG Spain. The last two years have seen him getting his chops together in anticipation of taking Jersey Street on the road (now delayed until 2021).

Multi-instrumentalist Jasper Wilkinson won the Young Jazz Composer competition at the Royal Northern College of Music at the tender age of 15. He has gone on to write television commercials for national brands and has also composed for Channel 5, Granada, UKTV, Tyne Tees and BSkyB. Jasper is a writer and producer of a large number of released commercial recordings. Being a prolific guitar, bass and saxophone player, he is a first call guitarist and bass player and has played bass saxophone and guitar on scores of dance and other worldwide records.

Rounding off the roster are some of the best UK jazz and funk musicians whose playing captures the energy of their live shows. These such names as Steve Washington (Hugh Masekela), Dan Carpenter (Incognito, Chaka Khan), Mike Wilson (Lianne La Havas), Errol Rollins (The Human League, Corrine Bailey Rae) and The Haggis Horns (Amy Winehouse, Mark Ronson).

Speaking about their new-found relationship with Ubuntu Music, Neil Reid commented: “We’re delighted to be in the Ubuntu Family as we were all blown away by the consistently high standard of playing and production on all of the releases. Martin (Hummel) is totally artist driven, and his passion for taking an artist’s original vision and bringing it to the widest audience possible was the clincher for us. Hopefully, it’s the beginning of a long and fruitful relationship with Ubuntu.”

Martin Hummel, Director of Ubuntu Music, said, “Jersey Street a collection of exceptionally talented musicians who bring something magical to their music. There’s a genuine, gritty Manchester deep soul groove that’s simply irresistible. Manchester’s finest deliver an album that was certainly worth waiting for, as you are about to hear for yourself. It’s the antidote for the head, the heart and the love for music that eats you right up.”

Jessica Radcliffe was originally classically trained as a pianist and clarinettist at the prestigious Wells Cathedral School, which she attended as a music specialist from the age of 11. She was first introduced to jazz through big band music, singing as a young teenager with Bristol-based big bands, and playing flute and saxophone with the National Youth Jazz Orchestra. She later began singing with the ensemble and was offered a place as a jazz vocalist at Trinity Laban Conservatoire of Music and Dance, where she graduated with First Class Honours in 2014.

Since moving to London 2010, Jessica has appeared regularly at the capital's array of jazz clubs and venues, such as Ronnie Scott's Bar, The Spice of Life, The 606 Club and The Vortex, as well as regional and international venues, with a wealth of well-reputed jazz musicians. Recently she performed alongside Jiggs Wigham with the Latvian Radio Big Band and, as a member of the London Vocal Project, travelled to New York to debut Jon Hendricks' fully lyricised "Miles Ahead" to the man himself. She was a featured soloist alongside Michelle Hendricks, Kevin Burke-Fitzgerald and Anita Wardell.

As a composer, Jessica is musical director of "The Remembrance Project", which was featured in the London Jazz Festival 2016. The project is made up of 2 sets of Jessica's original compositions and arrangements based on her in-depth study of the First World War. To be her debut album (due to be released 2018), the music has just been recorded at Curtis Schwartz Studios by the group with featured guest saxophonist Mark Lockheart. In order to fund the recording, Jessica applied to be a contestant on ITV's The Chase, and beat chaser Mark "The Beast" Labbett.

For website, please click HERE.

Ubuntu Music is delighted to announce the signing of gifted bassist Joe Downard, for the worldwide release of his debut album, ‘Seven Japanese Tales’, on 12th June 2020.

As one of the most in demand bassists in the UK, Joe Downard is widely recognised for his skills as a performer and improvisor. He is a crucial component to a number of the UK’s top rhythm sections that range from modern contemporary jazz and soul to electronic and west African music. Joe is regularly seen in these groups touring the UK and Europe.

Predominantly an electric bass player in his early years, Joe made the move to London to focus on the upright bass in jazz and soon immersed himself within the scene, notably in the National Youth Jazz Orchestra. Shortly after joining the Orchestra, Joe became the chair holder for NYJO and retained the position for four years. During his time with the band, Joe recorded two highly acclaimed studio albums, toured extensively and performed with Wynton Marsalis and the Jazz at Lincoln Centre, Gregory Porter and some of the top UK jazz instrumentalists.

Residing in London, Joe has been a part of many groups that are making great waves in the current scene. The Alex Hitchcock Quintet is an exciting and eclectic group of London’s finest instrumentalists and continues to live up to their reputation on the international jazz stage. In a breakthrough year in 2018, a 15-date nationwide tour of their acclaimed debut EP was followed by a sold-out launch at Pizza Express Jazz Club in London and performances at Ronnie Scott's and the Love Supreme Jazz Festival.

Joe also shows impressive flexibility and stylistic awareness as an integral part of the band Waaju, who seek to encapsulate the influence from a number of cultures across Africa, South America and beyond, diving deep into the heritage of these musical cultures, while leaving behind any preconceptions and promoting forces largely unexplored in a Western context.

As well as being deeply rooted in the blues and jazz tradition, Joe can also be heard in LONO who describe themselves as “strange, funky, orchestral and analog”. LONO are a group of studio musicians who collaborate with artists to create music within the electronic genre but also work with filmmakers and photographers. They have been play-listed by BBC Radio 1Xtra and Worldwide FM. The most recent work from LONO can be heard on Joe’s debut release ‘Seven Japanese Tales’.

Joe has received much recognition for his contribution to the music scene he thrives in today, with accolades such as being named “One to Watch” in Bass Guitar Magazine, The Worshipful Company of Musicians ‘Jazz Musician of The Year’ finalist and, most recently, the recipient of the Sir Elton John Scholarship to attend the masters course at The Royal Academy of Music. The March edition of Jazzwise Magazine profiled Joe in their ‘Taking Off’ feature on the hottest young artists in jazz.

In 2019, the Joe Downard Sextet was born, which features Joe’s original compositions and some of the finest jazz musicians in Europe. Their first project, ‘Seven Japanese Tales’, will be released on 12th June worldwide, on the Ubuntu Music record label. Joe describes the project: “This is a suite of music named and inspired by a collection of short stories by the great 20th -century Japanese writer Jun'ichirō Tanizaki. Narratives and characters are expressed through interweaving melodies that echo both within individual pieces and improvised passages, and throughout the music as a whole, creating a thread for the listener to follow over the course of the suite. I have moved away from the traditional sextet lineup by introducing multiple synthesizers, which ground the compositions firmly in a contemporary soundscape and opens up exciting textural possibilities, both live and in a future recording environment. The distinctiveness of the three melody instruments (trumpet, saxophone and synth) complements the intense push-and-pull between drums and bass that keeps the music full of momentum. I’m absolutely delighted that Alex Hitchcock (tenor), James Copus (trumpet), Will Barry (piano), Rupert Cox (synthesizers) and Felix Ambach (drums) have joined me on this exceptional project.”

Joe continues, in describing his new relationship with Ubuntu Music: “I am incredibly happy to announce signing with Ubuntu Music for my debut release. I am really excited to be working with a label that is so passionate about promoting new music and rising talent. Most importantly, it feels great to be in good company at this label, amongst friends and others that I have a musical connection with.”

Martin Hummel, Director of Ubuntu Music, concludes, saying, “Joe is a part of a dynamic new breed of amazing jazz talent in this country. His repertoire is diverse, and his playing is consistently brilliant. ‘Seven Japanese Tales’ demonstrates just how good Joe is, as a composer, arranger and as an artist. Combined with seriously talented musicians, you know this will be a special release. We are so happy to have Joe join us with this highly unique and compelling project.”

For Website, Click HERE.

Ubuntu Music is delighted to announce the signing of the gifted pianist, Joe Webb, for the release of his next project, Summer Chill, on 24th June 2022.

Joe is highly regarded and leading force on the U.K jazz scene today. He grew up in Wales before moving to London in 2013, where he has been active ever since.

Joe regularly performs around Europe and has played in venues such as Ronnie Scott’s, Duc des Lombards, The Royal Albert Hall, Dizzy’s Jazz Club in New York City and the CCB in Lisbon.

Along with his trio and Webb City, he can be heard with the acclaimed Kansas Smitty’s, Hailey Tuck, Adrian Cox and Rob Luft, as well as working with Jamie Cullum and many other artists.

“There are few people more joyous to listen to at the piano than Joe Webb”

--Jamie Cullum

For Joe’s newest release, Summer Chill, he has assembled some of his favourite musicians: some he has played with for many years and others who he has recently met. The band features, guitarist Alex Haines, bassist Will Sach, drummer Jas Kayser, percussionist João Caetano and guesting saxophonist Fraser Smith.

Joe describes the project: "The idea behind the project was to create a soundtrack to a pool party in the 1960s. I spent some time watching films throughout the recent lockdowns which were inspired by this era."

The album is mostly arrangements/interpretations from the 1950s-60s with songs from Elvis Presley, LaVern Baker, Georgie Fame, Mel Tormé, Erroll Garner, Freddie Green, Cannonball Adderley and The Clovers, as well as two original compositions by Joe.

“Joe is a great young pianist…go check him out!”

--Jason Rebello

Joe explains further: “Even though it was difficult to write music during the past two years, I felt it was important to document this period in some way, especially with the musicians I had spent the most time with during this period”.

This is the third album that Joe will be releasing on Ubuntu Music: "I am really happy to be releasing this music with the ever-growing Ubuntu Music Family. It’s lovely to have this album associated with many great friends and musicians."

Martin Hummel, Director of Ubuntu Music, shares his perspective: “It’s a pleasure to have Joe back with his third release on the label. He never ceases to entertain and reward his audiences with music that is readily embraced. ‘Summer Chill’ continues in this vein and will certainly delight all who listen. We’re proud to extend this valued relationship.”

For Website, Click HERE.

John Law, a prize-winning classical prodigy on piano, turned away from classical piano studies to pursue jazz and improvised music when he was 23 and has been involved in, and acclaimed for, a wide variety of contemporary jazz and classical projects: from solo piano concerts and albums through trio and quartet tours and recordings, right through to large scale works for his semi-classical ensemble Cornucopia.

 John has played at over 50 festivals worldwide and recorded over 35 albums, working with musicians as diverse as Gwilym Simcock, Andy Sheppard, Jason Rebello, Tim Garland and Evan Parker. John’s primary project for his own work is his acclaimed Quartet, Congregation, which has toured across Europe and beyond, appearing to exceptional audience acclaim in concert halls, clubs and at festivals such as the North Sea Jazz Festival (Rotterdam) or the Queen Elizabeth Hall, London (London Jazz Festival). His other projects include his other Quartet, Re-Creations, which plays other people's tunes, in addition to his solo and duo projects.

John Law’s Congregation plays exclusively John’s original compositions, designed to mix contemporary jazz and electronics, often playing over electronic music backing tracks and also occasionally mixing in elements from John’s past. This includes free improvisation from his improv work in the 1990s as well as going even further back, drawing inspiration from his classical roots. The quartet line-up consists of Ashley John Long and Billy Weir as the dynamic rhythm section and features, from Mercury Prize nominee Roller Trio, James Mainwaring on saxophones, guitar and electronics. Interestingly, it’s the electronics side that gradually became more and more a feature of the band’s sound and approach. This line-up toured widely in the UK, Germany and India before recording their debut album, CONFIGURATION.

As John describes the project, “With ‘CONFIGURATION’, my upcoming album, it feels like all the kaleidoscopic parts of my musical life have finally come together. Jazz, rock, electronics, classical… it’s all in there. My aim for Congregation, my band, is to put each composition into a different visual space, with its own individual identity. Like separate colours blending to form a design. A couple of the tunes took shape during a wonderful tour in India, where the sounds and colours we experienced there found their way into the music. And the whole thing is brought to life by the stunning young musicians I work with: James Mainwaring, on saxophones and guitar – the group’s partly built around his full-on saxophone playing and subtle understanding of electronics; Ashley John Long, on double bass – an extraordinary bass virtuoso and simultaneously a ‘straight’ composer who writes through-composed works for the London Philharmonic Orchestra; and Billy Weir, on drums – who brings the fire and enthusiasm to the project that is commensurate with his tender years!”

For Website, Click HERE.

Ubuntu Music is delighted to announce the signing of saxophonist Jon Lloyd, for the release of Earth Songs on Ubuntu Music. Jon’s UK quartet features pianist Jon Law, bassist Nick Pinni and drummer Alex Goodyear.

The music sits firmly within the arena of European contemporary jazz, brought to life through vibrant, melodic and engaging compositions written by Jon specifically for this quartet.

Jon describes the idea behind his latest project, Earth Songs: “This quartet arose because my interest in European Contemporary Jazz became such that I needed to find the best way possible to present my compositions in this area of music. My previous musical career in free music was always pointing in this direction... For that reason, my long-standing friend and musical collaborator, pianist John Law, was the only real choice for expressing the delicate harmonic fabric of this music. His combination of sensitivity, immense depth of musical knowledge and virtuosic technique makes him the perfect fit. Next, I wanted a drummer with the understated strength and imagination which this music requires. To find that in the young Alex Goodyear was a true miracle! On bass I needed someone with the ability to be both abstract and groovy, with super accurate pitch and a deep propulsive feel without necessarily having to swing! Like Alex, Nick Pini was an amazingly lucky find. As I say in my promotional film, I feel blessed every time this band plays!”

Jon continues, concerning the music: “The music on the album all comes from the same direct, emotional place. It is from that area of European jazz I love where different musical worlds are vying for attention – some Western modes, some Eastern scales, some hypnotic jazz grooves in unexpected time signatures, some almost classical passages; but all the time making a coherent statement, where you won’t hear the joins! All my compositions attempt to express an emotion in as honest a way as possible, focusing on strong and hopefully beautiful melodic hooks while trying to avoid obvious patterns, cliches and conventions. I also try to write music where the listener cannot be sure what is written and what is improvised… Importantly, the music on the album showcases the talents of four excellent, spontaneously creative musicians – and it sounds exactly how we play live!”

And, concerning his new relationship with Ubuntu Music, Jon explains: “Developing a relationship with Ubuntu Music has been a great privilege. I have released music in many ways and on several different European and British labels over the years, and this is the first time I have felt this supported and nurtured by a record label. Martin Hummel and the Ubuntu team care about the state of jazz and improvised music in this country, and I cannot think of another label that has this magical combination of both a high international profile and a close relationship with, and genuine consideration for, its varied roster of artists. I am delighted that my quartet music is in such safe hands!”

Martin Hummel, Director of Ubuntu Music, concludes: “In all honesty, I was recently introduced to Jon and his music. When Jon shared his ‘Earth Songs’ project with me, I was immediately attracted to his sensitivity as a composer and performer. Jon’s interplay with pianist John Law is magical. As a saxophonist, Jon may walk softly, but he delivers a very arresting sound. It’s a pleasure to have Jon join the Ubuntu Music Family.”

JON LLOYD QUARTET BIOGRAPHY

This 2023 quartet presents UK saxophonist Jon Lloyd’s new European Contemporary jazz compositions, reuniting him with superb pianist John Law and incorporating the dynamic young rhythm section of Alex Goodyear on drums and Nick Pini on bass.

Saxophonist Jon Lloyd arrived on the UK free jazz scene in the early 1990s and rose to prominence with highly regarded recordings on Leo records and the Swiss label HatHut, and with many UK and European concerts with his quartet comprising John Law, bassist Paul Rogers (or Tim Wells) and drummer Mark Sanders. Highlights during this period included Berlin's FMP Festival, UK jazz festivals, many Arts Council tours and the 1993 Contemporary Music Network tour of the UK with the Bill Frisell Band.

Over the years Jon has embraced contemporary composition, abstract improv and American jazz and fusion, but in the last decade has primarily developed his music towards the European jazz aesthetic, notably recording "Vanishing Points" in 2013 with Asaf Sirkis, Tom Farmer, John Law and Rob Palmer.

John Law is one of the outstanding pianists in the UK. His solo, duo, trio and quartet projects have toured throughout the UK and Europe for 30 years and he has played with many of the contemporary greats of UK jazz: Asaf Sirkis, Andy Sheppard, Tim Garland, Yuri Golubev, Jason Rebello, Julian Siegal and Paul Dunmall. His most recent major touring projects include Congregation with Ashley John-Long and James Mainwaring, Re-Creations with Sam Crockatt, and Renaissance with Jon Lloyd and Patrick Dunn. John and Jon Lloyd have enjoyed a 30-year musical relationship, collaborating on many varied projects, including their new duo Naissance in 2023.

Alex Goodyear is a young UK based drummer, bandleader and composer. Since graduating from the Royal Welsh College of Music and Drama in 2019, he has become a regular of the UK Jazz scene, working with artists including Simon Spillett, Iain Ballamy, Denny Ilett, Monique Thomas, Greg Abate, Jake McMurchie, Alan Barnes, Huw Warren, Rebecca Nash and Nick Malcolm. His piano trio “Yetii”, with Alex Veitch and Ashley John-Long is currently making waves on the UK jazz scene.

Nick Pini studied jazz and improvisation at Trinity College of Music in London. Branching out into other genres after leaving, Nick has since worked with some of the UK’s and the world’s most well-known artists as a session musician and a touring band member (Laura Marling, Ethan Johns, Nick Mulvey, Tom Jones, Mary Chapin-Carpenter, Gilbert O’Sullivan, Seth Lakeman, Ramin Karimloo, Will Butterworth, Izzie Yardley), whilst keeping a keen hand in the UK’s rich and diverse contemporary jazz scene (Iain Ballamy quartet).

Ubuntu Music is delighted to announce the signing of composer/bassist Joshua Cavanagh-Brierley for the album release, Joy In Bewilderment, featuring an array of exceptional musicians who perform a broad series of jazz-related musical textures. The album stretches from solo piano and string quartet to 13-piece, three drummer ensembles, with special guests including Chris Potter and the Amika String Quartet, amongst others.

A native of Manchester, England, Joshua’s group is an amalgamation of musicians formed under the omni-genre outfit penned by the bassist. Considered an exceptional practitioner of his craft, Joshua channels a modern Mingus style, with support from a plethora of youthful talent and formidable arrangements. The group consists of assortment of musicians who deliver irregularly catchy time signatures of powerful grooves and jazzy, feel-good vibes.

Joshua describes the narrative of the project: “'Joy In Bewilderment' is an intimate expression and contemplation on how you can feel and function in modern society. It depicts the perplexity on the political climate and humanistic vulnerability through an amalgamation of resilience, puzzlement and exasperation. Even within these surroundings, it encapsulates optimism for the future and gratitude for the now. I’m writing for myself with this album. This is the music that I hear, and it feels like the most honest expression I’ve created to date.”

He continues, describing the music: “The album asserts itself through a crossover of bold musical textures throughout its chronology. It serves its narrative through a necessary variation of forms of exploration. From a string quartet to a 13-piece horn section led ensemble, (including three drummers), to solo piano to vocal-led storytelling. This album roams through a multitude of colour with all original compositions that span from heavily arranged to heavy improvisation. It accommodates an incredibly versatile ensemble and features guest performers Chris Potter and Caoilfhionn Rose.”

Concerning his new relationship with Ubuntu Music, Joshua elaborates: " For me Ubuntu Music is a record label with a rare ethos in the music industry. Its aim is as clear as water. The Label allows artists to do what they do naturally; create the art that they feel, and share it openly and honestly, rather than pushing to create a jigsaw-piece-like-product which competes to fit in with what’s current. I feel amongst good company on the Label and am really fortunate to share this platform with so many artists I admire.”

Martin Hummel, Director of Ubuntu Music, shares his enthusiasm concerning the Label’s latest signing: “Josh is a deeply considered composer and musician, who shatters convention with fearless creativity and an ethos that is unwavering to who he is and what his music is all about. We’re delighted to have Josh join the Ubuntu Music Family.”

For Website, Click HERE.

Ubuntu Music is delighted to announce the signing of the Joshua Jaswon Octet, featuring a broad cross-section of exceptional young musicians throughout Europe.

London-born saxophonist and composer Joshua Jaswon has undergone something of a transformation over the past three years. Following the disastrous results of Britain’s 2016 Brexit referendum vote, Joshua took the decision to leave London for Berlin and set about establishing himself in Europe’s creative hub and heartbeat. This journey of musical discovery has led to collaborations with artists from Berlin, Paris, Amsterdam and Copenhagen and the formation of the Joshua Jaswon Octet.

Using powerful poems of protest as the basis for its music, the Octet’s distinctive sound is lyrical, intensely rhythmic and steeped in the magic of storytelling. Their ambitious long-form compositions are brought to sonic life in Joshua’s first release for Ubuntu Music, Silent Sea, and feature the outstanding Dutch vocalist, Anna Serierse.

Each composition of the album is based on the text of a contemporary British poem, by writers Jackie Kay, Maura Dooley and Rachael Boast. The poems deal with the themes of Brexit and the environment and the album’s title originates from Boast’s poem.

Although Joshua has for many years been interested in the manifold relationships between literature and jazz – he cites writers such as Albert Murray, Stanley Crouch and Ralph Ellison as early musical influences – this is the first project where the composer has actively used text and written for voice. Poet Laureate Jackie Kay’s response to the project reflects Joshua’s talent and intuition for this area of composition:

“It is moving, fresh and thought-provoking and the music perfectly mirrors the poem's anxiety and satirical humour. The jazz music fits the poem like a hand to a glove, and the rhythms and tempos capture the heightened sense of time running out, of seizing the moment. It's a pleasure for a poet to have their words so thoughtfully put to music. I'm delighted with the result.” -- Jackie Kay, Poet Laureate of Scotland

Having grown up in London Joshua graduated from the Guildhall School of Music and Drama with a 1st class honours degree in Jazz Performance. While only in his second year he led the winning group in the Chartered Surveyors Jazz Ensemble Competition and on completing his degree was awarded a two-year Artists Fellowship at the conservatoire. Later he would go on to win a fully funded place on the highly prestigious European Jazz Masters Course at the Jazz-Institut Berlin.

As a bandleader and sideman Joshua has made appearances in the London Jazz Festival, Copenhagen Jazz Festival, City of London Festival, Berlin Instrument of the Year Festival, performed at venues such as Ronnie Scotts, LSO St. Luke’s, Kings Place, The Vortex, The Elgar Room, Kunstfabrik Schlot Berlin, Brorson’s Kirken Copenhagen, Dokkhuset Trondheim, La Gare Paris and the Barbican Theatre; has been broadcast on Jazz FM and BBC Radio 3 and led educational workshops.

Joshua discusses the essence of Silent Sea: “This project is the culmination of two years of work that took place in four different countries and has brought together a group of musicians whom I admire and respect very much.

“Musically, it represents a heightened focus on extended composition and orchestration and my first exploration in composing for voice – it definitely won’t be the last!

“One of the challenges I had in writing for an eight-piece group was to utilise the timbral and compositional possibilities afforded by a larger ensemble without losing the intensity and immediacy that comes from small-combo interaction. Central to this has been working with the group’s rhythm-section of Aarón Castrillo, Sidney Werner and Johannes Mann. They powerfully shape the music’s narrative and momentum while being able to respond in the moment to the music’s shifting contours and directions. The playing of Miguel Gorodi, Marc Doffey and Jan Landowski throughout the recording shows their exceptional ability as improvisers and ensemble musicians, and the music lives and breathes through Anna Serierse’s voice.

“The nucleus of the project first took shape when I read a collection of twenty contemporary poems curated by Carol Ann Duffy. Each poem was written by a different writer, all of whom were assigned the task of writing a text that responded in their own way to the imminent and pressing climate crisis we all face. Art created about this topic in no way puts the artist on a pedestal – I definitely need to kick my carbon footprint down to size – but this project was an opportunity to engage with a theme that has significant meaning for me and moves beyond an exercise in abstract music making.”

Concerning his new relationship with Ubuntu Music, Joshua elaborates: “I’m thrilled to be releasing the debut album of my octet on Ubuntu Music. For me, it is the record label that best represents the fluid and ever evolving nature of how jazz music actually works.

“The Label’s releases and stellar artist roster are not dominated by musicians of one style, one age, one gender, or one scene but are diverse and indicative of the melting pot that is modern-day jazz music.

“Martin Hummel is exactly what I was looking for in a record label director – someone whose love and passion for the music is clear, and someone with the expertise to get the music heard.”

Martin Hummel, Director of Ubuntu Music, shared his perspective: “Joshua is an exceedingly talented young artist. He is passionate about his music and equally so in his views on what is happening in this world today. Josh has assembled a first-class group of musicians who deliver his vision, in a highly engaging and emotive fashion. ‘Silent Sea’ will touch the heart and the soul.”

Ubuntu Music is delighted to announce the signing of guitarist Karim Saber, for the release of Transmission, his debut album on Ubuntu Music.

Transmission seamlessly combines Karim’s love of dynamic extended improvisation with evocative, memorable melodies. The music on the album was written in 2021and evolved over the course of a residency his band had at MAP Café in Kentish Town, London. Once Karim and the band evolved to the point where each show felt really different, he knew it was time to head to the studio and document the work that they had been doing.

Karim shares his thoughts about the project: “Whilst the written component of the music is important, the bottom line of the music we play is that you need a great band to get it off the page! I’m really proud to have a band full of incredible young musicians, all of whom I met whilst I was a student at the Royal Academy of Music.

“Alex Wilson is an incredible piano player. He has so much facility and puts that at the service of the music to provide the full spectrum of what I need from a pianist - be those evocative, improvised introductions, comping which encourages me to explore or his own high burning solo contributions.

“Matt Cook plays tenor and embodies the words ‘focus’ and ‘flow’. He brings so much fire to the band and is always willing to push himself right to the edge of his abilities to create something which is both beautiful and true to the moment. He was the last addition to the band but I knew I wanted to do something with him as soon as I heard him play my music.

“On bass, John Jones provides a foundation for our group explorations. His deep, rhythmic sensibility coupled with his incredible listening and decision-making means he is always capable of finding the perfect counterpoint to whatever else is going on.

“Jack Thomas is our drummer and is a musician I can listen to all night without getting bored. He brings an incredible intensity to everything he plays and is totally fearless!

“All that being said, I think you can probably tell I’m really happy with the musicians I have in my band. We’ve been playing together long enough now that when I start writing a tune these days, I hear them playing it in my head. This was the first album of its kind that any of us had recorded and going through that process with these guys felt really special.”

Karim shares his thoughts concerning his new relationship with Ubuntu Music: “I had been aware of Ubuntu for a few years and knew they had an amazing track record for putting out exciting new music (Joe Downard’s ‘Seven Japanese Tales’, Trio HLK’s ‘Standard Time’ and Matt Ridley’s ‘The Antidote’ are some of my favourite recent releases!). What I was not prepared for was how encouraging and supportive they would be as I prepared to take this crucial step in my career. I feel privileged to have found a label that believes in my music and am honoured to be part of such an incredible artist roster.”

Martin Hummel, Director of Ubuntu Music, concludes: “I was first introduced to Karim through friend and bassist Jasper Høiby, who was producing Karim’s album. Jasper said I had to check this out, once they were ready. Shortly thereafter, guitarist Ant Law approached me, saying I had to get in touch with Karim. Once I had the headspace to properly listen to Karim’s project, I was utterly convinced. Karim’s music is a beautiful pronouncement of modern, contemporary jazz, delivered by a young, fearless group of musicians who blend so very well together. We are delighted to have Karim and his band join the Ubuntu Music Family.”

For Website, Click HERE.

Ubuntu Music is delighted to announce the signing of The Kevin Brady Electric Quartet for Plan B, their upcoming worldwide album release on 8th October.

The Kevin Brady Electric Quartet has a clear aim of creating and producing new contemporary jazz and the impact of this has been immediate. Their performances have been critically acclaimed for their dynamism and musicality. Touring regularly, they have consolidated their worldwide reputation as a compelling live act. As quoted by The Telegraph UK, “This group display an enviable poise and togetherness”, winning the appreciation of discerning jazz audiences in the USA, Europe, UK, China. Their music embraces imaginative creativity and contributes to the evolution of exciting and engaging improvised music.

Plan B is the latest studio album by acclaimed drummer and composer, Kevin Brady. It features the stellar musical talents of U.S. saxophonist Seamus Blake, Bill Carrothers on Fender Rhodes, and bassist Dave Redmond. Brady’s ambition was to record an album that consisted of new, original compositions that explore improvisation in an electric quartet format. While tipping their collective hat to the music of the 1970s Miles Davis Group, along with the groove and funk based music of Herbie Hancock, many of the musical themes deal with the impact of what is happening in the world as we know it now. The music is hypnotically insistent, all with a lasting story of experience and optimism.

Kevin describes the sound of Plan B: “This is one of the most musically connected experiences that I have had since my first outing as a leader in 2007. While I was working with the late great guitarist Larry Coryell, I had many insightful discussions with him about music. His suggestion for my group to explore a change to an electric format was hugely influential on my new musical direction. I had been performing with Bill Carrothers and Dave Redmond in a piano trio for many years and I was excited to hear how we would perform with this new instrumentation. The inclusion of my friend and wonderful saxophonist Seamus Blake made a significant impact on how the trio performed. Seamus added an incredible musical dimension and texture to the compositions. His musicality added so much to the work. The music--whether simple or complex--was brought to another level by Bill and Dave’s strong melodic and rhythmic understanding and intuition. I believe that each composition--whether groove based, free or in odd meters--encapsulates and blends elements of musical styles that each musician in this quartet really enjoys playing.”

Kevin discusses his new relationship with Ubuntu Music: “I am delighted to begin this new relationship with Ubuntu. the company’s ethos is a perfect fit for me as an artist. The projects that Martin Hummel currently works with is a testament to his belief in nurturing and developing great music. After many discussions with him, it was apparent to me that he has a huge appreciation for music and developing the audience for it. He has such an in depth understanding of this genre of music and it’s a real honor to be included on Ubuntu Music’s artist roster. I am really looking forward to releasing this recording project and continuing our journey into the future.”

Martin Hummel, Director of Ubuntu Music, shares his perspective: “It’s a blessing to have the opportunity to work with Kevin and his band. I was fortunate to have the privilege to have Dave perform on an earlier Ubuntu release with pianist George Colligan, along with Seamus on an album with Eric Alexander. And now these guys come together with Bill Carrothers and you have one very serious jazz music cocktail. It’s a pleasure to have them join the Ubuntu Music Family.”

BIOGRAPHIES

Kevin Brady is one of the most sought-after drummers on the music scene. As quoted by jazz critic, John Kelman of All About Jazz, “Brady is an impressive drummer with impeccable taste, creative and, most notably, terrific tone”. He has accumulated a wealth of experience performing with some of the world’s leading exponents of jazz and improvised music, recording and playing with internationally renowned musicians such as Larry Coryell, Lage Lund, Peter Bernstein, Norma Winstone, Brian Charette, Ronnie Cuber, Perico Sambeat, Van Morrison, Bobby Watson, Randy Ingram, Lars Jannson and Nir Felder. He has performed double-bill concerts with acts such as Kurt Elling, Herbie Hancock’s Headhunters, Andrew Hill, Swedish piano trio EST and soul legend Gil-Scott Heron. Kevin is also an endorsed artist with Zildjian Cymbals, Vic Firth Drumsticks & Evans Drumheads.

Bill Carrothers is quite exceptional in this setting, having recorded with many acclaimed groups performing and recording with luminaries such as Gary Peacock, Billy Higgins, Dave Douglas and Curtis Fuller. He has performed sell-out residencies at the prestigious NYC jazz club, The Village Vanguard. More recently he has been nominated for a French Gramophone Award for his latest solo album release, Excelsior, which is a collection of improvised piano pieces. Carrothers continues to raise the bar of jazz piano playing internationally.

Seamus Blake is one of the finest saxophonists on the music scene today. He has worked with a wide variety of artists. As a long-standing member of the Grammy-nominated Mingus Big Band, he is featured on six of their albums. Seamus continues to record and perform with artists such as Bill Stewart, David Kikoski, Antonio Sanchez, Kenny Barron, Sam Yahel, Randy Brecker, Wayne Krantz, Maria Schneider, Brad Mehldau, Brian Blade and Jack De Johnette. He has to date recorded on over 75 studio albums.

Dave Redmond is one of the most in-demand bassists in Europe, having performed with artists such as George Colligan, Bob Dorough, Eddie Reader, Keith Copeland, Georgie Fame, Jesse van Ruler, Bobby Wellins, Dave Liebman, Jason Rigby, Guy Barker, Ian Shaw, Jacqui Dankworth, Scott Hamilton, Norma Winstone, Bruce Adams, Jim Mullen and Chris McNulty. David also performs annually at the Cork, Derry and Bray Jazz Festivals in Ireland. He has appeared on over 35 albums of established Irish and international artists, while continuing to perform throughout Europe, U.S, Colombia, Ukraine, Kosovo and China.

For Website, Click HERE.

Jazz pianist, composer, arranger, producer, Yamaha® artist and Grammy® winner Laurence Hobgood has enjoyed a 30+year career. Highlights include: three consecutive Fellowships to the Aspen Music Festival (1990, '91, '92), being chosen as a 1995 Chicagoan of the Year in the Arts, a 2003 Deems Taylor Award given by ASCAP for the year’s outstanding music journalism, multiple Grammy® nominations and a 2010 Grammy® Award. He's played at many of the world’s most prestigious venues including Carnegie Hall, Lincoln Center, the White House, John F. Kennedy Center for the Performing Arts, Tanglewood, Hollywood Bowl, and the Sydney Opera House.

For almost 20 years he served as pianist/arranger/collaborator/co-producer for singer Kurt Elling during which time he wrote virtually all of the material on Elling's first ten albums, all of which received Grammy® nominations.

His 2009 CD, “When The Heart Dances”, featured duets with iconic bassist Charlie Haden.

His "Christmas" CD was chosen by both the New York Times and the Chicago Tribune as one of the best Holiday CDs of 2013.

He’s currently involved in an ongoing recording/performance project, "Poemjazz", with 3-time U.S. Poet Laureate Robert Pinsky; their second CD, "House Hour", was released in 2015.

His 2016 trio CD, "Honor Thy Fathers", features bassist John Patitucci and drummer Kendrick Scott. JazzTimes' Michael West praised the work, saying:

"It’s easy to hear similarities between Laurence Hobgood’s piano and that of Brad Mehldau . . . The album is a sublime statement—perhaps the first of 2016."

In Spring 2016 he was the Artist in Residence at Jazz Camp West, held annually at a redwood retreat south of San Francisco.

Laurence's newest project is called "tesseterra"; Hobgood combines his love of jazz trio and writing for string quartet with uplifting arrangements of what he calls the "expanded songbook" -- repertoire ranging from Cole Porter, George Gershwin and Hoagie Carmichael to Sting; Joni Mitchell; Michel Legrand; Antonio Carlos Jobim; Crosby, Stills & Nash and Stevie Wonder among others.

The writing embodies the signature style of composing and arranging Hobgood has become known for: imaginatively innovative yet fun and thoroughly accessible to audiences. He's reunited with the celebrated, New York-based string quartet ETHEL and at the core lies the ebullient playing of his trio which features Jared Schonig on drums and Matthew Clohesy on bass.

“tesseterra” will be released on Ubuntu Music in Spring 2019.

For website, please click HERE.

Leo Richardson is the son of veteran jazz double bassist Jim Richardson and is widely recognised to be one of London's leading Jazz Tenor Saxophonists.

In 2009, Leo was awarded a scholarship to study Jazz at the prestigious Trinity College of Music. Whilst at Trinity, Leo studied with world class saxophonists including Jean Toussaint, Julian Siegel, Martin Speake, Mark Lockheart and Mick Foster.

In 2012 Leo was awarded the Trinity College of Music Jazz Achievement Award and in 2013 graduated with a 1st class degree with honours in Jazz Performance.

Since graduating, Leo has been making a name for himself on the London Jazz scene. He has become an in demand side man and has collaborated with many well renowned musicians at acclaimed venues such as Ronnie Scott's Jazz Club, The Royal Albert Hall, Queen Elizabeth Hall, Cadogan Hall, The Vortex Jazz Club and Glastonbury Music Festival. In 2015 Leo was nominated in the London Music Awards for Rising Star in the Jazz catergory.

Some notable performance and recording credits include: Kylie Minogue,  Jamie Cullum, Gregory Porter, Submotion Orchestra, Anne-Marie, The BBC Proms, Ronnie Scott's Jazz Orchestra, Blue, Peter Andre, Mulatu Astatke, The Pete Long Big Band, Clare Teal, Jack Pack, Il Divo, Gillespiana, The Heliocentrics, Elaine Delmar, Jamie Davis, Vula Malinga, The Hackney Colliery Band, Dave Stewart, Alan Skidmore, Dick Pearce, Gene Calderazzo, Gareth Williams, Jim Mullen, Roman Holiday, Nina Ferro, Niamh Mcnally, Theo Jackson, Teotima Ensemble, Iain Mackenzie.

Leo's debut album, 'The Chase', features his quartet and special guests Alan Skidmore (tenor sax) and Quentin Collins (trumpet). It will be released on Ubuntu Music in late 2017.

For Website, Click HERE.

Mar Vilaseca is a 20 year old Singer, Pianist and Composer. She is a special musical talent hailing from Barcelona, Spain.

She was introduced to Ubuntu Music by Scott Cohen, the co-founder of The Orchard distribution company, which is owned by SONY Music.

Mar has recorded her first EP, ‘Find the Way’, which will be released on Ubuntu Music later this year.

When Mar’s not singing her heart out on stage to starry-eyed listeners, you can find her composing her own songs and collaborating with fellow musicians.

Ubuntu Music is delighted to announce the signing of the talented Italian pianist and composer, Marco Tranchina, for the release of his quintet album, More Than Ever, on 25th February 2022.

Widely recognized as one of London’s most sought-after pianists and composers, and best known for his diverse approach to harmony and compositions, Marco Tranchina formed Smät Five with the aim to present his original compositions that could blend a unique melange of his eclectic approach to the modern jazz idiom, along with the warm sounds and sensibilities of his Mediterranean musical heritage.

Tranchina’s vision for this album was triggered by the urge to harness his burning passion for his music, despite the current pandemic. More Than Ever, his latest project, is a statement that reiterates his commitment to composing and performing his music to the highest level.

For his debut album on the Ubuntu Music record label, Tranchina teams up with some of the most active Italian musicians on the London jazz scene. His long-standing collaboration with bassist Mikele Montolli (Sun Ra Arkestra, Nigel Price, Heidi Vogel, Judi Jackson) and alto saxophonist Alan Short (Donna Summer, Natalie Cole, Sam Moore), gave birth to a rhythmically solid album which is infused with lyricism and anchored in the bebop heritage. This is combined with unique contributions created by Tranchina’s new partners in crime, Andrea Solarino (Manzi, Bosso, Burk) and Filippo Galli (Tony Kofi, Jure Pukl, Gina Schwarz).

Regarding his new relationship with Ubuntu Music, Tranchina explains, “I am very happy and excited to join the Ubuntu Music Family together with a roster of incredible musicians. The diversity showcased on each release is of the highest quality. Martin’s (Hummel) support and infectious energy have been with me from the start of this journey, and I am looking forward to continue working with him and the team at Ubuntu.”

Martin Hummel, Director of Ubuntu Music, concludes: “Marco’s project knocked me out from the first time I heard his initial mixes. Jazz, in the great tradition, expressed with a mixture of Latin-Europe flair, makes this recording irresistible.”

For Website, Click HERE.

Born and partly raised in Uganda, Mark Kavuma is a prominent young Trumpet player on the British jazz scene. Leading his own Quartet, the 'Floor Rippers' house band and his main outfit 'The Banger Factory'. As well as, playing with Jean Toussaint's Young Lions, Jazz Jamaica, Nu Civilisation Orchestra and also one of the brass leaders at London based carnival band Kinetika Bloco. 

In 2012 Mark was featured as Guest soloist with Wynton Marsalis and Jazz at Lincoln Centre Orchestra having been voted best soloist at the very first 'Essentially Ellington' competition in the UK. 2013 saw Mark involved in the national theatre's production of the Amen Corner, got the opportunity to play with the great Mulatu Astatke, played a support slot for Wayne Shorter at the Barbican (London jazz festival) with A quintet Mark co-leads with Ruben Fox(sax) and also featured on trumpet in the 'El Train', Hoxton Hall (directed by Sam Yates and Ruth Wilson).

In 2014 Mark toured the world featuring in Peter Brooke's production of 'The Suit' and in 2015 he went on the road with the legendary Salif Keita and Les Ambassaduers.

In 2016 Mark got another opportunity to play as guest soloist with Wynton Marsalis and Jazz at Lincoln Centre Orchestra performing the Gershwin songbook at the Barbican, before resuming his studies at Trinity College of music. He Featured in Hoagy B Carmichael's production of 'This Joint Is Jumpin' at the Other Palace Theatre (2017) before starting to work on his debut album which was released on Ubuntu Music, in summer 2018.

For Website, Click HERE.

Ubuntu Music is delighted to announce the upcoming release of bassist Mark Lewandowski’s latest project, A Bouquet (For Lady Day).

Mark, an award-winning New York City based bassist and composer, originally hails from Nottingham, England. A graduate of the Guildhall School of Music in London and New York’s prestigious Juilliard School, he has earned the respect of his peers and elders alike as a creative, supportive, and individual sideman and bandleader.

Mark explains: “This album aims to concentrate on the beauty of Billie Holiday’s music and her life. Too often the focus is on the negative side and the pain that she felt during her short time in a cruel world. Her blues, however, I find both sweet and sorrowful. In Liam Noble I’ve found discovered a wonderful friend, collaborator and mentor who’s whose style is rich from his many diverse influences, whilst maintaining what I consider to be a truly unique individual voice. He’s an inspiration to me and I’m thrilled to have him play with me again following Waller, our 2017 treatment of historical music that examines the songbook of the great Thomas ‘Fats’ Waller.

“An additional special guest, vocalist Heidi Vogel, contributes on two of the tracks. Heidi has a wonderful way of singing songs without the smallest shadow of a doubt that she means the lyrics 100%. This feature of her voice reminds me greatly of Billie Holiday, although Heidi possesses her own signature sound and style which has been a pleasure to include on this project. I have carefully selected repertoire (from what is a humongous catalogue!) to highlight some of the key musical relationships in Holliday’s tragically short life. Her pianists, Teddy Wilson and Mal Waldron; song writing partnerships such as the one with misunderstood pianist Herbie Nichols; and who can forget her dearest and closest friend, Lester Young. We have also featured compositions of Billie’s to show the most personal side of her music (although she famously commented that she wasn’t able to sing even a standard song if she didn’t feel the lyrics) - ‘Billie’s Blues’ and ‘Left Alone’ purposefully feature Heidi on these wonderful Holliday originals”.

Mark describes the challenging nature of the project: “I find playing duo with a pianist amongst the most challenging of line-ups, so I have aimed to explore ways of dealing with the level of space and intimacy that goes with this particular instrumentation. It’s forced me to improvise in a different way, trying to take the melodicism of her style and that of her contemporaries, and find my own way as a modern improvising musician - to convey the way her music makes me feel, attempting to avoid pastiche and nostalgia. I hate the words ‘tribute band’ and I have no intention of making this project fall under within that category. I’d see it more as personal reflection and commentary, that hopefully has that magical balance of being informed by the rich tradition of the source material, yet personal and current in its aesthetic. The messages we are trying to convey as we play this repertoire are coming from us, and it is important to us all that we are not merely regurgitating the music that we have selected. I believe I achieved this somewhat with the Waller record, so I’m hoping that the same can be said after this one is released. It’s been on my mind that this may be a developing artistic concept of mine - going back and forth between dealing with the great repertoire of the tradition and my own humble contributions as composer. In no way do I find them to be mutually exclusive.”

Mark shares his feelings concerning his new relationship with Ubuntu Music: “I’m delighted to join the vibrant community of artists and the stellar team of Ubuntu Music. Throughout the whole process of arranging, recording and preparing this music for release, I’ve always had a good feeling in the back of my mind about how it would be to work with Martin (Hummel) and the label. I’m so very happy that this will be the case, and I’m proud to share our music with the public as part of their brilliant and varied catalogue. Ubuntu Music is a ‘music-first’ label, providing a safe and creative space for artists to express their ideas to their fullest. I am excited to begin what I hope will be a long and fruitful relationship with them.”

Martin Hummel, Director of Ubuntu Music, concludes: “Mark is someone I’ve known since I started this label. He played a pivotal role on ‘The Chase’, saxophonist Leo Richardson’s first recording. And since then, I always wanted the opportunity to work with Mark. Quite simply, he is an exceptional talent and a deep-thinking artist with an abundance of creativity. London’s loss was New York City’s gain when Mark moved overseas to study at Julliard. However, we were ever so fortunate that Mark teamed up with the outstanding touch of pianist Liam Noble and the vocal gift of Heidi Vogel (who features on two other Ubuntu releases) to deliver a brilliant stunning album that interprets the repertoire of Billie Holiday. We are so proud to be a part of this project and over the moon to welcome Mark into the Ubuntu Music Family.”

MARK LEWANDOWSKI BIOGRAPHY

Award winning New York City based bassist and composer Mark Lewandowski originally hails from Nottingham, England. A graduate of the Guildhall School of Music in London and New York’s prestigious Juilliard School, he has earned the respect of his peers and elders alike as a creative, supportive and individual sideman and bandleader.

It was during these years at the Guildhall School that Mark began rapidly producing a strong name for himself as a fixture of the London jazz scene; playing regularly at the world famous Ronnie Scott’s Jazz Club, by only his second year in the capital. After graduating with a first class honors degree from the Guildhall School, Mark had the great honor of being awarded the Yamaha Jazz Award, which was presented to him by the UK Government at the Houses of Parliament. Following his study in London, Lewandowski also embarked on a period of intense private study with American master-bassist, Henry Grimes. While living in London, Mark became a frequent side- person with a diverse range of musicians both established and up-and-coming, including mainstays of the British jazz scene such as Sir John Dankworth, John Surman, Julian Joseph, Alan Skidmore, Bobby Wellins, Peter King, Zoe Rahman, Byron Wallen, Christine Tobin, Liam Noble, Jean Toussaint, Mark Lockheart, Julian Siegel, John Warren, Mark Sanders, Soweto Kinch and Paul Dunmall. He has performed in many of the U.K and Europe’s leading concert halls and clubs including The Barbican, Ronnie Scott’s Jazz Club, The Queen Elizabeth Hall and Pizza Express Jazz Club.

Since relocating to New York City, Lewandowski’s performance credits include such luminaries as Joe Chambers, David Liebman, Lew Tabackin, Cyrus Chestnut, Steve Wilson, Buddy Greco, The Mingus Big Band, Peter Bernstein, The Vanguard Jazz Orchestra, Jeremy Pelt, Billy Drummond, Javon Jackson, Mark Whitfield, Ed Cherry, Jon Faddis, Willie Jones III, Sullivan Fortner, Freddie Hendrix, Joe Magnarelli, Stacy Dillard, Josh Evans, Philip Harper, Nasheet Waits, Dayna Stephens, Mike Ledonne, Vic Juris, Frank Lacy, Rick Germanson, Sherman Irby, Joe Cohn, Joseph Farnsworth, David Hazeltine, Johnny O’Neal, Wayne Escoffery, Eric Alexander, Steve Nelson, Warren Wolf, Philip Harper, Sheila Jordan, JD Allen, Jeb Patton, Grant Stewart, Bruce Harris, Benny Green, Aaron Goldberg, Dave Kikoski and Jerry Weldon.

Lewandowski has also performed frequently as a member of Pulitzer Prize winning trumpeter Wynton Marsalis’ quartet including performances in such esteemed venues and festivals as London’s Barbican Hall, Cheltenham Festival and The Institute of Peace, Washington D.C.

He has toured internationally in Europe, Asia, Africa, North America and South America and is frequently found on many of New York City’s famed stages including Blue Note, Jazz at Lincoln Center, The Village Vanguard, Birdland, The Jazz Standard, 55 Bar, Smalls, Mezzrow, Smoke and Minton’s Playhouse.

Mark’s work as a bandleader includes two releases - 2017 saw the release of Mark’s debut release ‘Waller’ on the Whirlwind Recordings label. This debut album solidified his reputation as a stellar bandleader and received rave reviews internationally. Featuring two of the most respected musicians on the European jazz circuit, pianist Liam Noble and drummer Paul Clarvis, Waller is an exploration of the music of one of the early innovators of the jazz genre, Thomas ‘Fats’ Waller. The album featured highly in critical polls ranking at Number 3 in Chris Phillips’ Jazz FM Charts.

2021 saw the highly successful release of Lewandowski’s second record as band leader, ‘Under One Sky’ which has attracted press attention and airplay internationally. Comprised of exclusively original material, the album features two of the young stars of the New York City jazz scene - award winning pianist, Addison Frei and Washington D.C born drummer Kush Abadey. Lewandowski’s unique and personal compositional style is at the foreground of this album which was described by the UK’s renowned critic, John Fordham (The Guardian, Jazzwise Magazine) as ‘a sublime confection on compositional class and individual improv skill’.

2022 Saw Lewandowski again on the international stage, as 1st prize winner of the prestigious UNISA International Jazz Strings Competition held in Pretoria, South Africa. In this 40th year of the competition’s existence, he was awarded the prize by South Africa’s former president, Thabo Mbeki. The Jury also awarded Mark 2 out of 3 of the competition’s special prizes - ‘Best Performance of a Ballad’ and ‘Best Performance of a Rhythm Changes’ respectively.

Other career highlights include his 2015 commission by the EFG London Jazz Festival, reimagining the music of one of his great influences, Charles Mingus; performing as special guest soloist in Moscow’s Tchaikovsky Hall as part of Igor Butman’s Future of Jazz Festival; leading his trio at the 2018 Rochester International Jazz Festival as part of the ‘Made in the UK series; work for the British Arts Council in the Middle East, and two successful trips to Shanghai, China as a ‘Cultural Ambassador’ for Jazz at Lincoln Center.

Mark Lewandowski’s multiple recording credits occupy a diverse range of the jazz genre, ranging from such major artists as American cult composer and saxophonist John Zorn (with whom Mark is featured on his Tzadik release ‘The Book of Beriah’) to closer to home in the U.K with the Leo Richardson Quartet, who’s record ‘The Chase’ was selected as one of the Sunday Times ‘Best 100 Albums of the Year’ in all genres.

Upcoming releases include a record for Blue Note Records, led by master drummer / percussionist / composer, Joe Chambers. And a highly anticipated duo recording under Lewandowski’s own name. ‘Waller’ collaborator, Liam Noble, joins Mark again in an imaginative reimagining of music associated with Billie Holiday. Featuring U.K vocalist Heidi Vogel, the album ‘A Bouquet (For Lady Day)’ will be released in 2023.

As an educator, Lewandowski is on the faculty of the renowned Jackie McLean Institute of Jazz Studies at the University of Hartford, Connecticut. He has also had experience teaching in a number of major institutions including Torino Conservatory (Italy), Birmingham Conservatoire (U.K) and his position as ‘Professor of Bass Studies’ at the prestigious Hampton School. Mark has lead workshops in cultural exchange visits to China in-front of 2000 elementary school children. He also has worked for Jazz at Lincoln Center’s Jazz for Young People and Essentially Ellington programs in and around New York City.

For Website, Click HERE.

Ubuntu Music is delighted to announce the signing of composer/arranger/instrumentalist Martin Sjöstedt & Stockholm Jazz Orchestra, for the release of a major big band project of original and interpreted compositions.

The Stockholm Jazz Orchestra began in 1984 as a rehearsal big band. In 1985, the band had Bob Florence as a guest, and he suggested changing the name since it had become a professional big band. In 1986, Bob Brookmeyer joined the band as a guest, which led to the creation of their first album. Other notable guests over the years have included Bob Mintzer, The Yellowjackets, Maria Schneider, Gary Smulyan, and Dick Oatts. Since 2011, the band has primarily featured music composed by its members and, most recently, has included the exceptionally talented Martin Sjöstedt. This music showcases the many soloists within the band. In 2024, the band will celebrate its 40th anniversary with a Swedish tour and possibly more performances.

With their latest project, Horizon, Martin Sjöstedt delves even deeper into the vision of creating freedom for the band's members, much like a piano trio or quartet, but all within the framework that personifies a big band. Martin explains: "One of the most remarkable comments I received following a concert with the Stockholm Jazz Orchestra during our South Africa tour in 2017 was from a young female music student. She was genuinely fascinated by how the big band could perform the music as if it were a quartet. In retrospect, I now realize that all the music I compose for larger ensembles aims to provide a sense of personal involvement for everyone and allows space for each individual's unique personality."

Horizon contains nine tracks, where all the songs or arrangements are dedicated and specially written for a soloist and a member of the band.

“It's a significant challenge but also a privilege to write for some of the members I've not only toured with for almost 20 years but also consider close friends. I aim to create a musical framework where the soloist feels completely liberated while also allowing myself to communicate and challenge through the large ensemble.”

Concerning his new partnership with Ubuntu Music, Martin explains: "It's a real honour to join the Ubuntu Music family and I'm delighted to be a part of a roster of such amazing talent. Contemporary big band music is alive and kicking and I'm thrilled to share the Stockholm Jazz Orchestra's collective vision with this new album, and to turn as many people as possible on to this exciting genre of music".

Martin Hummel, Director of Ubuntu Music, concludes: “I was first introduced to Martin Sjöstedt and his Stockholm Jazz Orchestra project through our mutual friend, Claire Martin, and the rest is now history. Martin is an exceedingly talented individual who is meticulous in his craft as a professional composer, arranger, and multi-instrumentalist. ‘Horizon’ is a celebration of the big band jazz art form, with the personalities of the individual musicians allowed to shine through. We are most grateful to welcome Martin and this outstanding project into the Ubuntu Music Family.”

For Website, Click HERE.

BIOGRAPHY

The Stockholm Jazz Orchestra began in 1984 as a rehearsal big band. In 1985, the band had Bob Florence as a guest, and he suggested changing the name since it had become a professional big band.

In 1986, Bob Brookmeyer joined the band as a guest, which led to the creation of the album "Dreams," featuring Bob's compositions. Meeting Bob had a significant impact on the band's sound and style.

Through Bob, the band connected with Jim McNeely and recorded two albums of his music while embarking on several tours. Jim's compositions perfectly suited the band, offering plenty of solo opportunities and intricate ensemble playing.

Other notable guests over the years included Bob Mintzer, The Yellowjackets, Maria Schneider, Gary Smulyan, and Dick Oatts. With Gary and Dick, the band toured with the music of Thad Jones from 2003 to 2005 and recently in 2023, celebrating Thad's 100th birthday. Their musical spirit and artistry were incredibly inspiring.

In addition to performing in Sweden, the band has undertaken numerous worldwide tours, including visits to the US, Argentina, Uruguay, Mexico, South Africa, the UK, Switzerland, Spain, Finland, Norway, and Denmark. They've played at renowned venues and festivals such as Ronnie Scott's, Village Vanguard, Pori Jazz Festival, and the Guanajato Cultural Festival.

In the summer of 2015, the band embarked on its second tour of South Africa. They performed at notable venues including "The Orbit" in Johannesburg, "The NYJF" in Grahamstown, and the Baxter Theatre in Cape Town. These concerts were met with sold-out crowds and enthusiastic audiences, making the performances truly exhilarating. Additionally, the SJO took the opportunity to visit the township of Delft, where they collaborated with a youth big band, engaging in meaningful musical outreach.

Since 2011, the band has primarily featured music composed by its members, including pianist Göran Strandberg, drummer Jukkis Uotila, and most recently, the exceptionally talented Martin Sjöstedt. This music showcases the many soloists within the band.

In 2024, the band will celebrate its 40th anniversary with a Swedish tour and possibly more performances.

Citing Lee Konitz, Charlie Parker, Warne Marsh, Bill Evans, Keith Jarrett, Ornette Coleman, Steve Coleman, Rabi Abou Khalil, and Paul Motian as major influences, Martin has developed a personal musical voice that expresses a deep understanding of the history and language of Jazz with individuality as an improviser that is intelligent, melodic, cool, complex, direct, beautiful and profound.

Born in Barnet, North London in 1958, Martin was inspired to take up the saxophone at the age of 16. From 1977-81, he studied Classical Saxophone at Trinity College of Music, where he was awarded the prestigious Dame Ruth Railton prize for woodwind playing. He first came to public attention as a founder member of the award winning Saxophone Quartet ‘Itchy Fingers’ during the height of the UK’s so called ‘80’s Jazz Revival’ when a host of young musicians including Courtney Pine, Andy Sheppard, Django Bates, Iain Ballamy and the big bands of the Jazz Warriors and Loose Tubes were acclaimed as the leaders of an emerging generation of UK jazz talent.

2004 saw the release of three different cds including The Exploring Standards Trio (33 Records) with bassist Mick Hutton and drummer Tom Skinner, a ballad album My Ideal (Basho Records) with American pianist Ethan Iverson (The Bad Plus), and The Journey (Black Box) with Indian musicians Dharambir Singh and Sarvar Sabri. Autumn 2004 he toured with Sam Rivers in his UK big band on a Contemporary Music Network tour. In 2005 he celebrated the music of Charlie Parker with a newly formed group and touring throughout the country promoting a cd release of the project.

With Itchy Fingers, Martin toured Europe, South America, Africa, Britain and the USA, and recorded two albums. In 1988, he left the group to develop his own projects, and establish himself as a composer and improvisor.

His studies at Canada’s renowned Banff Centre for the Arts in 1990, under the artistic direction of Steve Coleman, and alongside peers that included keyboard players Andy Milne and Ethan Iverson, and trumpeter Ralph Alessi, proved to be pivotal and catalytic in Martin’s subsequent development as a creative musician.
Martin is as comfortable and fluent playing personal interpretations of the music of Charlie Parker with his quartet, or with free improvising drummer Mark Sanders, in a duet with Ethan Iverson of the Bad Plus, or with Indian musicians Dharambir Singh and Sarvar Sabri.

In 1999 he received the Peter Whittingham Award to help fund a tour of the UK with The Martin Speake Group. In 2000 he was commissioned to compose music for an international project featuring American drummer Paul Motian, Swedish pianist Bobo Stenson and English bassist Mick Hutton. This group toured in May of that year with funding from the Arts Council of England and toured again in Autumn 2001. Their first cd Change of Heart was released on ECM in April 2006. 

He started his own record label Pumpkin in 2007. The first release was a duo with free improvising drummer Mark Sanders and in 2008 Generations with Barry Green, Jeff Williams and Dave Green.

Current projects being developed include a saxophone quartet with Phil Bancroft, Martin Hathaway and Tony Kofi and a trio with Canadian musicians Duncan Hopkins and Anthony Michelli.

Martin is a committed, inspiring, and sought after jazz educator and currently teaches at Trinity Laban Conservatoire of Music and Dance and the Royal Academy of Music in London, and on numerous international Jazz summer courses.

For website, click HERE.

Ubuntu Music is delighted to announce the upcoming release of Read Between The Lines, the debut album from pianist/composer Matt Carter, which will be available worldwide from 23rd July 2023.

Matt grew up in Exeter, England, and at the age of seven he was having classical piano lessons. He studied jazz piano at The Royal Academy of Music in London, and in 2021 graduated with first class honours. During that time Matt was involved in some incredible projects, including a big band project with Chris Potter and Dave Holland; a big band project playing the music of Steely Dan, featuring Hamish Stuart; a small band project run by Laurence Cottle; and a symphonic brass project run by Mike Lovett. He studied piano with Nikki Iles, Tom Cawley and Gwilym Simcock, and composition with Pete Churchill. Matt has performed with many of the UK's jazz scene's leading musicians including Gareth Lockrane, Dave O'Higgins, Alan Barnes and Byron Wallen.

As a side man, Matt has performed, recorded, and toured with Joss Stone, Wet Wet Wet, Lack of Afro, Beverly Knight, Rosie Frater-Taylor and Mica Paris. He has played at venues such as Ronnie Scott's, Pizza Express, Jazz Cafe, The Millennium Theatre and Cheltenham Town Hall, as well as live on ITV, BBC Radio London and BBC Radio Suffolk. He has played on recordings that have been featured on Jazz FM, BBC Radio 2, BBC Radio 6 and BBC Radio 3.

Read Between The Lines is Matt’s first studio album, and has been long in the making since the band’s conception. The music contains elements of many genres such as blues, bebop and folk, and Matt’s writing has been compared to that of Marty Paich. Underpinning it all, however, is the group’s collective, joyful and rhythmic energy. The octet is comprised of many of Matt's favourite musicians, as well as close friends. Most of them met whilst studying at The Royal Academy of Music and The Guildhall School of Music & Drama. As a rhythm section, Luke Tomlinson (drums), Joe Lee (double bass) and Matt have recorded together and performed as sidemen for numerous artists.

Concerning his debut album, Matt explains: “I’m grateful to every single one of the people that have been involved with this project. My main objective when recording the album was to capture as much of the raw energy that you get on a live gig as possible. I love writing for octet because there are so many options texturally. I love having the combination of tightly played arrangements/shout choruses to compliment the free flowing and spontaneous soloing.”

Matt goes on to describe his new relationship with Ubuntu Music: “I've known about Ubuntu Music for a while now, and over the last few years the label has released some incredible music. I was very pleased when Martin (Hummel) agreed to work with me on the release, and I know he has a real passion for helping artists share their music with the world. Some of my good friends have already released albums under the Ubuntu label, including Rory Ingham and Joe Lee with Bonsai and Jacky Naylor with The Industrial Suite, so I knew already that it would be great to work with Martin on this project.”

Martin Hummel, Director of Ubuntu Music, concludes: “I was impressed with Matt’s debut project from the very first note. There’s an infectious energy and enthusiasm in each and every track, all of which are carefully crafted and therefore reward the listener. This is a very special release, and we are delighted that Matt has joined the Ubuntu Music Family.”

For Website, Click HERE.

Ubuntu Music is delighted to announce the signing of the highly gifted bassist, Matt Ridley, for the release of his upcoming album, The Antidote, on 23rd July 2021.

Matt began his musical journey on piano, aged six. By his mid-teens, he gravitated towards bass guitar, and was gigging professionally at 19 years old. In 2001, he enrolled at Trinity College of Music, and it was there that he began learning the double bass. Matt performed his final recital entirely on this instrument and, upon graduating with a Bmus honours degree in Jazz Studies, he was awarded the Trinity College of Music 'Friends in New York' award. Matt has also made a comprehensive study of classical music under the tutelage of LSO bassist Jani Pensola and, in 2017, Matt won a Licentiate of the Royal Schools of Music diploma in classical double bass.

A true devotee of his instrument, discernible influences on Matt's playing span the last 60+ years of jazz history to include Ray Brown, Ron Carter, Scott Lafaro, Miroslav Vitous, as well as more modern players such as Christian McBride and Larry Grenadier. As well as being exceptionally studied, Matt’s outlook is also forward looking and individual. His own music represents a unique melange of contemporary jazz, classical music and world music.

Based in London, Matt has performed internationally and at many of the UK’s most prestigious venues such as the Purcell Room, Cadogan Hall, Ronnie Scott’s, King’s Place, the Barbican and the O2 Arena.

As a band leader, Matt released his debut album, Thymos, on Whirlwind Recordings in 2013, featuring the talents of award-winning pianist John Turville, drummer George Hart, and guest appearances from saxophonist Jason Yarde, oud maestro Attab Haddad and percussionist Vasilis Sirikis. Matt’s follow-up album, Mettā, was released in February 2016. Jason Yarde having joined the original trio as a permanent member, the entire quartet recording was completed in one day, a testament to the empathy and communication between the musicians.

Matt is an in-demand sideman, known equally for his work with younger musicians on the contemporary jazz scene, and with older, more established names. He has worked extensively with guitarist Ant Law in his quintet and 'Art of Rhythm' trio with drummer Asaf Sirkis, and with Darius Brubeck (son of Dave Brubeck) in a quartet featuring Dave O’Higgins on saxophone. Matt was bass player in Michael Garrick's many ensembles, and continued his 'MJQ Celebration' band featuring Jim Hart, Barry Green and Steve Brown after his death in 2011. ­­In a more ad hoc capacity, Matt has performed at home and abroad with the best of the UK jazz scene, and with artists from the US, Europe and Africa.

Matt’s upcoming release, 'The Antidote', is a new and exciting quintet album, bristling with young talent. Their eponymous album was recorded in October 2019, (yes, the name 'The Antidote' precedes the current Coronavirus crisis) where 12 tracks were shaped over a three-day period.

Matt describes his inspiration for the music: "I spent a long time reflecting on musical culture in the UK, and my own identity and relationship with all of the different music that I have encountered over 15+ years of being a professional bassist. When it came down to it, I concluded that what the English do really well, is ROCK, FOLK, and CLASSICAL music. I realised that, deep down, I've always wanted to ROCK OUT, to be wild and free, to fly unhindered and answerable to no-one. So I set out creating my own music, that would combine 'thinking man's' Rock music (Radiohead/Beatles...without the posturing and banal dumbing-down which is inevitable in more commercial pop music), with Jazz improvisation (without falling foul of pretentious self-indulgence), simple, memorable, Folky melodies, and the detail, sensitivity, and emotional depth of Classical music."

The result is 'The Antidote', remarkable for its depth, integrity, and refreshing insistence on strong melodic and thematic material.

Matt continues: “I am tremendously excited to finally be releasing this latest chapter of my music. To do so, I formed my dream band, made up of truly amazing musicians who really understand what I'm trying to achieve. Alex Hitchcock is a rising star saxophonist who brings great energy with his soloing but also really plays with his heart. Ant Law has been a close musical ally for years. In addition to extremely burning solos, he brings a huge palette of sounds and symphonic textures. Tom Hewson, similarly burning, brings great imaginative flair and, unusually for a jazz pianist, really understands and loves the rockier elements of the music. Marc Michel provides all levels of accompaniment, ranging from combative hi-octane interaction, real commitment to groove, and sensitive brush work at the other end of the spectrum.”

Concerning his new-found home at Ubuntu Music, Matt elaborates: “I am extremely proud and excited to be joining the Ubuntu Family. A cursory glance at the release catalogue reveals a truly wonderful cross-section of jazz today, from straight-ahead contemporary swing, through vocal-led projects, to more avant-garde and experimental. I am honoured that 'The Antidote' will be part of this admirable oeuvre. Martin Hummel has been a great support through the entire process. He really is a 'facilitator' and not a 'dictator'. I believe the future of the label is very bright with him at the helm.”

Martin Hummel, Director of Ubuntu Music, shares his thoughts: “I’ve admired Matt and his music for some time, and drew even closer to Matt through our relationship with Darius Brubeck. Matt is a genuine, zero-pretence artist who knows his stuff and engages with his audience through his accessible-yet-challenging compositions. He slips through multiple genres of music with ease, while underpinning it all with a solid jazz foundation. ‘The Antidote’ is grounded in unwavering integrity, with Matt at his finest. We’re thrilled to have him in the Ubuntu Music Family.”

For Website, Click HERE.

Ubuntu Music is delighted to announce the signing of the very talented Israeli composer and flutist, Mattan Klein, for the release of his quartet album, The Long Run, on 14th January 2022.

Mattan was born and raised in Jerusalem. He studied at the Rubin Academy in Jerusalem and had graduated with honours from the Berklee College of Music in Boston. He is the winner of the 1st prize in the 2018 international ‘7 Virtual Jazz Club Web Community Award’. His original compositions have also earned awards such as the John Lennon Song Writing Contest and the USA Song Writing Competition. 

Mattan received scholarships from the AICF, The Municipality of Jerusalem and the Israeli Ministry of Culture.  He is also the Recipient of the ACUM Scholarships for emerging artists (the Israeli Agency for Composers and Musicians).

Mattan performed on various international stages, including Carnegie Hall in New York, the Kennedy Center in Washington, NJPAC, and more. He has recorded for a number of record labels, including SONY and Helicon Records.

In 2016, Mattan was a featured soloist with the United Kingdom Jazz Flute Big Band and his music and arrangements were performed at the London Jazz Festival 2016. Mattan's Quintet headlined the Tel Aviv International Jazz Festival in 2017 and featured vocalist Tammy Scheffer. Mattan performed at the London Jazz Festival, The Philadelphia International Jazz Festival, Chicago Israeli Jazz Festival, Jazz Education Network Conferences in New Orleans 2017 and 2020, Albania Jazz Festival 2019, Tel Aviv Jazz Festival on numerous occasions, and at the Israel Festival in Jerusalem, collaborating with international virtuosos such as Nicola Stilo, Mirko Signorile and Rodrigo Ursaia. His Quartet will be featured at the Red Sea Jazz Festival in November 2021.

The Long Run, Mattan’s latest project, features several his regular musicians, including Toki Stern (Rhodes), Yoni Ben Ari (bass) and Joca Perpignan (percussion), with special guest Nitzan Bar (guitar). Mattan’s music has been described by Yossi Harsonsky, Senior Music critic at Maariv, as, “flowing, bright and listener friendly…his flute sound is clear, crispy and melodic, and the Israeli-Brazilian mix is the ultimate contemporary jazz sound, spiced with warm, unique flute sounds…Klein's virtuoso improvisation lifts Jazz-flute playing to new heights."

Describing his music and the new relationship with Ubuntu Music, Mattan shares his views: “Music is the ultimate means of connecting between souls. Words can only go so far, but music waves have the power to unite and bring a real change. When I realised how close I felt to Ubuntu’s motto I also noticed how accurately I was trying to live my life and create my music in accordance to this special word. Becoming a part of the Ubuntu Music Family is a most natural way for me to close a circle, to deliver this message of unity and equality with the right team of incredible thinkers and dreamers.”

Martin Hummel, Director of Ubuntu Music, shares his thoughts: “It was an honour and exceedingly pleasant surprise to be introduced to Mattan and his multi-cultural blend of flute-led jazz music which feeds the head and the heart with something very special. We are so happy that Mattan has joined the Ubuntu family.”

Imagine a musical mélange, where a cross-genre of music–where jazz meets classical–communicates to the audience through weaving melodies while showcasing the joys of group interplay and individual virtuosity. Welcome to the McCormack & Yarde Duo.

Andrew McCormack (piano) and Jason Yarde (saxes) are best known as highly accomplished jazz musicians. They have been playing and recording as a duo for a decade, earning significant acclaim. Their music is a synthesis of McCormack’s and Yarde’s diverse backgrounds, creating great lyricism with controlled poise…and then the pace can snap to white hot with raw energy and spontaneity. The McCormack & Yarde Duo first came together for a ‘one off’ performance at London’s, Vortex Jazz Club in the summer of 2008 and has since gone on to become one of the premier UK groups in the genre.

Their first album, ‘MY DUO’ featured compositions from both Yarde and McCormack and was followed by ‘Places And Other Spaces’ in 2011 which received critical accolades internationally for its development as a project and the achievements made in the duo format. The latest installment album, ‘Juntos’ saw the duo collaborate with the Elysian String Quartet which explored the possibilities of cross genre experimentation with stunning results. The duo’s partnership is a strong testament to a longstanding musical friendship as well as their many individual merits.

‘The partnership between Yarde and McCormack is so unmistakably fuelled by the reflexive spirit of jazz… It’s a wonderful jazz conversation.’ – John Fordham, Guardian jazz critic

‘Great empathy exists between the two musicians. It should be one of the year’s treats to hear them live together in performance.’ – UK Vibe magazine

Ubuntu Music is proud to announce the signing of the innovative piano trio Meraki, to release their eponymous debut album worldwide on 28th August 2020.

Meraki is led by multi-award-winning pianist and composer Jacky Naylor, double bassist Nick Jurd and drummer Jonathan Silk. The trio effortlessly travel through the various moods, emotions and complexities of Naylor’s original contemporary music, whilst dynamically interacting. They completed an Arts Council funded tour in April 2019, and subsequently recorded their debut album at Real World Studios. The album has been mixed by August Wanngren (Phronesis, Marius Neset, Kenny Wheeler) and mastered by Peter Beckmann (The Printmakers, Julian Arguelles, Gregory Porter).

"Jacky Naylor is a fantastic creative musician, both as a player and as a composer, leading his own exciting and dynamic trio.” -- Kit Downes

Jacky Naylor grew up in the Yorkshire Dales, where the worlds of jazz and professional music were remote. He started studying with Mark Donlon, towards the end of his time at secondary school. In 2012 he received a Leverhulme scholarship to study a BMus (Hons) at Birmingham Conservatoire. During years one and two, Jacky was lucky to receive 1-1 tuition from John Taylor, a gold-standard role model both inside and outside the teaching room. In his third year, Jacky won the Conservatoire’s Composition and Arranging prize, judged by Judy Niemack (New York/Berlin), and was awarded a lesson with Maria Schneider. This interest in big band composition led to his debut album, Rough Boundaries, which sought to capture the characters of five contrasting cities through the diverse sounds and moods of a jazz orchestra. The album received four-star reviews from major jazz publications as well as being featured on Radio 3 and Jazz FM. The album was launched, subsequently, at Symphony Hall, Birmingham, and The Vortex, London. For one piece in particular, ‘Bilbao’, Jacky won the Dankworth Composition Prize in 2016. It was part of a formative year as Jacky made a significant step from student to professional performer, reaching the semi-finals of BBC Young Jazz Musician, and graduating from Birmingham Conservatoire with First Class Honours.

Nick Jurd is a double and electric bassist based in Birmingham and touring internationally. He plays most regularly with Soweto Kinch, Trope, The Destroyers and Hansu-Tori, and freelances regularly around the UK jazz scene. Past performance and recording highlights include playing with Ernest Ranglin, Paul Dunmall, Andrew D'Angelo, ESKA, Stan Sulzman and Juice Aleem.

Jonathan Silk is a Scottish drummer, composer and band leader living and working in Birmingham. He has released two albums with his own big band and string orchestra to critical acclaim and worked with world-renowned composers Vince Mendoza and Maria Schneider as well as a host of other nationally and internationally renowned musicians. Awards include BBC Young Scottish Jazz Musician of the Year award in 2014, the Yamaha Jazz Scholar Award 2011.

“One hears shades and echoes of Kenny Wheeler, Gil Evans and Maria Schnieder as well as the improvisatory flexibility of Graham Collier and Django Bates” --LondonJazzNews

Jacky explains how Meraki came together: “I went to see Nick Jurd and Jonathan Silk play most Sundays at the Old Joint Stock when I first arrived in Birmingham to study at the Conservatoire. It was another three years before we began to play together—on my debut album, Rough Boundaries featuring Birmingham Jazz Orchestra.

“Piano trios formed my path into jazz, from Bill Evans to Keith Jarrett to John Taylor, and then on to more modern outfits like Phronesis and Enemy. The space and freedom to improvise is quite unique, as well as the scope for both writing and improvising. I usually seem to write music that I can’t quite play and take it to Nick and Jonathan to figure it out together, it probably helps that we’re good friends too!

“I wanted to have a name for the trio, as it makes it feel more of a collective. Meraki means: ‘The soul, creativity or love you put into something: the essence of yourself that is put into your work.’ We think that sums up our music and approach to playing together pretty perfectly.”

Concerning their new relationship with Ubuntu Music, Jackie explains, “It’s incredibly exciting to be joining the Ubuntu Music family. With musicians like Tom Cawley and Andrew McCormack releasing with them, I think pianists are in safe hands! But I was also very keen to join Ubuntu because it’s a young label, helping young artists to stake their claim in the industry. It’s an honour to become part of a family stuffed full of energy and optimism. It’s also brilliant working with Martin Hummel. His support and enthusiasm are legendary and infectious. It’s a fantastic opportunity to have him fighting our corner.”

Martin Hummel, Director of Ubuntu Music, concludes, “The moment I met Jacky and listened to Meraki’s music, I was immediately impressed. There’s an energy that takes over between these musicians and delivers something special. It reminds me of the early days of Phronesis, which is a wonderful pedigree. We’re so happy to welcome Meraki as the latest member of the Ubuntu Family, and we expect big things.”

For Website, Click HERE.

Ubuntu Music is proud to announce the signing of Mezcla, to release their debut album, ‘Shoot The Moon’, worldwide on 7th February 2020.

Mezcla are a Glasgow-based world/jazz fusion ensemble currently making waves throughout the UK. Led by bass player David Bowden (BBC Young Scottish Jazz Musician of the Year 2017), the band features some of Scotland’s brightest stars and is attracting attention for its innovative blend of soulful jazz and energetic grooves.

The name Mezcla means ‘mixture’ and the music draws from a wide range of genres and moods. Skilfully fusing modern jazz with African, Latin-American and RnB music influences, Mezcla’s music is distinguished by its uplifting melodies, shimmering textures, and visceral improvisation.

The line-up includes Michael Butcher on tenor sax, Joshua Elcock on trumpet, Alan Benzie (Berklee Billboard winner) on keys, Ben MacDonald on guitar, David Bowden on bass and compositions, Stephen Henderson (Jazzwise ‘One to Watch’ 2018) on drums and Steve Forman (veteran LA studio musician) on percussion.

"Fresh and vibrant... really uplifting jazz with world music flavours” —BBC Radio 3

Nominated for ‘Best Band’ at the 2018 Scottish Jazz Awards, they have been touted by Jazz FM, BBC Radio Scotland and BBC Radio 3. Recent highlights have included a sell-out gig at the Edinburgh Jazz Festival, BBC Music’s ‘Biggest Weekend’, and London Jazz Festival 2018. Their debut album ‘Shoot the Moon’ will be released on Ubuntu Records in 2020.

Bassist David Bowden, Mezcla’s leader, is an award-winning bass player and composer working primarily in the fields of jazz, folk and contemporary improvised music. A mainstay of the Scottish scene, David has toured the UK and Europe extensively and was described by BBC Radio 3 as ‘a gifted bass player’.

Originally from London, David studied jazz at the Royal Conservatoire of Scotland and won ‘BBC Young Scottish Jazz Musician of the Year’ in 2017. He has spent time studying abroad in Amsterdam and Ghana and is involved in Scottish music education at all levels.

David’s varied musical palette is reflected in his main compositional project - the acclaimed world/jazz fusion ensemble ‘Mezcla’ which ties together modern jazz with influences from West Africa, Latin America and RnB. The band has appeared across the UK and will be releasing their debut album in 2020.

"Gleefully combining African, Latin American and even Scottish influences with exuberant energy"—The Scotsman

Describing the project, David explains, “Shoot the Moon is the culmination of almost three years of gigging, rehearsing and growing as a band. I started Mezcla a few years ago as a way to combine all my musical influences into one voice. The music itself is a mixture of all the styles of music that I enjoy playing the most - there’s elements of jazz, funk, folk and ‘world’ music all combined into one. Our focus as a band has always been on grooves and catchy melodies, and the guys in the band bring some incredible improvising to the table.

“This band consists of some of my favourite musicians and closest friends on the Glasgow jazz scene. While I write all the music, it’s constantly workshopped through playing live and this album is a great representation of all that we’ve been working on. It’s very exciting for us to finally be bringing this album into the world!”

David continues by describing how he came in contact with Ubuntu Music: “I’ve been aware of Ubuntu Music for some time and it means a lot to us to release our debut album on the Label. Ubuntu has a great reputation for showcasing a diverse range of music and there are so many incredible artists on the roster - it’s very exciting to be included among them!

“The relationship started when I met Martin fleetingly at a gig I was doing in London with another band. I later sent him a demo of this album and (despite us only having met once) he was immediately supportive and encouraging of the project. Martin clearly has a very ‘hands-on’ approach with his artists and his passion and drive are infectious. I’m sure that working with Martin we will be able to share our music with a wider audience than would have been possible. We look forward to being part of the Ubuntu Music Family!”

Martin Hummel, Director of Ubuntu Music, describes the Label’s latest signing: “David and Mezcla represent a growing dynamic of progressive jazz that refuses to be easily categorised by conventional terms. Their music is a blend of various genres that seamlessly come together to seduce the listener. Mezcla are a part of an exceptional wave of talent from Scotland and have earned their status as a vital part of this thriving jazz community. It is a pleasure to have these guys join us.”

For Website, Click HERE.

Miguel Gorodi is a London based composer, teacher and trumpet player performing across a broad spectrum of jazz and improvised music.

He currently leads and writes for the Miguel Gorodi Nonet, and co-leads the Gorodi/Ingamells duet ensemble and the Gorodi/Braysher Quartet. He is a member of the Barry Green Sextet, SEED Ensemble, the London City Big Band and the Dixie Ticklers, as well as regularly playing for the London Jazz Orchestra.

Born in Spain in 1990, Miguel also grew up in Saudi Arabia and Thailand before moving to England in 2006 upon winning a music scholarship at Wells Cathedral School in Somerset. Miguel moved to London in 2008 to study Jazz Trumpet at The Guildhall School of Music & Drama, graduating in 2012 with a first class honours degree and a Concert Recital Diploma, and stayed at Guildhall for a further two years as the Jazz department’s fellow.

Since moving to London, Miguel has become one of the city’s leading young jazz trumpet players. He was first picked up at the age of 19 by singer Ian Shaw to record his album The Abbey Road Sessions (featuring Peter Ind and Gene Calderazzo) in 2010. Miguel has continued a freelancing career as a sideman and featured soloist ever since, performing in Spain, France, Belgium, Germany, Italy, Switzerland, Norway, Hungary, Ireland, Russia, and across the UK.

Miguel’s Nonet debut album, ‘Apophenia’, will be released in Spring 2019 on Ubuntu Music.

For website, please click HERE.

Pianist Mike LeDonne started playing piano at the age of 5 and was raised in his parent’s music store. By the age of 10 his father, a jazz guitarist, began booking him on gigs. He is now an internationally renowned pianist and organist with the unique experience of having played with a wide spectrum of jazz masters from Benny Goodman to Milt Jackson and Sonny Rollins. He has won praise not only from critics but from master musicians: Oscar Peterson picked him as one of his favorite pianists of today.

At age 21, Mike graduated from New England Conservatory in 1979 and moved to New York City with the Widespread Jazz Orchestra. In 1981, he left Widespread to travel to the UK with Panama Francis and the Savoy Sultans. On returning, he began a two-year stint as the house pianist at Jimmy Ryan’s, then one of New York’ s oldest jazz clubs. It was there that he came under the influence of and played with many old masters such as Roy Eldridge, Papa Jo Jones and Vic Dickenson. He spent 1982-1983 with the Benny Goodman sextet and went on to play with Buddy Tate, Al Grey, Ruby Braff and many others. Later he worked 1 year with the Art Farmer-Clifford Jordan Quintet, went to Paris with Grady Tate, and played with more modern masters like James Moody, Dizzy Gillespie, Stanley Turrentine, Charles McPherson, Sonny Rollins and Bobby Hutcherson. He also spent time as accompanist to singers Ernestine Anderson, Annie Ross and Etta Jones.

In 1988 he started playing with the Milt Jackson Quartet (along with Mickey Roker and Bob Cranshaw). Mr. Jackson recorded Mike’s compositions and arrangements. Mike also became the band’s musical director. In the fall of 1992, Mike was chosen to be part of a group of top young musicians for the Phillip Morris Superband World Tour. Mike served as musical director for that group, which featured Ryan Kisor on trumpet, Joshua Redman on tenor saxophone, Jesse Davis on alto saxophone, Christian McBride on bass and Lewis Nash at the drums. Around this time, Mike toured with the Newport All-Stars in lineups that featured Harry “Sweets” Edison and Clark Terry. Mike has been playing and recording with Benny Golson since 1997. He has also been leading trios that have included greats like Ron Carter, Jimmy Cobb, Billy Hart, Pete LaRoca and Louis Hayes.

Mike is on over 100 CD’s as a sideman and starting in 1988 recorded his first of 16 CD’s as a leader. Five on Criss Cross Jazz, three on Double Time Records, seven on Savant and one on Cellar Live. Many of hem award winning and include the greatest musicians around today including Tom Harrell, Gary Smulyan, Dennis Irwin, Kenny Washington, Steve Nelson, Ryan Kisor, Jim Rotondi, Joshua Redman, Lewis Nash, Peter Washington, Peter Bernstein, Eric Alexander, Jeremy Pelt, Joe Farnsworth, John Webber, Bob Cranshaw, Mickey Roker and Ron Carter.

In 2003 Mike recorded his first CD as a leader on the Hammond Organ, an instrument he’s been playing since he was 10. It documented the music of his organ band The Groover Quartet with Eric Alexander, Peter Bernstein and Joe Farnsworth. The CD went to #1 and together they’ve held down a now legendary gig on Tuesday nights at Smoke in NYC. He has since released 3 more CD’s of this band, on the Savant label, which he calls The Groover Quartet. They’ve toured in Europe and Japan as well as the States. Mike also caught the ears of George Coleman, Lou Donaldson and David Fathead Newman who all hired him to play organ in their bands. The Jazz Journalists Association nominated Mike for Best Keyboards 2012 for his “Keep The Faith” CD. Also in 2012, Mike won the Downbeat Rising Star Award for Organ.

Mike is the co-author of Jim Snidero’s Jazz Conception for Piano and Piano Comping books, on Advance Music. In Sept. In 2002 he joined the faculty at the Juilliard School of Music and spent 4 years there. He is also one of the founders of the Jazz For Teens program at the New Jersey Performing Arts Center in Newark, N.J.

For Website, Click HERE.

Bass player Moyses Dos Santos is best known as co-founder, along with Incognito and Level 42 drummer Pete Ray Biggin, of the exceptional band, Lola’s Day Off.

Born in Sao Paulo, Brazil, Moyses showed an aptitude for the instrument from a very early age. His first public performance was at the age of eight, when he appeared with his local church band, and he continued to perform within the church environment right through to the age of 18. Once in his teens, the word soon got out and it wasn’t long before Moyses found himself touring Brazil with established gospel and pop artists. 

Moyses’ international career really took off, though, with his move to London in the late 2000s. It didn’t take long for his talent to be recognised, and he has been touring Europe and his native South America with various high profile bands, in addition to working regularly as a successful studio musician. His long awaited debut album will be released later this year.

In partnership with Jazzwise Magazine and its 25th Anniversary, the April issue featured some of Ubuntu’s prominent artists in a 15-track compilation CD. The tracks on this CD will be made available digitally for streaming and downloading throughout the world, with all proceeds to be donated to the Ukrainian refugees.

Martin Hummel, founder and director of Ubuntu Music, explains: “Immediately prior to the launch of the Jazzwise April edition, I was watching the horrific news unfold in Ukraine with my wife, who asked if there was anything the label could possibly do in any way to help alleviate this catastrophic situation. This gave birth to Music Aid for Ukraine.

“I shared the thought with my friends at Jazzwise, who were fully supportive. The core idea is to make the tracks from the CD catalogue compilation—plus five previously unreleased tracks—available in digital format and release these across all major streaming and download platforms throughout the world. The proceeds will be donated to Ukrainian refugees through the Disasters Emergency Committee’s (DEC) Ukraine Humanitarian Appeal (DEC).”

The full digital album will be released on 20th May, with five previously unreleased singles dropping each week from 22nd April.

Ubuntu artist Darius Brubeck, who has been active with several notable worthwhile causes, offered his thoughts to Hummel: “I think it's important to show the jazz village can step up. The effort shouldn't be seen as using this mechanism to raise a ridiculously small amount of money in relation to the relief effort but as starting an income stream that can grow beyond our in-group and last for a while, especially if people are motivated to help it go viral. Buy (and play) tracks and help Ukrainian refugees. It might even inspire other jazz labels or organizations to copy Ubuntu or work with you if you have established the right channels to get the money where it should go.”

The Ubuntu roster of participating artists/tracks include Alina Bzhezhinska (Poland/Ukraine), Andrew McCormack (UK), Chet Baker (USA), Darius Brubeck (USA), Dave & Judith O’Higgins (UK/Germany), Leo Richardson (UK), Noemi Nuti (Italy/UK/USA), Omar + QCBA (UK), Paul Booth (UK), Roy Mor (Israel) and Yoko Miwa (Japan/USA).

Hummel continues: “This project had immediate and universal support from all parties. The artists were 100% behind donating their music to this cause. All Ubuntu partners associated with this project--including TechnologyWorks mastering studio, Emma Perry Publicity and Rumney Design--have agreed to donate their services to make this happen."

Most recently, five additional Ubuntu artists have donated unreleased tracks to the initiative. These will provide greater opportunities to promote the project and therefore stimulate incremental donations which will be directed to this cause.

An exceedingly emotive and graphic video was created to draw attention to the fundraising project. The video features the short film that Ukrainian president Volodymyr Zelensky shared with the United States Congress in his landmark address. The music, 'Fields of Athenry', is a traditional Irish folk ballad written by Pete St. John, which is performed by vocalist Sara Dowling, whose parents are Irish and Palestinian.

Hummel concludes: “I’m under no illusion in thinking that our single initiative will change the world. However, ‘a journey of a thousand miles begins with a single step.’ Hopefully, others in the music business may find this to be a good way to make a small difference. Together, however, perhaps we can make a real difference.”

For Website, Click HERE.

Ubuntu Music is delighted to announce the signing of gifted young Israeli pianist, Nadav Berkovits, for the release of his debut album, Waking the Heart, on 10th December 2021.

Nadav is a pianist and composer who is based in Jerusalem, Israel. Born to a musical family, Nadav was exposed from a young age to jazz, classical, and Afro-Cuban music, as well as Israeli and Middle Eastern music.

Nadav is exploring the combination of all these traditions in his upcoming debut album, creating a fresh, colorful fusion of cultures and sounds within in his compositions.

With Waking the Heart, Nadav exposes a variety of musical influences--from straight-ahead jazz to North African rhythms and Afro-Cuban music--which were influenced by his musical journey to Cuba. The album features some of the best Israeli jazz musicians on the scene, including Itamar Borochov on trumpet, Yuval Drabkin on tenor sax, Omri Bar Giora on guitar, Oz Yehiely on bass, and Shai Yuval on drums, while Nadav sets the direction on piano.

Nadav explains: “For me, ‘Waking the Heart’ was a spiritual journey started back in 2018 when I traveled to Cuba where I was exposed to a new world of culture and music. This experience led me to dig deep within myself and begin to compose my own music. Some of the tunes were written in Havana and some of them in India, Sinai (Egypt) and Jerusalem. In 2020, when Covid-19 started and everything stopped, I had the opportunity to get in the studio with some of my best friends and best musicians around. I really hope ‘Waking the Heart’ will inspire you to join me on this musical journey.”

Concerning his new relationship with Ubuntu Music, Nadav continues: “I’m truly excited to join the Ubuntu Family and to be working with Mr. Hummel. Martin was very supportive and passionate about putting my music out there and I am thankful about having Ubuntu as the new home for my album. I’m really glad about this opportunity and I look forward to our future together.”

Martin Hummel, Director of Ubuntu Music, shares his thoughts: “I was most fortunate to be introduced to Nadav and his exceptional music, as a composer, arranger and pianist. His style, influences and musicians converge to create a hypnotic array of seductive audio delights. We are blessed to have Nadav join us.”

The New York All-Stars play energetic and swinging music on the highest level, presented with the utmost professionalism and uninhibited enthusiasm, which has given them the title of “Jazz at its Best”.

New York tenor saxophonist Eric Alexander is one of the most important soloists of the current modern straight-ahead jazz world. His accolades are many and he has appeared on over 75 albums--as leader, collaborator and sideman--with big names like Steve Davis, Jim Rotondi, Vincent Herring, Pat Martino, Jimmy Cobb, Cedar Walton and McCoy Tyner.

In the quartet, New York All-Stars, Alexander performs with a true jazz legend, the American piano player Harold Mabern.

The 82-year-old pianist Mabern has been a part of the top New York jazz scene since the 1950s. He’s partnered with many of the greats, including Lionel Hampton, Wes Montgomery, Lee Morgan, Benny Golson, Miles Davis, Sarah Vaughn, Rahsaan Roland Kirk, Sonny Rollins and Freddie Hubbard, to name just a few. Special guests on his last album included Gregory Porter, Norah Jones and Kurt Elling.

Philly bassist Darryl Hall is one of the most accomplished bass players on the international scene, working with many renowned artists from around the world, in a wide variety of genres. His virtuosity, warm sound and impeccable beat makes him one of most sought-after jazz bassists in the business.

Since 2012, Alexander and Mabern have worked in various projects with Austrian drummer Bernd Reiter, who studied in Graz and New York and lives now in Paris, always delivering a rock-solid beat. He has worked with many international jazz stars such as Kirk Lightsey, Don Menza, Steve Grossman, Charles Davis, Claudio Roditi and many more.

Ubuntu Music is extremely proud to be releasing the first live recording of The New York All-Stars, Burnin’ in London on September 7th. The release will be supported by an extensive European Tour.

Ubuntu Music is delighted to announce the re-signing of The New York All-Stars (NYAS), featuring tenor sax monster Eric Alexander, along with the exceptional Seamus Blake (tenor sax) and the incomparable Mike Le Donne (piano/organ). The live album, recorded in London, will be released in November.

 Although these world class musicians have a deep, mutual respect for each other, they had never played together. A series of unique circumstances made this possible and the result is breath-taking.

 The New York All-Stars play energetic and swinging music at the highest level, presented with the utmost professionalism and uninhibited enthusiasm, which has given them the title of “Jazz at its Best”.

 The Financial Times jazz critic, Mike Hobart, having seen one of the shows, wrote, “Both tenor players follow form precisely, articulate closely, and play to the limits of exceptionally fluent techniques.”

Dave Gelly, The Sunday Guardian/Observer jazz critic, wrote, “For sheer intensity and overflowing invention, both individually and together, they’re in a class of their own.”

Eric Alexander is one of the most important soloists of the current modern straight-ahead jazz world. His accolades are many and he has appeared on over 75 albums--as leader, collaborator and sideman--with big names like Steve Davis, Jim Rotondi, Vincent Herring, Pat Martino, Jimmy Cobb, Cedar Walton and McCoy Tyner.

Joining the line-up is saxophonist and composer Seamus Blake, who is recognized as one of the finest exponents of contemporary jazz. His music is known for its sophistication, bold improvisations and ‘sheer swagger’. Seamus has performed with exceptional artists, including John Scofield, Antonio Sanchez, John Escreet, Gonzalo Rubalcaba, Chris Cheek, David Kikoski and Alex Sipiagin. Seamus has also appeared on more than 75 albums.

Pianist/Hammond organist Mike LeDonne has played with many of the greats in jazz, including Benny Goodman, Sonny Rollins, Bobby Hutcherson, Milt Jackson, Stanley Turrentine, Dizzy Gillespie and many others. He has performed with Eric Alexander for years and appeared on more than 120 albums.

Rounding out this one-of-a-kind line-up is Erik Söderlind (guitar), Aldo Zunino (bass) and Bernd Reiter (drums). In 2015 Erik received The Guitar People Prize Sweden, an award given to the best guitar player in the country. Aldo’s virtuosity, warm sound and impeccable beat makes him one of most sought-after jazz bassists. And Bernd is the go-to drummer in Europe’s straight-ahead jazz scene.

Eric Alexander explains the background to the project: “This recording project was particularly special to me as it afforded the opportunity to share the bandstand with Seamus Blake, a saxophonist of the highest calibre for whom I have the utmost respect.  Although we haven't had the chance to work together much in the past, this not only made it possible for us to hit together, but also documented the music and captured the joy we had competing with one another out of mutual admiration.  In addition, the rest of the ensemble-Mike, Bernd, Aldo, and Erik--was absolutely top shelf! Martin Hummel and his label Ubuntu Music deserve tremendous credit for having the foresight to see this project through and for trusting the musicians to put together a program that is engaging and in the tradition of the great live jazz recordings that fans so adore.  Mr. Hummel and Ubuntu are going to be a powerful force in the record business for years to come.”  

Seamus Blake continues: “It was a great and pleasant surprise to be invited by Eric Alexander to play and record live with him at Pizza Express. I have been a fan of Eric for many years. It was also a pleasure to work with Martin at Ubuntu Music. He helped us make a great recording.”

And Mike LeDonne concludes: “The combination of Eric Alexander and Seamus Blake playing in a two-tenor front line is perfect because it fits the classic “sax battle” format while at the same time bringing it forward with their unique and complimentary styles. I truly enjoyed every minute of participating in, and contributing to, the music captured on this recording. It was a pleasure getting to meet and work with Martin Hummel on this project because he is not only committed to putting out great music, but he also truly respects the musicians he’s working with and is humble enough to allow them to be included on the sound and production of the recording.  When this kind of synergy takes place the quality of the performances is allowed to reach the highest level.”

Martin Hummel, Director of Ubuntu Music, had the last word: “In 2018, we released the first live recording of the New York All-Stars, featuring Eric Alexander and Harold Mabern. And one of my significant ambitions for the Label came true. When Eric and I began planning for the next project the following year, Harold’s health precluded his joining us and we needed to come up with something magical. Seamus was living in Paris and Mike just so happened to be available for the tour dates, so we were there. The ultimate magic of this live recording is that these three guys had never played together, although they knew each other and had great respect for each other. Without even a single rehearsal, they got up on the first night, literally blew the roof off the place and got progressively tighter over each of the three nights. The last night was the night of the finest music, which is captured on the upcoming album. Eric’s long-time friend, Ian Shaw, interviewed Eric that day and, with a nod and a grin, Eric invited Ian to guest on the last night. Ian graciously accepted the invitation and they performed Lionel Richie’s ‘Still’, to an adoring audience and which will appear on the album. ‘Live Encounter’ captures the unadulterated improvisation, the unabashed raw energy and terrifying excitement of three main international superstars who challenged each other with each and every note, pushed each other to the absolute max. They sailed so high with the unwavering support of their brilliant band that, by the end of the night, you had to scrape the musicians off the ceiling and pry the audience out of their seats. And ultimately, isn’t that what jazz is all about?”

Leading British guitarist Nick Costley-White releases his debut album, Detour Ahead, this summer. It features some of the UK’s finest improvising musicians – Matt Robinson on piano and Fender Rhodes (Reuben Fowler), Conor Chaplin on double bass (Norma Winston) and Dave Hamblett on drums (Ivo Neame). The album portrays the quartet’s musical journey, beginning with performances that draw from the American Songbook tradition and travel through to a more modern aesthetic, inspired by the surroundings of London’s exciting jazz scene. “The diversity of people playing and writing at such a high standard in London is very inspiring to me and I feel really lucky to have three such musicians in my band,” explains Costley-White. “What’s crucial for me in this group is that the musicians play in a contemporary style that is routed in the fundamentals of playing traditional jazz harmony and rhythm. The melding of these two aspects is what I try to balance when writing music specifically for these players and during this process I hope to express my own voice and experiences with this idiom which I find endlessly inspiring.”

 Costley-White combines his love and deep understanding for the jazz tradition with a fresh and contemporary approach, his six original compositions exploring sounds from many perspectives simultaneously. Forms, harmonies and rhythms are superimposed and abstracted but still retain their essential function, whilst the improvisations express the excitement and beauty of these frameworks. ‘Thinky Pain’, a tribute to the wonderfully neurotic comedian Marc Maron, reflects this blending of styles and paints a haunting portrait in three parts. “The solo intro explores an open palette of clustered chords. The rhythm section (augmented now with bass clarinet played by Sam Rapley) join the guitar with a steady travelling pulse whilst the polytonal theme is slowly unwrapped and explored through further improvisations,” explains Costley-White. “The final section strips us back down to just the double bass and gradually all the instruments, harmonies and rhythms are stacked on to one another, building a rich and beautifully dissonant sound world. As if from nowhere, the final chord is struck, peacefully resolving all tensions.”

 ‘Just One of Those Things’ by Cole Porter & ‘Detour Ahead’ by Herb Ellis have been arranged with a subtle new flavour that is fresh and personal to the quartet’s own sound. ‘Just One of Those Things’ is a wonderfully witty and clever song by the great Cole Porter,” says Costley-White. “Further twists and turns in the arrangement keep the listener on their toes whilst the soloists dig into every corner of this beautifully harmonic song.”

Ubuntu Music is delighted to announce the signing of the outstanding UK jazz guitarist, Nigel Price, for the worldwide release of his next Organ Trio album, Wes Reimagined, which features the stellar line-up of Ross Stanley (Hammond organ), Joel Barford (drums), and includes Vasilis Xenopoulos (sax), Tony Kofi (sax), Snowboy (percussion) and the Phonographic Strings conducted by Callum Au.

With a career spanning more than 25 years, the award-winning jazz guitarist has become widely acknowledged as one of the hardest working musicians in the business.

Musically, Nigel’s blend of flowing bebop lines, deep blues sensibility and his mastery of chording continue to delight audiences and fellow musicians alike. His career highlights include a support show for Gladys Knight at The Royal Albert Hall and an appearance on Van Morrison’s recent album, Keep Me Singing.

Starting his professional career in his early 20s, Nigel toured Europe with various reggae and funk bands before settling on a solo guitar career and turning his attention to jazz. Citing early influences as Wes Montgomery, Joe Pass, John McLaughlin and the Mahavishnu Orchestra, Nigel honed his craft by attending gigs and sitting in with the players of the time.

He has played on more than 50 albums including seven as a leader, spent 10 years with acid jazz outfit The Filthy Six, was a member of James Taylor’s band, JTQ, for three years (with whom he recorded five albums) and performed with the legendary David Axelrod. Nigel has also taught at The International Guitar Foundation at King’s Place, London.

Nigel has worked tirelessly to organise his own tours (including a 56-date tour in late 2016 and an extensive tour in 2020, even with COVID-19) and has picked up a Parliamentary Jazz Award (Best Jazz Ensemble, 2010), a nomination for a British Jazz Award (Best Guitarist, 2014) and a British Jazz Award (Best Guitarist, 2016) along the way. Nigel is a regular performer at London’s Ronnie Scott’s Jazz Club where he has made more than 500 appearances.

Concerning Wes Reimagined, Nigel’s upcoming release, he explains, “I make no secret of the fact that I’m a big Wes Montgomery fan. Who isn’t? I’ve found his compositions to be great vehicles, especially used in the organ trio format. I couldn’t wish to have a better or more exciting team than Ross Stanley and Joel Barford to help me convey this material. We have some fantastic guests too: long-time collaborator Vasilis Xenopoulos on tenor saxophone, the wonderful Tony Kofi on alto and the legend that is Snowboy on percussion on five of the tracks.

“This album is a collection of the great man’s tunes, played in the same spirit but with a little look at what might have been. Some decisions as to what ‘feel’ a piece will be in are made very quickly, sometimes on the day of a recording session. I got to thinking that there was every chance that many of these tunes could have easily come out sounding very different if Wes had just been in an alternative frame of mind on the day.

“Hey, I haven't tried to reinvent the wheel in any way - it’s just a kind of ‘what if?’

“So, ‘Leila’ moves from a cool ‘west coast’ vibe to an out and out burner, ‘Far Wes’ to a waltz and ‘’Road Song’ from a bossa to a grooving shuffle. I also think that Wes’s had an honest, direct and melodic style influenced a lot of the funk, soul, boogaloo and earthy groove music that was to come shortly after his passing. I have no doubt that he would have been at the forefront of that movement. Therefore, I’ve intertwined some of these later styles with Wes’s music.

“I also wanted, to acknowledge the later period of Wes’s recordings so I commissioned the utterly incredible trombonist/arranger Callum Au to write three string quartet arrangements and transform some pieces into larger productions. I wasn’t quite prepared for the depth and beauty of Callum’s incredible writing, not to mention the wonderful playing from the Phonograph Effect strings.

“We’ve been incredibly lucky to have been able to tour this material in late 2020, (a real achievement!) and it’s proved to be very popular with audiences all across the UK.

What started out as a little daydream has become an exciting body of work of which I am very proud. I must say it turned out even better than I imagined.”

In terms of his newly formed relationship with Ubuntu Music, Nigel continues, “Well, I’m kind of known for wanting to ‘go it alone’ and I mostly have done exactly that over the years but I’ve become increasingly aware of a huge, positive presence within the UK jazz scene. That presence is Ubuntu Music. It’s clear that the boss, Martin Hummel, thrives on his startling ability to cheerfully, efficiently and above all optimistically ‘take care of business’. Looking at the roster of Ubuntu artists it is clear that I am amongst friends and, for perhaps the first time in my life, I am more than pleased to be handing the business side of things over to an organisation that I trust, leaving me more time to actually concentrate on the music.

Now, where did I put my guitar...?”

Martin Hummel, Director of Ubuntu Music, shared his thoughts: “Nigel is a jazz institution in this country. He’s a guitar genius. He’s the hardest working musician I know. And he always makes things happen when others cannot. ‘Wes Reimagined’ is Nigel personified, playing music from his mentor which would make Wes a very happy man today. This is a must-hear album, that leaves you begging for more.”

For Website, Click HERE.

Born and raised in New York from Italian descent, Noemi Nuti is a jazz and Latin singer and composer currently residing in London.
 She studied classical harp at Brunel University and jazz improvisation and composition at Trinity College of Music as a vocalist in 2009 with Anita Wardell, Nia Lynn, Pete Churchill, Simon Purcell, Liam Noble, Julian Siegel, Martin Speake and Barak Schmool, graduating with an MA in Jazz Performance in 2012.
 In 2008 and 2009, she performed with the Clive Powell project “Jazz Alive” and, in 2010, appeared at the London Jazz Festival alongside Norma Winstone.
 A former member of the London Vocal Project led by Pete Churchill and lead singer of British Samba Band Rhythms of the City, Noemi has performed at numerous London venues, including Ronnie Scott’s, The Crazy Coqs, the 606 Club and Islington Assembly Hall, and toured the UK as well as further afield in Brazil.
 In 2014, she headlined at The Forge during London Jazz Festival and has supported Brazilian legend Marcos Valle. 
 Most recently, in 2015, Noemi has launched her Latin influenced debut album, Nice to Meet You, at Pizza Express Jazz Club in Soho, London. The album, released on the Ubuntu Music label, received extensive airplay on Jazz FM and has earned extensive critical acclaim from around the world.
 Noemi Nuti is very active in the London scene, hosting a monthly residency known as 'Brazilian Love Affair' in London's Soho, amongst a number of other projects. She toured in summer of 2015 with her band, which included a headline show at the Ipswich Jazz Festival's closing night, and debuted her latest music in New York City this past summer.

For Website, Click HERE.

Ubuntu Music is delighted to announce the signing of OK Aurora, and eight-piece jazz-meets-pop ensemble, for the release of their album, Only in Autumn, on 30th July 2021.

OK Aurora are a London based Octet led by drummer Rod Oughton. Taking inspiration from artists such as Steely Dan and Becca Stevens, this project fuses contemporary jazz and pop music. Their debut EP, Baby Zeza, was released in 2019, and since then the band has performed all over the UK, including venues in London, Bristol and the South-West. In 2020, the Arts Council of England funded OK Aurora’s UK tour and the recording of their upcoming debut album, Only in Autumn, which was recorded at Giant Wafer Studio in Wales.

The band is led by Rod Oughton, an up-and-coming jazz drummer based in London. Since graduating from the Royal Welsh College of Music in 2015, Rod has performed all over the UK and Europe, as well as in Havana, Cuba and the Dubai Opera House. He has appeared on the main stages of the Latitude and Citadel Festivals with Hudson Taylor, in Cadogan Hall with the James Taylor Quartet and with emerging Pop star Hannah Grace at the BST Festival in Hyde Park (supporting Barbara Streisand).

The eight-piece outfit consists of a number of emerging musicians on the UK jazz scene, including Alina Miroshnichenko (vocals), Alexandra Ridout (trumpet), Ronan Perrett (alto sax), Dan Smith (tenor sax), Jacky Naylor (piano), Billy Marrows (guitar), Pete Komor (bass), along with Rod Oughton (drums and compositions).

Rod explains the idea behind the project: “OK Aurora was formed to make a big sound. It’s an eight-piece band, including three horns and a singer, so it’s a lot of fun when we all get going. I take a lot of influence from artists such as Steely Dan and Becca Stevens, who blur the lines between pop and jazz, and I’ve always tried to write in a way that allows the musicians to stretch out but is also accessible to an audience that might not be too familiar with jazz.”

Rod continues: “The music on this album draws influence from many different parts of the world, from Laurel Canyon to Rio De Janeiro. I really love samba, salsa and soukous (The Three S’s!) and in the last few years I’ve travelled to Brazil, Cuba and various parts of East Africa to experience these styles of music in their natural habitat. I think these trips have really influenced my writing style. The songs I’ve written are all inspired by my own personal experiences, and I love the way that Alina Miroshnichenko (vocalist) has interpreted my lyrics. She makes my stories her own and translates them to the listener.”

Describing their new relationship with Ubuntu Music, Rod concludes: “I’m super happy to sign to Ubuntu, as I feel honoured to be part of their community. So many artists on their roster are not only incredible musicians, but also my friends and peers. I feel as though this label is a great representation of some of the amazing stuff that’s going on in the UK right now, and I’m thrilled to be a part of it.”

Martin Hummel, Director of Ubuntu Music, adds his perspective: “I was absolutely knocked out when I listened to the title track, ‘Only in Autumn’, and the rest is history. Rod and OK Aurora have a distinct sound all their own. It’s accessible jazz with contemporary music twist, that’s bound to put a smile on your face and movement in your feet. We’re happy to have OK Aurora join us.”

For Website, Click HERE.

Ubuntu Music is delighted to announce the signing of sensational soul vocalist Omar + QCBA for the release of their upcoming live album, which is being recorded at their two sold out shows at London’s Jazz Café on Friday, 29th May.

Omar Lye-Fook MBE is, without a doubt, one of the greatest soul music talents the United Kingdom has produced in the last 40 years. If anyone has doubts about that, then they should consider the list of legendary artists who happily line up to collaborate with him musically, or simply sing his praises – from Stevie Wonder, the late Leon Ware, Erykah Badu, Common, through to Carleen Anderson, D’Angelo, and Soul II Soul’s Caron Wheeler, Angie Stone and UK artists Courtney Pine, Rodney P, Kele LeRoc, Natasha Watts and Estelle, who all appreciate his truly original and unique voice, his musicianship and his songwriting talent.

Omar teams up with his decade-long partnership of QCBA, featuring the outstanding trumpet player Quentin Collins and the tenor sax titan Brandon Allen, for an intoxicating musical cocktail of jazz, R&B, funk and soul.

QCBA are an organ driven quartet of virtuosos known for their smart, sassy, contemporary and original music. Influenced by the great Blue Note era of the 60s, they’ve taken the jazz scene by storm with their eclectic collaborations. When QCBA team up with Omar, they deliver an explosion of soul-funk infused music.

Rounding out the band are two absolutely exceptional talents: Ross Stanley, arguably the best Hammond organist in the country, and James Maddren, certainly one of the most sought-after drummers in jazz today.

Commenting on the upcoming project, Omar shared his thoughts: “I’m very excited to extend my collaboration with these great jazz musicians onto a live recording and share this fresh approach to my music with my fans.”

Quentin Collins continued, saying: “"I'm excited to have this opportunity to further develop my longstanding musical relationships with both Omar and Ubuntu Music. For so long now I've been a huge admirer of both Omar's incredible voice as well as his unique song writing style. Having collaborated together for over 10 years, it makes a lot of sense to put down on record QCBA's arrangements of some of Omar’s great songs."

Brandon Allen also chimed in: “The chemistry between Omar and our group has always been very strong. Omar’s distinctive style, combined with our original arrangements of his music, creates something quite unique, which is a blend of soul/funk and the blue note jazz sound. I’m really looking forward to being part of this special performance and live recording.”

Martin Hummel, Director of Ubuntu Music, adds his perspective: “This album was destined to happen. All of the musicians on this upcoming recording have appeared on Ubuntu Music releases. Omar was a special guest on Camilla George’s last album. Quentin was my original partner in starting the Label and, along with Brandon, released the last QCBA album with Ubuntu. Ross was on this same QCBA release and also features on Nigel Price’s latest. And James was the pivotal drummer on our Martin Speake/Ethan Iverson album, as well as Calum Gourlay’s release. Omar + QCBA was made for a live recording, as anyone who has ever seen this band perform would wholeheartedly agree. They create a highly unique kind excitement and energy at the highest level. We are thrilled to be releasing this album, for everyone to enjoy. We welcome them to our beautiful Family.”

For Website, Click HERE.

From his early acclaim as a prize-winning saxophonist, Paul Booth has continually refined and expanded his talents as a solo artist, composer, arranger and bandleader, whilst establishing an elite reputation as a first-call sideman for major contemporary music artists.

Paul was born in the North East of England, and as a young boy started playing music with his father in the clubs and bars of Southern Spain where the family were temporarily residing. On his return home, he discovered the local jazz scene and fell in love with the music and the art of improvisation. As a homeschooled child he was able to fit all his studies around music, enabling him to sit his GCSE and A-Level exams early. He won a place at the Royal Academy of Music in 1993 at the age of 16, becoming their youngest student on a degree course. That year Paul also won the 'Best Modern Jazz Player’ category at the televised Young Jazz Player of the Year.

Over the next four years at the Academy, Paul combined his studies with gigs in London and across the UK, that included a long association with Colombian percussionist Roberto Pla and a partnership with pianist Alex Wilson that’s still going strong. During his third year, Paul won the prestigious Clifford Brown/Stan Getz Fellowship in Miami USA, and spent a six month exchange in Perth at the Western Australia Academy of Performing Arts. Following his graduation in 1997, Paul immersed himself in the world of the professional musician. He eventually joined the European Glenn Miller Orchestra for eight tours, before landing the saxophone chair for the worldwide smash hit show, Riverdance, staying for eighteen months. In 2005 Paul toured the US and Japan with Basia and Matt Bianco, and soon after received the call from Steve Winwood with whom he has been working ever since.

In 2004 Paul released his first solo album ‘It’s Happening’, which was followed by the albums ‘No Looking Back’ (2007), ‘Pathways’ (2009) and ‘Trilateral’ (2011). All of which were extremely well received and are now available through his own Pathways label.

Paul’s ability to blend into any musical surrounding coupled with his talents as a multi-instrumentalist has led to him being regularly chosen to perform with many well-known artists. Paul has toured, performed & recorded around the world with Steely Dan, Eric Clapton, Carlos Santana, Van Morrison, The Allman Brothers Band, Bonnie Raitt, Chaka Khan, Tom Petty & The Heartbreakers, Rod Stewart, Kylie Mingoue, Riverdance, Warren Haynes, Marti Pellow, Derek Trucks, Eddie Henderson, Geoffrey Keezer, Clarence Penn and Ingrid Jensen. He has worked with Incognito, Brand New Heavies, The BBC Big Band, Michael Janisch Quintet and the Ryan Quigley Quintet.

Paul currently performs with a number of different groups:

The critically acclaimed Patchwork Project, featuring the singer Jacqui Dankworth, Giorgio Serci (guitar), Rod Youngs (drums), Davide Mantovani (bass) & Satin Singh (percussion). Their first album was released in 2015, with Volume 2 to follow in 2019.

The world music big band Bansangu Orchestra, for whom Paul is co-founder and musical director. Their eponymous debut album was released August 2018.

A newly-formed quartet with Steve Hamilton (keyboards), Dave Whitford (double bass) and Andrew Bain (drums).

And finally, Paul leads an organ trio with Ross Stanley (organ) and Andrew Bain (drums).

For Website, Click HERE.

Ubuntu Music is delighted to announce the signing of Paul Booth, undoubtedly one of the truly great saxophonists the UK has ever produced. The album, Travel Sketches, features Paul’s quartet and will be released worldwide on 30th August.

 From his early acclaim as a prize-winning saxophonist, Paul Booth has continually refined and expanded his talents as a solo artist, composer, arranger and bandleader, whilst establishing an elite reputation as a first-call sideman for major contemporary music artists.

 Paul’s ability to blend into any musical surrounding coupled with his talents as a multi-instrumentalist has led to him being regularly chosen to perform with many well-known artists. Paul has toured, performed and recorded around the world with Steve Winwood, Steely Dan, Eric Clapton, Carlos Santana, Van Morrison, The Allman Brothers Band, Bonnie Raitt, Chaka Khan, Tom Petty & The Heartbreakers, Rod Stewart, Kylie Minogue, Riverdance, Warren Haynes, Marti Pellow, Derek Trucks, Eddie Henderson, Geoffrey Keezer, Clarence Penn and Ingrid Jensen. He has worked with Incognito, Brand New Heavies, The BBC Big Band, Michael Janisch Quintet and the Ryan Quigley Quintet.

Paul recently formed a new quartet, featuring the immense talent of Steve Hamilton (keyboards), Dave Whitford (double bass) and Andrew Bain (drums). Paul’s burning desire for Travel Sketches was to return to the essence of his musical roots, as he explains below:

 “The story behind this album started a few years back when I decided to form a new quartet with the sole purpose of playing more jazz gigs. I’ve been lucky enough to travel the world over the last 20 years playing all sorts of music with all kinds of amazing artists and shows, but my first love, my true passion and where I feel the most comfortable as a creative musician is jazz in a small group setting. That sound is the root of why I play music now, the inspiration behind why I decided to become a musician in the first place. 

 “The guys in this quartet are some of my favourite musicians and even more importantly, favourite people. We are friends who make music together and I think you can hear this on the album. There’s an empathy when we play, unspoken directions that lead us to constantly re-interpret the music we are playing. I really wanted my compositions to feel as though they were written by the whole band and somehow, I think we achieved this. 

 “The tunes were mostly written touring with various artists, although a large portion were written whilst on tour with Steve Winwood, with whom I’ve toured for 13 years. They were inspired by places I visited and had a direct influence on the composition, whether I realised it at the time or not. Quite often these tunes were written whilst trying to find solitude in a bustling theatre and coming across an old piano in a dressing room. Others were inspired by wilderness and beauty.

“The last few albums I have released have been much bigger in sound, utilising strings, big band, vocals and taking influences from music across the globe. For this reason, I felt it was time to scale down and just be a tenor player. There were no overdubs and we recorded the album in a live playing situation with no chance of ‘fixes’. Each tune was recorded twice and for the most part the takes you hear on the album were first takes.”

 In terms of joining Ubuntu Music, Paul elaborates, “I met Martin Hummel only recently. Although we knew of one another for a long time and had many mutual connections, our paths never crossed until we made them cross. I immediately loved Martin’s passion for music, life, people and travel. We certainly had a lot to talk about and our evening was cut short by me having to run off to a gig. I was genuinely thrilled at the prospect of finally finding someone with the drive and enthusiasm to help me find a wider audience for my music. Following the meeting, Martin expressed an interest in hearing the results of this album and has been an advocate for the music ever since I sent him the roughs. Ubuntu Music has such a fantastic roster of artists, I am truly thrilled and honoured to be joining the family. Thank you, Martin.”

 Martin Hummel, Director of Ubuntu Music, continues: “When you hear the name, Paul Booth, you immediately think of one of the most talented and diverse sax players in the business today. Paul’s credits read like the ‘Who’s Who in Music’. When Paul told me about his vision for his next project, I simply could not wait, knowing it would be brilliant. The way Paul crafted the music, the way he chose to record the music and the end result itself are the hallmark of an exceptionally gifted musician, who also happens to also be an exceptional human being. We welcome Paul and his quartet into the Ubuntu Music Family with open arms and great expectations.”

For Website, Click HERE.

Ubuntu Music is delighted to announce the signing of composer Paul Mottram, for the release of a major project that blends jazz and classical music within a fascinating project concept.

Seven Ages of Man is a large-scale concert work scored for Jazz Sextet and String Orchestra which weaves jazz improvisation and grooves within a tight thematically developed classical structure. Organised by the ‘Seven Ages of Man’ concept from medieval art and literature, it forms an atmospheric personal reflection on the stages of a single human life cycle, taking cues from Shakespeare’s description of life in terms of characters from a play: Infant, Schoolboy, Lover, Soldier, Judge, Pantaloon and the Second Childhood of Old Age.

The large string section projects a real sense of scale and emotional depth to the piece both supporting and integrated with the Jazz Sextet.

The work was written for acclaimed jazz musician and long-standing friend Tim Garland (soprano/tenor sax and bass clarinet) who performs as the principal soloist, and it also features Jason Rebello on piano and Jonny Mansfield on vibraphone.

Paul describes how he conceived the highly ambitious project: “Writing ‘Seven Ages of Man’ was an incredible opportunity to bring together all the strands of my musical persona. I could draw on my background as a classical musician steeped in Jazz, fused with a media composer’s ear for conveying the emotions of a story through music. It’s always been an ambition of mine to write a classically structured long form jazz composition for Tim Garland, who’s been a friend and an inspiration since we met at the Guildhall School of Music & Drama in the 80s. It’s been a privilege to assemble such a distinguished band of musicians with Jason Rebello (piano) and Jonny Mansfield (vibraphone) also taking soloing roles. Ralph Salmins (drums), Misha Mullov-Abbado (bass) and Paul Clarvis (percussion) complete the Jazz Sextet. I didn’t compromise either with the size of the string orchestra line up, contracted by Isobel Griffiths, and that with recording in the wonderful acoustic of Abbey Road Studio 1 gives the whole album a real sense of scale, something I was after from the outset.”

Paul continues, describing the relationship with his new record label: “In Ubuntu Music, it feels great to have found such an excellent and welcoming home for the ‘Seven Ages of Man’ album. The hybrid musical style of the piece is hard to quantify in the classical/ jazz spectrum but at its’ core the principal soloists of the piece are jazz musicians of the highest order and that sits well with the fine roster of talent on the label. The stylistic breadth of the catalogue also leads me to believe that ‘Seven Ages’ will fit right in with the broad ‘no boundaries’ vision that Martin Hummel has for Ubuntu.”

Martin Hummel, Director of Ubuntu Music, gives his parting thoughts: “I was absolutely blown away by the scale, the quality and the inherent appeal of this project, in every single aspect - from the concept, to the compositions, to the musicians, to the quality of the recording itself. Paul is meticulous in his craftsmanship, paying considerable attention to each and every detail. And it’s clearly evident in the end result. Having world class musicians like Tim Garland and Jason Rebello, personal heroes of mine, makes this project even more special. This is a genre-defining release that’s certain to reward both classical and jazz fans alike. We cannot wait to ultimately bring this project to live audiences, whenever and wherever possible. It’s a pleasure to be a part of something so special, and to welcome Paul, the outstanding musicians in the sextet and the exceptional string orchestra into the Ubuntu Music Family.”

PAUL MOTTRAM BIOGRAPHY

Paul Mottram has forged an extremely successful career as one of the most prolific and versatile media composers in the UK, with an enviable back catalogue of compositions. His ability to cut to the emotional heart of the subject matter with a sophisticated melodic multi-layered compositional style has also enabled him to deliver concert music which resonates deeply with the audience.

Classically trained as a violinist, pianist and composer at the Royal College of Music, Cambridge University and the Guildhall School of Music & Drama, Paul quickly began working as an orchestrator on films such as Chaplin, Shirley Valentine and Rain Man. Later, moving into commercials, he also started writing music for BBC radio 4 shows in the 90s, such as In the Red and Babblewick Hall, and television, with the hit spoof documentary series People Like Us (1999).

As one of the founder composers at production music library Audio Network in the early 2000s, Paul began producing a prodigious line of albums which continues to this day (his latest album, Intimate Canvas, came out on streaming platforms in February 2023). You would be hard pressed to watch an evening’s television without hearing his compositions, featured in 100s of shows such as The Great British Bake Off, The Apprentice, Downton Abbey, Doctor Who, The Crown, QI, Big Mouth, Travel Man and Upstart Crow. His music has also been featured in films such as Bad Santa and The Bee Movie and cinematic trailers such as for the Oscar winning film, Blue Jasmine.

A fascination with Jazz has always had a major impact on Paul’s concert music output. Over the years he has written for musicians such as The Swingle Singers, The Underground Orchestra, Fine Arts Brass Ensemble, Superbrass and the Dunedin Consort. Moccasin Trail was written for saxophonist John Harle’s band and features on ‘The John Harle Collection: Vol 15’ and a saxophone/ piano version was premiered by John at a Wigmore Hall recital broadcast on BBC Radio 3. In 2015, the song cycle Falls, (initially commissioned and performed by the Dunedin Consort) was performed at the Snape Maltings by the National Youth Choir of Great Britain and his Gospel Jazz composition for choir with rhythm section Come Spirit was premiered by the Chapter House Choir in York Minster.

Seven Ages of Man, a new 70-minute suite and album written for world class jazz musicians Tim Garland and Jason Rebello, is Paul’s biggest and most ambitious work yet and a remarkable synthesis of his classical, jazz and media music roots. Writing to his own brief, the work has enabled him to explore the intersection between his musical worlds and write something on a grander and more profound scale.

 The Velvet Rage is the debut album by pianist, composer and bandleader Pete Lee, and features a collection of original compositions that celebrate progression and diversity.

Lee is recognised for imaginative, virtuosic piano playing that draws effortlessly on his love of jazz, classical and folk music. From the pop grooves of the opening track ‘Writer’s Block’ to the rich beauty of the ‘The Velvet Rage’ and ‘Stavanger’, a piece dedicated to Stavanger’s artist of the year, the Norwegian contemporary dancer Marie Ronold Mathisen,  The Velvet Rage reveals that he is an equally gifted composer. “ The structure of ‘Writer’s Block’ follows the pop-tune canon rather than that of a typical jazz standard. It's made up of verses, choruses, guitar solo bridge and even a stereotypical key change. The feeling of writer's block was never something I struggled with as a child. I used to write a new piano tune every week or so. I'd be far less concerned about how my songs would be appreciated than I am now. They were just for me, and I loved the feeling of creating something - composing simply felt joyful,” explains Lee . The tune of ‘The Velvet Rage’ marked the beginning of a new style of writing for Lee. “ The piano part was at first composed around the physical shape of my hands as they crossed over, sharing the same range of the keyboard. I wanted to use this piano technique throughout the entire cycle. I'd met the Amika Quartet whilst playing with Alice Zawadzki. For the first time, I arranged for string quartet. The experience was pretty mind blowing.”

The album is arranged for Lee’s 10-piece band,  “a fusion group in the truest sense of the word,  from jazz, pop and classical backgrounds,” explains Lee.  “Josh Arcoleo on saxophone, Alex Munk on guitar, Huw Foster on bass, Ali Thynne on drums & The Amika Strings – Laura Senior on violin 1, Rich Jones on violin 2 & jazz violin, Lucy Nolan on viola and Peggy Nolan on cello. Simmy Singh plays violin on ‘Stavanger’.”

Named after the seminal book The Velvet Rage: Overcoming the Pain of Growing Up Gay in a Straight Man's World by Alan Downs the album examines the pursuit of personal validation. “ Growing up in an Evangelical Christian family, my sexuality took some time for us all to understand and accept. I'm keen that a story of joy and love is included in the way my music is presented. Listen out for the Velvet and the Rage.” says Lee.

Quentin Collins (QC) and Brandon Allen (BA), the hardest hitting trumpet/sax frontline in the business, have released their next album, Beauty in Quiet Places, on the Ubuntu Music record label.

The follow-up to their highly acclaimed debut album, What's It Gonna Be?, released in 2011,  Beauty in Quiet Places consists of all original compositions, written by the pair, with styles ranging from the up-tempo swing of Modal Tranesition (Allen's homage to two of his biggest influences, John Coltrane and Joe Henderson) to the laid back pocket groove of the title track. The opening track, Fuerteventura, takes you on a samba-infused roller coaster ride whilst Oscar's Lullaby showcases the group's softer, more reflective side. 

Completing the lineup on Beauty in Quiet Places are QCBA's regular rhythm team of the masterful Ross Stanley on Hammond organ and the elegant musicianship of Enzo Zirilli on drums.

Since their inception in 2008, QCBA have collaborated with a broad range of artists, including Omar, Paloma Faith, Liane Carroll, Hamish Stuart, Natalie Williams, Gwyneth Herbert, Dennis Rollins and Cleveland Watkiss. This has enabled them to develop the eclectic sound that is evident in this recording, bringing together a melting pot of Jazz, Brazilian and Funk, always soulful and, crucially, always swinging!

Currently, QCBA are the front line for the Kyle Eastwood band, further allowing them to hone the strong sound of unity which they are renowned for on some of the jazz world's biggest stages. 

QCBA hosted a special show to celebrate the launch of Beauty in Quiet Places at Brilliant Corners in Dalston, London, on 22nd September. QCBA are embarking on a major tour during autumn and winter 2015-16 throughout the UK & Europe.

QCBA’s Beauty in Quiet Places was released on 25th September 2015 to critical acclaim and is available in physical and digital formats throughout the world.

For Website, Click HERE.

Brought up around the sounds of jazz by a music-loving father, Quentin had seen many of the greats by a young age, including Dizzy Gillespie, Lionel Hampton & Dave Brubeck. This had a profound influence upon his decision to become a professional musician.

In 20 years as a professional, Quentin has established himself as one of the UK’s top Jazz/Commercial trumpeters, having performed, toured and recorded with a plethora of internationally renowned artists across many genres. These include Fred Wesley, Gregory Porter, Mark Ronson, Kyle Eastwood, Omar, Basement Jaxx, Roy Ayers, Alicia Keys, Dennis Rollins and Mulatu Astatke.

Quentin released his debut solo album, ‘If Not Now, Then When?’, on SunlightSquare Records in 2007. It received much critical acclaim. MOJO magazine voted ‘If Not Now, Then When?’ one of its top jazz albums of 2007.

Quentin currently co-leads QC/BA, a Hammond-organ quartet with tenor sax titan Brandon Allen. QC/BA released their latest album, ‘Beauty in Quiet Places’, in September 2015 on Ubuntu Music: 

"Superb album...absolutely contemporary and of the moment."

-Jazz Views

 QC/BA’s debut album, ‘What's It Gonna Be?’, released in May 2011 on Sunlightsquare Records, was greatly acclaimed by the critics.

"This talented quartet get the full five stars, not only for performing brilliantly

 here but also for playing the type of jazz few can master - namely bright,

tuneful neo-bop originals that swing from start to finish.”

-Jack Massarik, Evening Standard

 For the past five years, Quentin has toured the world extensively with the Kyle Eastwood Band. Their latest album, ‘In Transit’, was released worldwide on Jazz Village in 2017. ‘In Transit’ was the follow-up to 2017's highly acclaimed release, ‘Time Pieces’. Quentin is prominently featured as a performer and a composer on these two recordings.

In early 2015 Quentin Collins & Martin Hummel formed Ubuntu Music with the clear ambition to help nurture young & gifted artists and connect them with wider audiences. Quentin's role as Artistic Director allows him to  develop his skills as producer, overseeing the various musical aspects of the album-making journey. Projects so far have included producing Noemi Nuti's  "Nice to Meet You" & Camilla George's recent "Isang", both highly acclaimed, and an integral role in producing young tenor sax tyro Leo Richardson's debut album, released in Autumn 2017. 

Quentin often hosts a residency at London’s prestigious Ronnie Scott’s Jazz Club with his quartet, featuring Andrew McCormack on piano. Quentin will be releasing a new sextet album in September 2019 on Ubuntu Music.

For Website, Click HERE.

Ubuntu Music is delighted to announce the upcoming release of The Hold Up, the second album from QOW Trio, which will be released worldwide on 26th January 2024.

QOW TRIO is a unique multi-generational jazz band featuring award-winning young firebrand saxophonist Riley Stone-Lonergan, storied British Jazz legend Spike Wells on drums, and multi-genre bassist and bandleader Eddie Myer. The band arose out of a chance meeting at the Verdict Jazz Club in Brighton and, despite the three musicians’ differences in age, it soon became clear that they had much in common - a love of the lineage of big-toned tenor players matched with an appreciation for the wide-open possibilities of the chordless trio, a deep appreciation of the tradition alongside a fearless appetite for exploration, a commitment to the timeless values of melody and swing mixed with a willingness to take risks - all underpinned with a mission to make the music communicate directly to the listener. Spike's time as house drummer at Ronnie Scott's backing many American stars, his tours with Stan Getz and Roland Kirk, together with his years in the seminal British bands of Tubby Hayes, Peter King and Bobby Wellins, give the band deep roots. His fearlessly forward-looking commitment to freedom and swing meet Riley’s contemporary chops and devotion to melody and soul, while Eddie’s bass acts as anchor, providing the centre around which the musical conversation is free to dance at will. Their debut album was released on Ubuntu Music in 2020. It gained excellent reviews in national press, and extensive radio play and Spotify playlisting, and they’ve spent the intervening time with tours, festival appearances and club dates. Now they’re back with a whole new set of material for their upcoming second release.

In 2023, QOW Trio came off the road from a stormingly successful tour of Ireland and went straight into the Fish Factory studio in Harlesden (London), under the expert guidance of engineer Ben Lamdin. Taking full advantage of the spacious live room, the band set up together, with no headphones or separation, allowing the music to breathe organically and the interplay to develop in real time. The session resulted in The Hold Up - an album of tunes that digs deep into the blues and flies high up into the heady heights of improvised freedom, always keeping the empathetic three-way interplay and commitment to swing and melody at the forefront. The group’s development since the first record is plain to hear - there’s more freedom, but also more togetherness, more experimentation, but also more commitment to the fundamentals of the blues. Compositions by Ellington and Strayhorn, Jackie Mclean, Lee Morgan, Thelonious Monk and Big John Patton are radically overhauled, stripped down to the bones and built back up into new forms, where anything can happen: and a new set of original tunes by Riley provide launch pads for exploratory improvisations and soulful self-expression. The passion and commitment is never in doubt throughout - this is music by players who mean it.

Riley comments: "I love playing with QOW, every time we play it feels fresh and new and exciting and I continue to learn so much from Spike and Eddie, both as musicians and as people. I'm immensely proud to be part of this band and I can't wait for people to hear this new record."

Eddie comments: “This band is such a joy to play with - every gig feels like an adventure, and this new recording really captures that feeling.”

Spike comments: “QOW continues on its three-generational journey, of which our first album marked an early stage. With this second recording, we feel that we have progressed in cohesion and been able to tackle music in an even wider range of styles. Riley's original compositions have made a huge contribution. The session was happy and relaxed and shows new levels of creativity in each member of the trio.”

The band comments on their continued relationship with Ubuntu Music: “Martin (Hummel) and his Ubuntu label did us proud with their handling of our first album and we are delighted (and relieved) that Martin was keen to keep us on board and release the new one.”

Martin Hummel, Director of Ubuntu Music, concludes: “It’s an absolute pleasure to continue our highly successful and thoroughly enjoyable relationship with these great guys. Their musical voice has grown, matured, and developed into something very special which is all their own. We’re delighted to be a part of QOW Trio’s next stage of sonic evolution.”

For Website, Click HERE.

Ubuntu Music is delighted to announce the signing of singer, producer and multi-instrumentalist Ray Greene for the release of his next album, Stay. The release date is 14th April 2023.

Ray received a degree in Music Performance at the world-renowned Berklee College of Music. He was born in Americus, Georgia, and currently resides in Columbia, South Carolina, within the shadows of the great Soul/R&B legends of our time. Ray is equally adept at the traditions of Gospel, Jazz and Blues.

He has performed and recorded with a number of the most successful and influential names in the fields of Pop, Funk, and R&B; most notably Aretha Franklin, the Isley Brothers and Natalie Cole.

Greene was selected by the popular and innovative soul/fusion band Tower of Power, where he served as the lead vocalist and trombonist for several years.

Ray was then invited to join the legendary Carlos Santana. Ray has travelled throughout the globe with the famed guitarist. From Dubai and Singapore, to Australia, Africa and Europe, Santana’s music and live performances have been a phenomenal showcase for Greene’s vocals and musicianship. Santana has most recently been on tour with Earth, Wind & Fire.

Ray’s upcoming project, Stay, is a Soul/R&B album that hearkens back to the days of Sam Cooke and Otis Redding, who delivered such power and determination in their approach to singing their classic material. This project begs the question, “what would these gentlemen be doing if they were still with us today?” or, more specifically, “what type of music would Bobby Womack or Jackie Wilson be listening to?”.

Ray wrote the music for Stay over the course of several years, which deals with the emotions, joys and pain of being in mature, adult relationships. The songs delve into complexities and subtleties by asking how and why certain situations come to be the way they are. It was important for Ray to convey these messages in a way that takes the listener inside of these relationships.

Ray shares his perspective on the essence of the project: “Soul music is at the heart of this collection of songs. However, the record is also heavily influenced by artists and musicians from an array of different genres and sub-genres of Soul and R&B music. There are elements of Jazz improvisation, Blues, Gospel, Pop and even Reggae. ‘Stay’ is the culmination of all these styles coming together to tell the many different stories of life, love, and relationships.”

Stay features an exceptional array of talent, including Santana guitarist and vocalist Tommy Anthony, Tower of Power guitarist Jerry Cortez, along with bassist Ray McKinley, who performs and tours with Sheila E.

Ray continues, describing his new relationship with Ubuntu Music: “Alex Bernath, my manager at Alexander Agency, talked about a connection he made at the Jazzahead Trade Show in 2022. I was first intrigued by the name, UBUNTU MUSIC: ‘I Am, Because We Are’. I am genuinely impressed by the roster of musicians and artists who are on the Ubuntu Music Label. The cross-section of ages, genders, ethnicities and styles makes me exceedingly proud to be a part of such a talented and diverse group. Ubuntu Music has a very strong Jazz presence, which is especially interesting for an artist such as myself. I truly appreciate how performers like Maysa, Kem and Omar are able to meld the genres of Jazz and Soul music into a single category. Martin (Hummel) represents the Label wonderfully and gives each of his artists a sense of being in a big, extended family. As I consider all of the potential opportunities that may lie ahead, my enthusiasm is bolstered by knowing I am being supported by Mr. Hummel and his team. I look forward to what our partnership will produce, and I am excited for what the future will hold as we align with Ubuntu Music!”

Martin Hummel, Director of Ubuntu Music, concludes: “Being introduced to Ray has been an absolute blessing. He’s a kind, caring individual who just so happens to possess tremendous talent as a composer, vocalist, and trombonist. It’s a privilege to be associated with someone who has performed with a few of my favourite contemporary artists: Aretha Franklin, The Isley Brothers, Natalie Cole, Tower of Power and even Santana! I am most grateful to Ray’s manager, Alex Bernath, for making this happen. We are ecstatic beyond words that Ray has joined the Ubuntu Music Family and we very much look forward to bringing Ray’s soulful sound all over the world.”

RAY GREENE’S COMMENTS ON ‘STAY’ PRODUCERS & INSTRUMENTALISTS

“There were many producers and instrumentalists brought in to bring the vision of ‘Stay’ to life.

“Ed Grenga is a producer and songwriter who has produced music and songs for three major motion pictures, a Top Ten song, two Gold records and two Platinum albums. He has worked with award winning producer Ross Vannelli, brother of Canadian recording star Gino Vannelli. Together they wrote and produced records for such artists as Jeffrey Osborne, Howard Hewett (Shalamar), Kim Carnes, Buddy Miles, and others.

“Al Watkins is a producer, mix engineer and DJ who attended Berklee College of Music and has worked with many artists in the fields of Jazz, Hip-Hop, and R&B, most notably jazz saxophonist Elan Trotman of Woodward Avenue Records.

“Gerald Richardson, aka ‘Hot Berry Black’, is a keyboardist, singer and producer, as well as the CEO, director, and chief brand officer at Monsta Music LLC, which is a song writing and branding conglomerate located in Boston, Massachusetts.

“Steve Catizone is a Naples, Florida based keyboardist and owner of Infinite Recording Studios, located in Reading, Massachusetts. He has produced and worked with many artists of varying styles, including Damian Marley, Charlie XCX, Talib Qweli, and Wyclef Jean, just to name a few.

“Paul Jefferson is a Los Angeles, California based multi-instrumentalist who played and produced most of the 12 tracks on ‘Stay’.

“The record features Santana guitarist and vocalist Tommy Anthony, Tower of Power guitarist Jerry Cortez, as well as bassist Ray McKinley, who performs and tours with Sheila E.

“Tyrone Chase played guitar and bass for several of the tracks on the record. He is the assistant chair of the Ensemble Department at Berklee College of Music, receiving his Bachelor of Music degree in production and engineering. Tyrone has worked with Brian McKnight, Christian McBride and Brian Culbertson. He has recorded with Earth, Wind & Fire as well as smooth Jazz saxophonist Walter Beasley.

“Jeff Lockhart is an accomplished Funk and Jazz guitarist who has worked with bass Funk-master Meshell Ndegeocello as well as instrumental Jazz group Lettuce. He has recorded with superstar Beyoncé and singer Dido.

“Joe Cunningham is a much sought-after saxophonist in the New England area who has played with many artists in the region as well as famed Jazz and Soul vocalist Phil Perry.

“Each one of these supremely gifted musicians brought their unique skill sets to the sessions and helped to create a wonderful mix of styles and sounds. These elements combined to form the backdrop for the lyrics and stories that became the music of ‘Stay’.”

The jazz influence in Steely Dan’s music is unquestionable. A self-confessed jazz nerd, Donald Fagen spends much of his book, ‘Eminent Hipsters’, waxing lyrically over the effortlessly hip sounds of Henry Mancini and the ‘tight arrangements’ of the Boswell Sisters. It seemed a natural progression that some day the music he crafted with his partner Walter Becker would find its way back onto the music stands of a full big band…while preserving the understatedly cool musical signature that defines Steely Dan.

Reuben Fowler is a 28-year-old composer, arranger and trumpet player based in London. He is the recipient of the 2012 Kenny Wheeler Prize, the 2012 Musicians Benevolent Peter Whittingham Award and the Jazz Services Recording Support Scheme. From touring the world with artists such as Boy George and Paloma Faith to leading his own big band featuring Tom Harrell, Fowler is never short of ideas.

His latest celebrates the 40th birthday of arguably one of the finest contemporary albums of all time--Steely Dan’s Aja. In true Steely Dan fashion, the recording features 22 of London’s finest jazz and session musicians collaborating to perform Reuben’s arrangement of Black Cow, a Steely Dan masterpiece. Among those contributing are The Average White Band’s Hamish Stuart/vocals, Paul Booth/sax and Jason Rebello/keys.

Fowler explains, “…as the name of the project suggests, we recorded this as an arrangement painstakingly faithful to the original version with the sole intention of celebrating 40 years of Aja; an album responsible for introducing me to Steely Dan’s music that I have lived with and loved for a very long time.”

‘Black Cow’, the single, is a digital stream and download release only on the Ubuntu Music record label, and can be found on all major digital/streaming platforms throughout the world (such as Apple Music, Spotify, Deezer, Tidal). All proceeds will be donated to Cancer Research’s oesophageal cancer unit, in memory of the passing of Walter Becker, co-founder and guitarist of Steely Dan.

Explaining this decision, Fowler continues, “I started this project around eight months ago with musical buddies Tom Walsh and Darren Williams purely as a labour of love. Sadly, within that time one half of the Donald Fagen/Walter Becker partnership that created ‘Steely Dan’ as we know it passed away. Martin and I felt that this was the right thing to do to preserve the original spirit of the project while doing something in Walter’s memory.”

“I was first introduced Reuben’s idea late one night at Ronnie Scott’s and never stopped thinking about it since”, says Ubuntu’s Director, Martin Hummel. “It’s the right time to remind ourselves of just how brilliant this music is and to celebrate its genius. And Reuben, along with his all-star Big Band, is just the guy to make it all happen.”

Future plans include an album of Steely Dan/Donald Fagen material, along with a supporting tour in 2020.

Ubuntu Music is delighted to announce the signing of the innovative Brooklyn, New York based pianist, Richard X Bennett, for the worldwide release of his next album, RXB3, on 28th May 2021.

Pianist/Composer Richard plays unique and soulful jazz with a sound all his own. He is also known for his fresh approach to Indian raga music. RXB's albums, the jazz-raga quintet Experiments With Truth and the groove jazz trio What Is Now were released simultaneously by Ropeadope Records in 2017. His ambient solo Away From The Many, and piano/electronica collaboration with HUW, Wood/Water, were released in 2018. Richard also has six critically acclaimed raga-based records on major Indian labels. In New York, his groups have performed at Lincoln Center Out of Doors, The Guggenheim Museum, The Rubin Museum and Central Park Summerstage. Internationally, he has played in over twenty countries including a two-month tour of China and India in 2019.

The music that Richard X Bennett creates is undoubtedly experimental in nature and showcases some first-class improvisation, but also retains a whole host of stylish and melodic grooves, making it exciting for those who appreciate the technicality of an accomplished jazz musician, yet is accessible and enjoyable for those who lean toward the R&B / soul end of the musical spectrum. It is this combined with the engaging structures of his compositions and their immediate ‘non-airbrushed’ feel that makes RXB3 a unique offering in today’s musical landscape.

Richard X Bennett recorded RXB3 during the lockdown period with long term collaborator Adam Armstrong on bass and new drummer Julian Edmond, who originally comes from a gospel background. The synergy between the trio is more than apparent on the album.

On RXB3, Richard reimagines the trio as a vehicle for his tuneful songs and weighty, poly-rhythmic, groove-centric piano explorations. He explains: “Each song begins as a bespoke piano pattern. The melodies evolve from these patterns, resulting in a multitude of ideas that exist together. I create modern music with a melodic and funky fabric and then tear it apart. My expectation is that you can listen, dance or vibe to this music at your leisure and pleasure. Listen closer and you will hear jazz, contemporary classical and Indian raga elements threaded throughout. The rhythm section has that bounce I like. I met drummer Julian Edmond during the middle of the pandemic and immediately knew that he could raise the music to a new level. He plays a stripped-down drum set so there’s more air. Adam Armstrong (bass) has that big jazz sound that roots us in the tradition.”

The songs are all by Bennett with the exception of Tum Hi Ho, which is a Bollywood standard written by Mithoon for the movie, Aashiqui 2. Richard elaborates: “In 2019, I played Tum Hi Ho as a lighter encore for my raga concerts in India. Ballads should be all about the feel. If you’re noticing my technique, then I’ve done something wrong.”

RXB3 also features idiosyncratic videos conceived and directed by Bennett himself.

He says: “There are few things duller than videos of musicians recording in a studio interspersed with shots of them relaxing on a couch. We were limited to my waterfront Brooklyn roof this time but that was plenty.”

Concerning his new relationship with Ubuntu Music, Richard shares his thoughts:

“I wanted to release my new trio music on a

1) British,

2) forward-thinking,

3) acoustic

4) jazz-based label.

Bang, bang, bang and BANG! Ubuntu is four for four… I’m chuffed to be part of it.

“Martin (Hummel) is very passionate and informed about music which results in a unique curator’s voice for Ubuntu. Instrumental music can be stimulating, transcendent and appealing for all engaged listeners. It shouldn’t be a tasteless meal that is forced on you but an extraordinary buffet ready to be savoured. These days Ubuntu is serving up some of the best. We hope you heartily enjoy…”

Martin Hummel, Director of Ubuntu Music, gives his perspective on the Label’s latest signing: “Richard’s is, undisputedly, a unique and eclectic breed of the modern piano trio. His compositions are an intoxicating mixture of inviting, seductive melodies which are underpinned by a take-no-prisoners collision of funk-meets-raga-meets-jazz. It’s an addictive musical cocktail for the head, the heart and the feet. We’re only too happy to have Richard join the Ubuntu Music Family.”

For Website, Click HERE.

Ubuntu Music is delighted to announce the signing of pianist Rob Barron for the album release, From This Moment On, featuring his exceptional trio.

Rob Barron is a mainstay of the London jazz and studio scene. Constantly in demand, he is a first call pianist highly regarded for his improvisational flair, innate musicality and a deft touch that reveal influences inspired by Blue Note greats Cedar Walton, Wynton Kelly and Sonny Clark.

His love for the piano came at an early age and quickly developed into a prodigious talent for musical expression, anchored by a deep respect for musical history and culture. Graduating from Leeds College of Music with a BA Hons in Jazz Studies, Rob received the prestigious College Award for Outstanding Performance and went on to gain his Master’s Degree in Music Performance at The Guildhall School of Music and Drama.

Rob has flourished in the rich environment of the London jazz scene, entertaining audiences by performing with visiting American jazz musicians Phil Woods, Grant Stewart, Patti Austin, Al Jarreau, Marlena Shaw and John Marshall to name a few. He has also toured the UK with outstanding saxophonist Dave O’Higgins, who is also an Ubuntu Music artist.

Featuring on many movie soundtracks, most prominently Baz Luhrmann’s adaptation of The Great Gatsby, Rob’s session work includes such names as The BBC Big Band, The Royal Philharmonic Orchestra, Jamie Cullum, Claire Martin, Liane Carroll and Rachel Portman. He has appeared on more than thirty albums.

A sought-after sideman in a huge number of London based groups, Rob felt a growing and powerful desire to expand the music he loves in a direction he could define on his terms. The Rob Barron Trio was formed 2012 with drummer Josh Morrison for exactly this purpose. Performing regularly at Ronnie Scott’s jazz club, their engaging blend of musical creativity led them to open for The Louis Hayes Quartet, The Kenny Barron Trio and Cecile McClorin Salvant. Rob’s first album, What’s in Store, was released in 2016 and featured Colin Oxley on guitar, along with Stacey Kent sidemen Jeremy Brown and Josh Morrison. It met with critical acclaim and respected jazz critic Peter Vacher of Jazzwise Magazine placed it in the Top Ten Jazz Albums of The Year.

Dedicated to pushing himself to greater heights, Rob regularly dives into the New York scene to study with some of the best pianists in the city, including Mike LeDonne, Michael Weiss, Michael Kanan and David Hazeltine.

Rob also spends his time as a professor of jazz piano at The Guildhall School of Music and Drama.

Concerning his latest project, Rob explains, ‘From This Moment On’ struck me as the perfect name for this album. As well as being the title of the Cole Porter song featured on the record, I felt the optimistic narrative of the lyrics (‘From this moment on, No more blue songs/ We’ll be riding high/ Every care is gone…’) is a positive and hopeful sentiment during this period of crisis in the world. It brings a sense of looking forward to a brighter future.

“On this album I feel I have created a work that reflects who I am as an artist today. In a departure from my debut album, this recording centres on the piano. Now is the time to produce a classic trio recording. All of the elements have aligned harmoniously, and I felt energised by the musical bond within the trio, the arrangements and the space I am in as a player. I am delighted to be joined by Jeremy Brown and Josh Morrison on this album, two musicians who I have great affinity with and whose playing I thoroughly respect and admire. Our musical relationship continues to go from strength to strength.”

Rob continues, describing the music on the album, From This Moment On: “This album was born in a small practice room at Steinway Hall, London. It was early January 2017 and I had gone there to sketch out my own arrangement of Anthony Newly’s ballad, ‘Pure Imagination’. Instinctively I felt that a medium tempo groove would suit the fresh take that I wanted, and the song started to come together with a lively warmth on the Steinway. I knew I had started the journey of this album on that cold distant day.

“Re-imagining songs that really speak to me has always been a passion of mine. Each song has a truth to it, a soul or centre; it is a source of tremendous pleasure to find innovative and fresh ways that this truth can be expressed to the listener. Often an idea for how a song might work in a different way will occur spontaneously; it might be a change in tempo, a re-harmonisation or different meter. The original melody is always the defining feature of any song - it is this the audience wants to hear - this universal reference providing familiar context to fresh musical expression.

“After I completed my arrangement of ‘Pure Imagination’ I knew I had a strong start I was happy with. Pushing the creative process too fast is limiting and so I was careful to allow the other tracks to develop organically, giving each one space to breathe and grow before moving onto the next. Each song was drafted several times until I was satisfied that each chord voicing was perfectly formed to match the sound in my head. Integral to this process was playing through the various drafts of each arrangement with Jeremy and Josh and refining it until not only was I happy that it was a great arrangement, but that it was an arrangement that allowed the nuances and skill of each player to really shine. I am indebted to their patience, professionalism and brilliant playing. We certainly have great musical empathy together and I am thrilled to have them on this recording.

“I am inspired and influenced by such a wide range of music, especially that master of arranging in different styles - the great, late Cedar Walton. Other strong influences that inform my work are the composers Johnny Mandel, Billy Strayhorn and Frédéric Chopin.

“I’m excited to present two original compositions in this album, each an exploration of different sides of my personality.”

Concerning his new relationship with Ubuntu Music, Rob elaborates: "Martin Hummel is one of the most musically open minded and dedicated people I’ve met in the jazz record industry. He is hugely enthusiastic about the artists he works with and their music and has helped me realise my full potential and given me the confidence to make my album become a reality. I see my own signing to the Ubuntu label as a significant part of my recording career as a leader and I’m indebted to Martin for his expertise, connections and support for my music. I can’t think of another record label doing more for jazz musicians both here in the UK and internationally. I am looking forward to the months ahead and am proud to associated with the force of nature that is Ubuntu Music.”

Martin Hummel, Director of Ubuntu Music, shares his enthusiasm concerning the Label’s latest signing: “Rob is undisputedly a hidden gem in the thriving London jazz community. He has consistently and unselfishly supported a wide range of extremely talented artists, in a immaculately engaging fashion. With the release of ‘From This Moment On’, Rob’s time has come to take centre stage and deliver to the world the stunning beauty of classic jazz piano trio music at its finest. We’re delighted to have Rob join the Ubuntu Music Family.”

Ubuntu Music is delighted to announce the release of multi-talented composer/saxophonist and podcaster/filmmaker Rob Cope, for the release of Gemini, his second album on Ubuntu Music.

Gemini, derived from Greek mythology as meaning ‘two’ or ‘twins’, brings together two coexisting duos, and musicians who have inspired Rob greatly over the years. This project is a personal reflection of what musical collaboration means to him. For this release, Rob is joined by his great friend and saxophone teacher, Andy Scott, whose playing, compositional creativity, and freedom of expression through both contemporary and improvised music Rob has always admired. The outstanding improvising duo of Liam Noble and Paul Clarvis adds a dimension that celebrates true spontaneity, energy and colour.

Rob describes the music of Gemini: “This music is a self-reflection and collaboration with my great friend and teacher, Andy Scott. Each of my compositions represents a lesson - be it in life or in music - and all the wisdom passed along the way. For me, music should be fun to play but also challenging, and I wanted to combine my love of difficult, contemporary saxophone music with improvisation, and hopefully contribute to the repertoire in a unique way. Liam and Paul are musicians I grew up listening to, so to record with them is the fruition of years of planning and dreaming.”

Rob continues, describing his ongoing relationship with Ubuntu Music: “Releasing ‘Gemini’ on Ubuntu is the perfect next step in my journey with the Label. Having released my debut album, ‘Gods of Apollo’ as well, Ubuntu is home to all of my music. The diversity of the Label is something I identify with and I’m proud to be associated with. Wanting to continue my collaboration with Ubuntu comes from a deep and long-standing appreciation for Martin Hummel, whose energy and enthusiasm - along with his support - made working together on this album a real joy.”

Martin Hummel, Director of Ubuntu Music, concludes: “Rob is a uniquely talented individual, who seems equally comfortable composing, arranging, performing, podcasting or even film directing. ‘Gemini’ is the obvious next step in his mission, which began with ‘Gods of Apollo’. This latest adventure consists of a group of musicians who are leaders in their own right and whom Rob has admired for some time. The music reflects what Rob is all about – as an artist and as a human being – as he takes us on his journey. We’re over the moon (pun intended) to have Rob continue to grow with the Ubuntu Music Family.”

BIOGRAPHY

Gemini is a new band, featuring Rob Cope (soprano saxophone and bass clarinet), Andy Scott (tenor saxophone), Liam Noble (piano) and Paul Clarvis (drums). Andy, Liam and Paul have been performing together for over 30 years and this new band brings them back together with composer Cope at the helm. Gemini’,their first recording as a band, explores Rob's passion for challenging and fun improvised music. Due to perform at jazz venues across the UK in 2024, Gemini will bring a unique combination of impressive technical agility with the freedom of improvisation and genuine musical interaction.

For Website, Click HERE.

 Rob Luft is an award-winning 25-year-old musician from London, and has been described as one of the UK’s most prominent and talented young contemporary jazz guitarists. Praised by The Times “to achieve great things in the future”, Rob was the recipient of the 2016 Kenny Wheeler Jazz Prize and he also received the 2nd Prize in The 2016 Montreux Jazz Guitar Competition. His debut album, Riser, was released in July 2017 to widespread critical acclaim from the European jazz media. John Fordham wrote in The Guardian that it’s a “very sophisticated debut, but given Luft’s old-soul achievements since his early teens, we should have heard it coming”.

 Concert highlights include performances with artists including Django Bates’ “Saluting Sgt Pepper”, Iain Ballamy, Eddie Parker’s “Mister Vertigo”, Loose Tubes, Laura Jurd’s “Dinosaur”, Tommy Smith’s Scottish National Jazz Orchestra (SNJO) & The Hamish Stuart Band.

 Rob is a regular member of some of London’s finest modern jazz groups, such as Byron Wallen’s “Four Corners”, Martin Speake’s “Mafarowi”, and Enzo Zirilli’s “Zirobop”. He appears on Liane Carroll’s latest release on Linn Records (‘Seaside’ – 2015), Brazilian singer Luna Cohen’s new album on the Catalonian independent label Temps Record (‘November Sky’ – 2016), & the debut album from Enzo Zirilli on Milanese label UR Records (‘Zirobop’ – 2015). In 2015 he was the recipient of the Peter Whittingham Award as part of two collective ensembles – Patchwork Jazz Orchestra and jazz-rock quartet Big Bad Wolf.

For Website, Click HERE.

Ubuntu Music is delighted to announce the signing of talented young Israeli guitarist, Ron Magril, for the release of his debut album, Until Now, on 27th May 2022.

Ron is a rising jazz guitarist and composer from Tel Aviv. He started his musical journey when his grandfather taught him to play violin and at the age of 10, Ultimately, he fell in love with the guitar, which remains his main instrument.

Ron was inspired by the sound of the Hard Bop of the 1950s and 1960s. His music and his playing attempt to recreate the vibe and the sound of this genre while evolving modern concepts and sounds into a mixture of old and new. He is currently a student at The New School in New York, after being awarded a scholarship from the New School in 2018.

Ron describes his debut project: “I truly believe that ‘Until Now’ describes exactly who I am as a musician and as a human being. When the pandemic started and I had to leave my new home in New York, hold my studies for a while and return to Tel Aviv, my hometown. Those days were tough for me. To feel that emptiness and depression made me realize how passionate I am about recording and playing my music live and I knew that it was finally the right moment for me to record my debut album and to play my music again.”

Ron called on some of his dearest friends to record the album with him…Avshalom Mediam (piano), Oren Hardy (bass) and the exceptional Ofri Nehemya (drums). Ron explains: “Working with Avshalom, Oren and Ofri was like a dream come true for me and I feel that our longstanding friendship helped us to find our sound as a band.”

Regarding his new relationship with Ubuntu Music, Ron continues: “I’m so excited to join the Ubuntu Music family. To release ‘Until Now’ with Ubuntu is such a big honor for me and I’m truly grateful for the opportunity to share my music. Working with Ubuntu and Martin Hummel on this album was inspiring. I’m so glad to begin our journey together.”

Martin Hummel, Director of Ubuntu Music, offers his thoughts: “It was such a joy to be introduced to Ron and his music. He’s a gifted guitarist with a lovely, distinctive sound. We’re thrilled that Ron has joined the Ubuntu Music Family and can’t wait to share his music with the world.”

For Website, Click HERE.

Ubuntu Music is delighted to announce the signing of the exceptional Israeli pianist/composer/arranger Roy Mor, for the worldwide release of his debut album, After The Real Thing, on 21st May 2021.

Roy’s music has been described as “modern and daring yet remains firmly rooted in the jazz tradition, cutting seamlessly across many moods” (La Repubblica). His playing has been referred to as both “melodic” and “energetic”, and his compositions as having “a genuine quality that flows seamlessly from his inner voice as a player - strong, evocative, harmonically complex and rhythmically alive”.

Roy’s artistic journey illustrates his varied facets and interests: after a stint studying acting, serving as a military paratrooper, and earning a university degree in Philosophy with honours, he left a career as a software engineer with Microsoft to move to New York and pursue his true passion: music.

While in NYC, Roy performed as both a leader and sideman at many of the city’s best jazz venues and collaborated with some of New York’s most acclaimed and up-and-coming artists, including Francisco Mela, Tyshawn Sorey, Stacy Dillard, Anat Cohen and Jazzmeia Horn, among others.

Before moving to New York, Roy led his own trio and quartet, wrote music for theatrical productions, played as a pianist with The Israeli Big Band and performed at major festivals in Israel. He also had the privilege of studying and performing with saxophonist and educator Arnie Lawrence at the International Center for Creative Music in Jerusalem.

In New York he had the chance to complete his musical studies at The New School for Jazz and Contemporary Music under a generous merit scholarship, during which he was placed on the Dean’s List, and had the opportunity to study under the mentorship of renowned jazz masters and some of his personal musical heroes. His recordings received regular airplay on Jazz FM Radio and BBC radio, and he won the Eubie Blake Foundation award two years in a row, and has performed his music internationally in Italy, Denmark, Canada, Spain and Cuba.

Since his return to Israel Roy has led several groups of musicians playing his compositions which draw from many influences - from hard-bop through classical music to West African styles - and fuses them into what he calls a “biblical sound”, inspired by Israeli multiculturalism and his own Middle Eastern roots. In addition to original music, Roy’s bands continue to explore new interpretations of Israeli classics and fresh renditions of standards. He leads a trio, quartet and sextet that plays regularly in Israel and internationally.

In the last few years Roy has recorded and performed with celebrated oud and guitar player Amos Hoffman (winner of the Landau Prize for the Arts) and with renowned flutist, Avichai Ornoy, and collaborated on special projects with artists such as Avishai Cohen (trumpet), Ofer Ganor, Alon Oleartchik, Anat Cohen, Ehud Ettun, Noam David, Gregory Rivkin, Yuval Cohen and Gilad Ronen. He has also performed with Esperanza Spalding, Roberto Gatto, Dave Douglas, Ben Wendel, Eli Degibri, Greg Tardy, Tivon Pennicott, Deantoni Parks and others.

Together with renowned saxophonist and vocalist Abate Berihun, Roy formed the “Addis Ken Project” in 2018, a unique world music and Ethio-jazz ensemble that plays deeply spiritual soul music inspired by age-old Jewish-Ethiopian prayers, afrobeat and the blues. The project’s music was recently described as "an encounter between ancient Jewish Ethiopian traditions and the spirit of a modern jazz ensemble, employing musical adventurousness, rich harmonies, and heartfelt blues" and has received acclaim in the press. The group has performed internationally in jazz festivals in Panama, Denmark, Canada and Israel and won the Israeli Ministry of Culture’s highest artistic grant in 2020.

Roy is a recipient of the Eubie Blake Foundation award for 2013 and 2014, and of the Dodge Foundation Grant for 2012, 2013 and 2014. He is a recipient of the Rabinovich Foundation for The Arts award for 2015, and an Outstanding Artist Grant from the Israeli Ministry of Culture in 2016. In 2019, he received an artistic award from Mifal HaPais Council for the Culture and Arts.

In terms of his newly formed relationship with Ubuntu Music, Roy continues, “I am delighted and thankful for having Ubuntu Music as a home for this album and my music. I first came to know Martin Hummel a few years ago when we met to discuss a collaboration on a different project, and I was struck by his passion for the music and his professionalism. Since then, I have been following the amazing growth of Ubuntu Music and the way Martin has been realizing an ambitious vision of building a unique label like Ubuntu, which is both admirable and inspiring. Martin’s dedication, enthusiasm, and attention for the musicians is very evident, and this creates a relationship of trust, where I feel the Label understands my needs and goals as an artist. And I really relate to the idea behind the Label’s roster, which is selective and yet at the same time so diverse, representing such incredible talent from around the globe and across many genres and styles in Jazz. I’m honoured to be part of the Ubuntu Family and I’m excited about things to come.”

Martin Hummel, Director of Ubuntu Music, shared his thoughts: “I was first introduced to Roy and his music through Jazz FM’s Ruth Fisher, and I subsequently embarked on a journey of Roy, his music, his collaborations and the essence of the man as a dedicated artist to his trade. He’s a tireless, consummate professional who is now ready to share his music with the world, and I am certain the world is ready to embrace ‘After The Real Thing’ in a very big way.”

For Website, Click HERE.

New York based saxophonist/composer Seamus Blake is recognized as one of the finest exponents of contemporary jazz. His music is known for its sophistication, bold improvisations and “sheer swagger".  John Scofield, who hired Seamus for his “Quiet Band,” called him “extraordinary, a total saxophonist.” Throughout his 24 year career, Seamus has garnered critical praise for his masterful playing, his fine compositional skills and for his facility as a leader.

 Since moving to Paris in February 2018 Seamus has been invited to perform the music of his recent CD, "Superconductor" with a number of European Jazz Bands. Beginning with the Latvian Radio Jazz Band early in 2018, Seamus has performed with the Trondheim Big Band and The Sibis Alumni Big Band (Sibelius Institute, Helsinki), in September. He is scheduled to perform his music with The Tuesday Big Band (Amsterdam) on November 6/7, and The Subway Jazz Orchestra on November 14. 

In 2017 Seamus assembled a new quartet, The French Connection. The band (Seamus, Tony Tixier piano, Florent Nisse, bass, and Gautier Garrigue, drums) recorded their first CD in Paris in November 2017 and have toured in France and Spain. The CD will be released on the Whirlwind label. Three promo videos will be available on YouTube in January. Seamus has a busy schedule in Europe in 2018. Check the Performance page for details.

Superconductor is Seamus’ most ambitious project to date and was released in December 2015. The talent includes Nate Smith, Matt Garrison, Scott Kinsey, a 7-piece orchestral ensemble as well as special guest appearances by John Scofield and Gonzalo Rubalcaba. The album marks the debut of Seamus on EWI (electronic wind instrument). Seamus plays on the 2015 Grammy nominated Camino by pianist Gonzalo Rubalcaba. 

Seamus Blake was born December 1970 in England and raised in Vancouver, Canada. At age 21, while still a student at Boston's prestigious Berklee College, he was asked to record with legendary drummer Victor Lewis.  After graduation, he moved to New York, where he rapidly established himself on the New York jazz scene.  In February 2002, Seamus took first place in the Thelonious Monk International Jazz Saxophone Competition in Washington D. C. As the winner, he performed with Wayne Shorter and Herbie Hancock.

As a leader/co-leader, Seamus has released 16 albums. He is featured as a sideman on over 70 CDs.

Seamus has played on six of the Grammy nominated Mingus bands’ albums   He continues to play and record with Bill Stewart, Kevin Hays, David Kikoski and Alex Sipiagin.  Seamus is frequently featured as a guest artist. In 2010 he was guest of honor at the International Saxophone Symposium in Washington hosted by the US Navy Band.  Seamus was a member of John Scofield’s Quiet Band and toured and recorded with Dave Douglas. Some of the many other artists he has worked with include Eric Reed, Ethan Iverson, Chris Cheek, and Matt Penman. 

For Website, Click HERE.

Ubuntu Music is delighted to announce the signing of trumpet ace Sean Gibbs for the release of his album, When Can I See You Again?, on 13th August 2021.

Sean is a jazz trumpet player and composer/arranger hailing from Edinburgh. After growing up playing with ensembles such as The Tommy Smith Youth Jazz Orchestra and The National Youth Jazz Orchestra of Scotland, he enrolled on the jazz course at Birmingham Conservatoire. He graduated from the course with first class honours in 2015, winning the BMus Jazz prize. During his time at the conservatoire, he studied with renowned trumpet players Percy Pursglove and Richard Iles, alongside many guest artists, including Mark Turner, Kenny Garrett, Maria Schneider, Joe Lovano, Dave Holland and John Taylor.

Sean resides in London and is an in-demand performer across the UK and abroad. He is a member of the Scottish National Jazz Orchestra (with which he has performed with guest soloists such as Kurt Elling, Joe Locke, Kenny Washington, Martin Taylor, Jazzmeia Horn, Bill Evans, Makoto Ozone and Mike Mainieri), Young Pilgrims, the Calum Gourlay Big Band, the Mike Fletcher Jazz Orchestra, the Martin Kershaw Octet and Paul Towndrow’s Keywork Orchestra. As a freelance musician, Sean has performed with Jim Rattigan’s Pavillon, Eliza Carthy’s Wayward Band and Chris Dean’s Syd Lawrence Orchestra, to name but a few.

Sean is also a prolific composer/arranger, having written many works for big band, including commissions for the Scottish National Jazz Orchestra and Greater Manchester Jazz Orchestra. His compositions have been recorded by the Birmingham Jazz Orchestra and performed as far afield as the USA, by the University of Miami's Frost Studio Jazz Band.

Sean describes the music and the idea behind When Can I See You Again?, his upcoming Ubuntu Music release: “The album features original music of mine, steeped in the jazz tradition, with a focus on lyrical melodies, hearty grooves and a deep association with the blues. The compositions are largely about celebrating the human connections that I’d sometimes taken for granted, many of which became sorely missed with the pandemic. It was an immense privilege to record these pieces with some of my favourite musicians on the London jazz scene, and I can’t wait to share them with you all.”

The album features a top-notch array of talent, including Riley Stone-Lonergan on tenor sax, Rob Brockway on piano, Calum Gourlay on bass and Jay Davis on drums.

“I’m incredibly excited to join the stellar cast of artists at Ubuntu”, Sean explains. “They have released many of my favourite albums of the past few years and seem to be going from strength to strength, even in such a difficult time for the industry. Martin (Hummel) has a great passion for the music and his enthusiasm is infectious.”

Martin Hummel, Director of Ubuntu Music, adds his perspective: “Sean walks softly and carries a big, beautiful horn. He is a significant, growing talent, with an ace band behind him. And he’s clearly demonstrated he’s got first class composition skills. Watch out for him. We’re pleased he’s with the Ubuntu Family.”

For Website, Click HERE.